Can I use this as an excuse to talk about Knives Out? Iβve been dying to talk about Knives Out.
As a big fan of detective fiction, I really enjoyed Knives Out! As I was leaving the theater I was eager to talk about what an incredible move it was to make a detective movie where the detective sucks.
At which point everyone stared at me like Iβd grown a second head.
The first thing I did when I got home was look up βknives out ending explainedβ, which as above explained nothing and just restated the events, looking for someone who had seen what I saw.
Video after video, article after article, I was slowly forced to accept that I had been watching a completely different movie than everyone else.
The movie I saw featured an obvious parody of the genius detective character, bumbling around the edges of a tense cat and mouse between two brilliant and incredibly manipulative people who were actively playing with genre tropes to fuck with him.
Letβs establish some facts about our murder victim.
Harlan Thromby is a wealthy eccentric who loves puzzles and games. He disdains his own wealth and openly despises his family for their contentment to leech off his fortune and do nothing with their lives. And he earned that fortune by being a WORLD FAMOUS AUTHOR OF MURDER MYSTERY NOVELS.
His last day was spent gathering his entire family to his estate, where he very loudly establishes motives for all of them to want him dead.
One of his first actions on screen is playing with a trick knife people!! The same knife he uses to fake his βsuicide!β The same knife Ransom will later pull from the ring of knives which represent proximity to the center of the mystery! This is not hard to figure out people!!
The way his body is conveniently destroyed, the incredibly obvious flipping the go table, the fact that Ransom could not be more of a red herring if he was dressed like a swedish fishβ
The fucking inane *donut metaphor,* god, even Benoit Blanc (his name is βBlessedly Blankβ guys come on!) can tell heβs only seeing the edges of whatβs happening here!
Can I tangent about his accent for just a second? Itβs a very overt reference to Hercule Poirot, who used his comically thick Belgian accent to get people to underestimate himβ meanwhile Benoit strides onto the scene already respected and deferred to. Heβs not affecting a character to enable his investigation because he doesnβt have to. Heβs just Like That. He is a thoroughly and intentionally comical character! Heβs not the detective, heβs the Lucky Fool.
And donβt get me started on Marta! Sheβs the one using her accent to make people underestimate her. Youβre presented with a character who claims to be biologically incapable of lying in a MURDER MYSTERY and you just took that at face value???
Sheβs established during the go scene as Harlanβs equal in intelligenceβ This is a brilliant, strategically minded woman, and thatβs just objective text! But any time sheβs around Benoit sheβs a wide eyed innocent victim, incapable of recognizing the Thrombeyβs very obvious moves against her.
Outside of her intelligence and her apparent allergy to dishonesty, we know almost nothing about her, and one of those things has to be a lie.
Hereβs the actual ending of Knives Out explained!
Harlan, sick of his wealth and his spiteful family, decides to fake his death. And because he is both theatrical and a monstrous asshole, he decides to use his βdeathβ in order to stage a real murder mystery plot.
But he wants someone to play against, someone to match wits with, a Holmes to his Moriarty. And who else would he choose but Marta, the only person he respects?
He upsets the go board in order to swap the medicine with something harmless. He may have not even been aware Ransom switched them, it wouldnβt matter regardless.
Maybe he really goes through the whole βOh Iβll kill myself to protect youβ scene, or that may have been a complete fabrication, replacing a very tense conversation where he told Marta he was about to frame her for killing him, but if she outwitted him and escaped conviction, his fortune would be hers. The whole film is a game of go between them, with Ransom (black) and Benoit (white) representing their primary pieces.
The master stroke was Marta convincing Ransom that his attempted murder had succeeded. His actions to hide what heβd done were useful to Harlan for tying up the loose ends of his own disappearing act, but in the end they served Marta better when he became desperate enough to incriminate himself, and took the fall fully believing he was a murdererβ an ironic reversal of the position he tried to put her in by switching the medicine!
When Marta stands on that balcony with the βmy house, my rulesβ mug sheβs not just a poor innocent girl who got rewarded by fate for her kindness, sheβs the victor, having won this house fair and square in a contest that could have cost her everything. The Thrombeyβs are beneath her, literally and figuratively.
When you recognize this deeper layer of the story it makes the themes of race and class a lot more powerful. Benoitβs paternalistic treatment of Marta is more palatable than the Thrombeyβs, but he still underestimates her. Harlanβs cavalier cruelty towards his own children makes it clear they are what he made them, and echoes the actions of cruel men throughout history. And his respect for Marta as an intellectual equal doesnβt stop him from using her as a tool in his melodrama, directly knowingly putting her life at risk and telling her she can either die, or match him in cruelty and manipulation and receive the spoils.
Final noteβ anyone else think it was interesting that they saved the reveal on the invisible ink letter until the very end? Why not reveal the cheating earlier for more drama? Is it just kicking them while theyβre down? Well, letβs look at that letter again, in light of the above, and while remembering Linda was Harlanβs favorite.
Itβs time to cut the dead wood.
Heβs cheating on you. I have proof. I know you donβt need to see. Untether yourself. Itβs time.