"Insert Whouffaldi"

Emmrich Volkarin - Dissecting the Mortal Argument Scene

welcome back dearies

lets not dally with this one and get right into it -

starting strong with emmrich reviewing his will and testament/s -

important, but not yet, so do go on -

the emphasis on will tells us alot. coming from a storyboarding background, its easy to see why the emphasis was put on will. emmrich chose mortality, and will thereofre face death head on, as will rook. but due to rook being younger than emmrich (in any capacity), emmrich states that rook will outlive him. now he hasn't said it yet, but his fear is about to rear its head. keep in mind throughout all of this that this man is scared of how much he adores you.

but in the same sentence, we've got, "You've... grown to mean much to me..." - head over heels in love, rip my heart out and serve it to you in a platter, my heart, body and soul is yours type o' love.

I just wanna shake him, oh i just wanna shake him like a bag of treats, but very aggressively. he is so obviously LYING, rook makes a comment earlier in the game about how he is a SHIT LIAR. it sounds the exact same. BUT, and I say but with a hint of 'ah -ha!', lets read between the lines -

I care for you Rook! Deeply. - man has never been down as bad as he is - emmrich has never felt love like this. But there are such years between us - shut up rn I shouldn't heap you with that burden - HERE. he knows that Rook loves him, he can feel it. I imagine between quests they hold eachother's hand as the read books together on the balcony. as they make tea. as emmrich shows rook his mothers recipes. emmrich knows rook loves him, he just doesn't realize can nor accept how much rook loves him.

bonus, BURDEN ME, Im begging you, to BURDEN ME.

DIVERGENCE

god it hurt to replay this scene 3 times

Path 1 - Please don't worry, Emmrich.

he also broke my heart by worrying because i too, love him

fuck this line. i love you but look, I get where emmrich is coming from, but no. no no no, no no. whats fair would the world to be ending and being able to spend every waking moment in eachothers arms, to spend the final moments of 'what if' craddling your insecurities and nurturing love. instead we at the end of the world, arguing, because both rook and emmrich are fucking terrified to lose eachother. something about 'being fair' to someone by 'leaving' them irks meeeeeeeeeeeeeee.

solid and appropriate response

moving on because i have nothing nice to say

get his ass

emmrich is shockingly, overthinking the concept of death. ya know, that thing that cant be soothed or mulled over, pierces his heart and shakes his core? that, thing. yes shockingly, overthinking it. i get both perspectives here. Rook just wants to be taken serously and not for their age gap to come between the love they have finally found. emmrich so scared out of his mind he's trying to avoid it entirely. if you want a really gutteral playthrough before point of no return, pick this. I did, on my blind playthrough, it was a mistake, i cried alot.

unfortunately, very valid on both statement, but also true on both statements. Emmrich is both worried about Rook and insecure about dying. because either way, he loses rook, he loses his time with her. in this line of dialogue, emmrich is vry concerned with burdening rook with his death and the grief that will follow. Rook essentially tries to calm him in the worst way possible and it escalates. im not a fan of this dialogue path at all as the "at your age" comment is so out of pocket.

Path 2 - I mean something to you!

if you were to of told me that the purple rook option is the 'nicest' in these scenarios, I would...not believe you at all. It's still painful, but it's not an 'argument?'

strong start ngl

mans immediately defensive, but his tone of voice isn't raised like in the other scenarios. its more poised with care through it, more 'ugh, yes, i care about you, but this is about death'

in this dialogue path rook attemps to 'waylay' emmrich, aka, distract him and change the subject to something nicer, more comforting. though unfortnately, for people with crippling anxiety, nothing calms the mind when its in black and white mode.

eh, not what I would've gone with saying rook but ya know. eve before a battle, tensions high. still not great

emmrich wants to discuss being a burden to rook and rook is just not having it, im kinda into it.

again rook is trying to waylay emmrich into realising that he is overthinking things. however, to emmrich, this is real, rook may as well be dying in his arms rn. thats how real his fears are. we think back to emmrich being a child and losing his parents in a collapsed building accident. its likely he was there, and survived.

hence why it is so very important that we remember that his romance confirmation is the question, what would my parents want for me? and the answer is HAPPY WITH SOMEONE WHO CARES ABOUT YOU.

he is so terrfieid of death, and you and I both know, that when you have such a fear, it is amplified by 14747% when it is someone you truly care for. let alone the type of connection these soulmates have.

emmrich desperately pleading to talk about being a burden to rook, and rook is still just going, 'no', youre my burden now.

wee woo, a winner in my books because rook is not insulting his very existence or dismissing emmrich.

rook knows that emmrich is scared and would rather talk to him about being SCARED, instead of him being a burden because she fucking loves him and would never leave him.

rook is just as scared as emmrich but in this path, is trying to level with him. this is probably the one path where it concludes and I dont have a clear answer on who said the worst shit. i dont think any of them did, it was just riddled with concern, and a lack of communication.

Path 3 - Love scares you.

Rook pointing out the obvious. blunt and to the point. I do love that Rook is able to identify this straight away

Emmrich, taken aback by the comment by Rook, because it's the truth. he is scared because he loves rook. both by actually loving her and by how much he loves her.

"I can't... at my age" Is what this line is meant to be.

But once again, and we have discovered in previous posts, Emmrich has never considered himself 'worthy' of this type of love. And now that he has the love he has craved for decades, he considers himself too old. most likely due to his belief ssystem morphing over time to, "if it hasnt happened by now, it never will" probably in his 30's. Thats almost 20 years of doubt. We know Emmrich has been in relationships and involved with others since then, but nothing that even comes close to what Rook and Emmrich have. Keep in mind as well that Emmrich hasn't formed a connection with anyone in several years and has solely focused on work (i.e., lichdom) because what else do you do when you have given up?

straight to the point again

reiterating that this is a hard topic for him - kindness in this situation would desecalate emmrich and calm his mind, but unfortunately the end of the world takes no prisoners

man is terrified of love and the grief and vulnerability that embodies it

ouch

ouch

Rook's defensiveness and frustration reaches an all time high. rook wants the love of her life to tell her that he loves her, and emmrich doesn't want to burden his love with the grief that will embody her for the rest of her days. rook walks away feeling defeated, with a hole in her heart. emmrich is left with his overthinking thoughts, and most likely spirals.

Conclusion

In their facial expressions, and I have slowed them down to each frame per second whilst analysing, and both Emmrich and Rook share the same process of emotions after Rook's final statement.

Both Emmrich and Rook start out with a cross look on their face, eyebros tilted, eyes squinted, portraying anger, which is covering defensiveness, which is a defense mechanism for being vulnerable. After Rook says their final statement, this line is what 'pulls them out' of their defensive trances, but its too late, the damage has been done. Their facial expressions switch to a more, 'oh, oh that was just said', it turns to regret. the over arching theme of the game. they regret what they said, and their pride wont let them budge rn. the argument scene is important to the romance considering what happens next in the game.

"We'll talk when we get home, Emmrich. I promise." (the reconciliation line before fighting ghil)

hit me like a frieght train that did when i found out we were in the fade for weeks. emmrich, canonically, cries alone and has cold sweats at night when he is upset. do with that information what you will. it definitely happened when rook was gone. Hence why it takes Rook dissapearing in the fade for several weeks for their walls to collapse completely.

god fight, stuck in the fade, emmrich meticulously searching for rook, crafting the fake dagger, pulling them out.

At the end of the scene, Emmrich looks frustrated and devastated. the type of facial expression where it is clear he wish that conversation had gone differently.

Emmrich has low self-esteem, there is no simpler way to put it. This is apparent in the way he holds himself, in his mannerisms, and the way he reacts to rook expressing romantic interest in him. As two examples, consider the date with Emmrich, "apart from the compliment of your interest?", and in two flirt dialogue lines, he responds stating that he is surprised rook has shown interest in him. he wants this love SO BADLY, but he is so scared especially with how much death is around them. but emmrich is braver than he believes. it just takes, almost losing rook for him to embrace it.

Now, after my first essay I have some more thoughts on Emmrich and Rook and specifically their intimate relationship.

Emmrich is such an interesting and baffling contradiction. On the one hand he is confident, self-assured, all manners and poise. He is smart, and he knows it. He has special gifts, and he knows it.  He is confident without being proud. He likes to teach others without being arrogant. He still likes to learn about new things and is, as far as I’ve seen, never judgmental about different beliefs and ways of life. (Unless someone treats him with disdain or bully him)

He is a man who is confident speaking of his thoughts and feelings and fears. How he just casually drops his thanatophobia is just astonishing. He is honest and open-minded in the best ways.

And then there is the other side of him. The wet kitten side of him. As open and honest as he is about his emotions, when we get to the meat of it, to the scary bit, the real feely bit, he locks up completely. As long as it is surface level (or he can pretend its surface level), everything is up for discussion. But once we reach deeper and touch *love* he gets so scared and refuses to admit and commit to his feelings. And as much *death* scares him, love scares him more.

So how does that influence his intimate relationship with Rook?

According to the banter with Lace “everyone knows about it”. He was rather surprised by that.

That tells us two things:

They were trying to be sneaky or at least keep their private business private.

They failed, massively.

Add to that Laces comment about them moving rather fast (when, where? I would have loved to have seen that. Comments like that just give me the feeling that we should have had some more cutscenes after the dinner date, to show us those two besotted fools).

But back to them moving rather fast. I would guess that they both did a lot of gazing lovingly at each other, blushing, spacing out while watching their darling, stollen kisses in the hallway when they thought no one was watching, stuff like that. Just being to besotted fools.

But moving fast usually includes sex. Lots of needy, sweaty sex. The inability to keep their hands of each other.

That moves us to the question of the day – did they have sex before their coffin time?

Let’s look at what we know about Emmrich. Emmrich is no virgin. That man has experience. He had past lovers. But what he tells us at that sweet diner date – “nothing serious for years.” We know not much else besides his crush on a boy in his youth and his fling with the Orlesian Art Lady. He is not someone to kiss and tell and that is appreciated. That man has class, and we love him for it.

So - nothing SERIOUS for years. If he hadn’t had ANY relationships in the past years, he would have said so. But what he says is that he did, in fact, have UNSERIOUS relationships in the last few years.

I would read that to be somewhere along the “fwb, lovers, affairs, paramours, companions, a fling, a little romance” line. Something not purely, but mainly physically driven. Someone you like and respect, you can go out and have a good time with, have lots of amazing sex with (b/c he is a living being and has his needs). Spending time with people he liked, was sexually attracted too, but nothing as serious as love. A physical relationship. A little thrill, some fluttering, but never that deep.

Not to say that those situationships would not have been romantic. He is (buried under all that resignation) a deeply romantic man. I am pretty sure he went on nice romantic dates with his previous paramours too. That this is something he just enjoys too much. Treating a companion with some quality time, not just in, but also out of the bedroom.

But after he’d given up on his dreams, he did not have any notion of those flings being more than a “enjoy the moment”. There was never the expectation of deeper feelings, beyond friendship, attraction and/or respect. All those romantic gestures were nothing more than a little bit of “play pretend”. To give himself the illusion of true romance, just for a little time.

Take the fact that you can go a “everything you do is creepy but I still flirt with you and I want you to throw me over that tombstone” and his comment on “the attraction of the forbidden”? This is not a relationship born of mutual respect and deeper feelings but out of purely physical attraction. And he is OK with that.

I want to repeat – Emmrich is very much okay with a casual, sexual affair. He does not require love to have a relationship with someone.

And then think about that Johanna calls Rook specifically his “paramour”. Which is a lover, especially an illicit one. This word was very specifically chosen by Johanna. For various reasons, I would think.

For one, I do believe that it is a dig at his dreams of the eternal flame. It’s a dig at him, that Rook is not his love, but his paramour. A lover for a time. To be parted from soon enough. B/c that silly dream of his, as if it ever would become reality.

Second, I think it is a comment on the way his relationships often went, especially in the past years. Those unserious flings of his. Never to amount to anything substantial.

Did he try to have something serious in the past? Oh yes, for sure. But it never worked out. Then he gave up his dream and just let himself have a good time with people he found to be nice and attractive.

To pick up my point of self-sabotage from my last meta post – I’ve come to a point where I believe Emmrich is a kind of chaser. I know someone like that and it’s so fucking tragic.

Emmrich feels deeply and strongly. When he falls in love with someone it’s a lot of emotion. But at that point it’s all dream, want, wish. As soon as someone returns these feelings - those dreams, wants and wishes become reality. And reality is scary. In this wishful dream about the eternal flame, there is no fear. No fights. No loss. But that is not reality. As soon as it becomes reality, he gets scared. Before, his feelings were no threat, because you can’t lose what you don’t have. Once those feelings are returned, there is a clear possibility of losing, of being lost, of being left behind.

Emmrich is not a chaser because he enjoys the hunt. He is a chaser because being loved by someone is scary. So damn scary. So, he starts to pick fights and is looking for excuses. From being the chaser, he becomes the chased. He is hunted by his fears, and his fight or flight instincts go all flight.

After years of this cycle he gives up. Resigns himself to flings and little romances without even thinking of more. Or so he thinks. Dreams like that don’t die, they just get buried.

And I’d think that there was not many, even of those short term flings, lately. His life revolves around work and Manfred.

Now remember he comments on Rook “showing unexpected interest in a new companion”.

First of all – unexpected.

They are a daring adventurer. He thinks of himself clearly as the more boring one, compared to Rook. He never expected any of those flirts. But he is clearly flattered.

Second – companion.

That was such a weird way of saying “hey do you like me?”. This whole “companion” thing does not scream “I have FEELZ for you/you have FEELZ for me” but rather, “I think you might want to spend some quality time with me”.

The possible answers - dashing good looks, kindness, his way of words.

He feels he is fortunate if Rook thinks him good looking. Hallo, Mr. Professor, sir… Have you looked in the mirror lately? Consider that he is meticulously grooming himself, takes his exercises daily in the morning. That man does not like himself aging. I think it is a reminder of how his pending death is a step closer every day. But it shows, to him, that his efforts of taking care of himself are not in vain. Or maybe it shows him that his age does not matter. Rook finds him attractive despite (or because) of his physical age.

Rooks comment on his very charming way of putting things makes him hope his years behind the lectern have proved useful. Hey *years* behind the lectern. Again, this is a way of saying his age is NOT a problem but a benefit.

If Rook remarks his kindness, he answers “you humble me”. It’s the one answer that does not touch his age/experience/looks. It’s a remark on an innate character trait he possesses. Kindness. His whole demeanor in this option shows he is actually touched. And maybe a bit baffled. He did not expect this, at all. Its like he sees his kindness not as an attractive trait. Which he should. He is nice without TM and its sexy as hell.

The next part is his statement “If your attentions go beyond charming flattery… that would interest me, indeed”. This reads to me not necessarily as “do you have feelings for me” but as “do you just enjoy the flirting, or do you want to do more than flirting?”

And oh boy, does he want to do more than flirting. I want to repeat my earlier statement – this man has given up on love. But some little fling with an exiting young adventure who was constantly, awkwardly flirting with him? Hell, yeah.

(I want to remind you that we were able to have mutually enjoyed flirts with Dorian as fem!Inky. You can flirt with someone and still never want to fuck them. And you are also perfectly able to want more than flirting without having deeper feelings. Like sweet, dump Shepaloo said it so eloquently “Lets bang, okay?”)

Again, I want to pick up a point of my last post, that this is all surface level thoughts. I do believe that their emotional attraction and depth of feelings go deeper, from the start. But how often does it take quite a bit of time to realize one’s own feelings. Especially this wonderful, silly man whose modus operandi is running away.

Now, an interested Rook can answer in an open “lets see where this goes” way. Mirroring his rather open idea of a little romance, a fling, some quality time. Something that does not have to end in an eternal flame, but a simple enjoyment and exploration of the moment.

Rook can also reply with a “I think they do.” – What Rook actually says is “I think they already…”

And conveniently Rooks answer here is cut short by our sweet boy Manfred. They get cut short, no matter what answer you choose, but in this specific case, I am convinced this was very much on purpose. What would the whole sentence have been?

“I think they already go way beyond flattery.” (?!?) Something along those lines. But that goes into danger zone. WAY into danger zone.

If Rook had finished that sentence, at that point in their budding romance? It would have been over before is all started. Too much, too soon. Too much for him, period.

Now we have the hard lock – their sweet romantic moment in the Memorial Gardens. And he is smitten. He fell hook, line, and sinker for his own play pretend. Just a little romance, but that man is falling, fast. (Not that he would admit that to himself).

A beautiful date, all arranged by Emmrich, to spend time with Rook. Because a couple should have a quite moment to get to know each other. I mean there were menu cards with gilded edges, ffs. And, oh yes, they were “lets dig into the feelings”, he said couple. He is falling, falling, falling fast. But it still hasn’t hit him, how deep he has fallen for his darling Rook. Poor Emmrich.

Then a fight, where we really see the wet kitten side of him for the first time. A little wet, feral kitten, hissing at the hand that’s trying to feed it.

Emmrich is lashing out for no good reason (or no good reason for anyone but himself). There is no real confidence there but a desperate act of pretending. An iron (slipping) grip, trying to control himself and the narrative. Shoulders squared, back straight, an arrogant stance, raised chin, turned half-away from Rook, and a condescending way of talking to Rook.

Like I said in my last post – he is working his way up to breaking up with them. And he tells himself it’s like ripping off a bandaid. Be strong and confident and say what you have to say, and they will see the wisdom of that.

It’s only that, they don’t. Because there IS NO wisdom in what he is doing right now. They don’t take his bullshit but throw it back at him. They don’t accept his mock excuses.

Look at him here, how he looks down ON them. I can’t recall any other time he looks down on Rook, despite him being a tall king.

Especially the route where Rook throws it in his face that he DOES in fact love them. Speak what he can’t even think.

“I can’t… At my…”

“I can’t love you. At my age…” Why not? Does he not deserve love, just because he is a bit older? It’s just heartbreaking how he views himself.

And again, he lashes out.

“I am perfectly serious.” So is Rook.

“One of us has to pay attention to these things.” As if Rook is not paying attention. They got to the meat and bones of his problem in just a few seconds.

No matter what route you go here, the gist is the same. He is scared shitless, treats Rook like a child, and goes on how the is the only one thinking the important thoughts.

When Rook in reality way ahead of him. They thought about it and came to the conclusion that being with Emmrich is a really good idea.

Rook knew they were falling for someone older than them. (Even if that age difference is just a decade, with a mid-40s Rook.) They knew it, and still went with it. They are not a child who is too inexperienced and stupid to make decisions about their (love) life.

But now, here, at this moment? Emmrich treats them with disdain. Like a silly little person, who does not think things through. He holds himself above them. Physically and mentally. They are too young, he knows better.

And not once has he done that before. He always treated them as an equal. He follows them into the most dangerous situations ffs. He trusts them with his life in a fight against would-be gods.

All that fear and anger at himself that reaches a new high get redirected at Rook.

The next day they are off to Tearstone Island. That night must have been hell. For both of them. But its going to get much much worse.

In any case, Emmrich seems to have come to some conclusion or realization, because on that island? He apologizes.

They both did react very emotionally, but he came at Rook with superiority and, to a certain degree, dishonesty. All fueled by his fear. So that he is the one to take the first step and apologize to Rook instead of doubling down? An important step. As I said in my last post – he NEEDED to be called out. A sweet and nice counterargument would not have had the impact Rooks raw an honest emotion hat on him.

Emmrich “Rook? Darling? I wanted to say-“

Rook “Yeah, about that argument…”

Emmrich “(Sighs) It’s no time to apologize, is it?”

And here we have the most heartbreaking line, in hindsight. “We’ll talk back home, Emmrich. I promise.”

(Narrator: but they would, in fact, not talk about it back home. Because someone would not go home.)

One fight and weeks of horror later, they find themselves in a private crypt and finally they do more than share a kiss.

Now - to the point I originally wanted to explore with this post – is this in fact their first time? (I am sorry, but my brain is a circle and nothing makes sense)

Let’s look at what evidence we have from the cut-scene.

Rook did not know he is an early riser.

That leaves two possibilities:

They never had sex up until that point.

They did have sex, but never spent the night together.

Now what does that mean?

This depends a lot on your personal Rook and how they feel about sex in general. If Rook wants to wait, or is not ready, he will absolutely accept and respect that.

But for the sake of this analysis lets go with the idea that Rook is not opposed to sex at an earlier date.

They never slept with each other

Why? He clearly was not opposed to casual relationships in the past. What would hold him back now? Especially if you recall Laces comment about them moving fast. Why not jump into the bedroom?

Now my first crack theory is that they get interrupted, like every time. (Rook interrupted The Dread Wolf, and now he cursed them to always be interrupted when they want to have some private time)

But now, in all seriousness, maybe it’s just that part of him DOES realize that this goes beyond a very unserious relationship. That they both have deeper feelings, that spark of something greater, something beautiful.

So, he holds back. He does not give his all. He is charming, he is flirty, he takes Rook on dates. But it’s all very technical. Very performative. Yes, he is a very romantic man, yes he enjoys those moments. But there is always a feeling of control.

Those moments when you see him let go a bit (that kiss beneath the eternal lovers, “I think, sometimes you indulge me”), are so beautiful and you glimpse a bit of the man behind those walls.

He has a tell, you see. (I am telling you about it further down)

But generally, he feels very much in control of himself. And to lie with Rook? To go all the way? Too dangerous. Who knows what happens in that sweet moment after la petit mort? What secrets would his lips spill?

2. They slept together, but did not spent the night together.

They do have sex, but sleep alone in their own beds. Casual sex is fine, but to fall asleep in each other’s arms? Too much. Too real. Sex okay, but sleepy post coitus cuddly? Woah, slow down your horses.

So, they have sex, preferably in Rooks bed. First, does he even have a bed? Second, it’s way easier to leave Rooks bed after the act, than throwing them out afterwards.

Oh, and how many reasons he has. Rook needs their uninterrupted sleep; they are stressed and must have proper rest. He wants to get some reading done before he retires. He needs to look after Manfred.

Oh, he is a bad liar, for sure. He is lying more to himself than to Rook. I would think that (if this is the build up to their fight) Rook realizes that he is giving poor excuses.

And the sex itself? A technical 10/10. He knows his anatomy, after all. But his heart is not really in it. He can’t allow himself to. He holds back, keeps a tight lid on his emotions. They both are well spent afterwards, but like so much else, it’s performative. Technically very well executed, but rarely do you see HIM, the real him, behind all that performance. Whenever something slips through, he reels back and closes up.

And then we are in that crypt. Rook was gone for weeks. The last thing they said that night before were words of anger. Rook called him out on his feelings and from that point on there was no possible way of lying to himself anymore. Those feelings were there. They were real. Rooks feelings were real. And those weeks spent in desperation, trying to  get them back? Those walls came crashing down.

His true face, when all the walls are gone? You see that face when Rook leads him to the coffin. There is no pretense anymore. No performance. Just him, and all his love for Rook. The amount of emotion the animation team packed into those short moments in the cutscene? Mindblowing. Who ever crafted that expression on his face? They are the GOAT. I watch this part of that scene on repeat, and it never gets old.

So, I told you about how he has a tell, yes? Okay, two actually, but we all know surprised pikachu Emmrich. In that last scene it is resolved in the most beautiful way.

He looks down, when something touches him deeply, when he goes into his feels.

A few (way to many) examples:

And the worst wet kitten look? After the fight, when Rook leaves.

Its a look of shame. Of hurt. This man is hurting so badly.

Now here at the end we have that moment when Rook leads him to the coffin. His face turns down, like before. But here he looks up at Rook. He does not turn his eyes away but looks directly at them. Ahhh my heart.

Now, think about the fact that ROOK is leading in that moment?

In those moments where Rook leads or startles him (or is simply annoying enough so that the truth slips out), you see the most emotion from him.

Rooks flirting startles him, and he has a pikachu face reaction every time.

Their first kiss? Rook leans against the monument, and leans up, telling him without words that NOW is the time for a kiss. How can he not go for a second kiss?

That moment when Rook calls Manfred “our son”? He very conveniently ignores the word “OUR” and goes in defense mode over the word “son”. But called out on his feelings for Manfred? How can he deny them? He has tears in his voice when he says how he would not exchange this moment for anything? A real, deep emotion.

In their fight Emmrich is again all technical, all performance, so logical (or what he sells himself as logic). But Rook wrestles that moment from him and takes lead, calls him out on his bullshit.

In the crypt Rook pulls him up into a kiss and then leads him to the coffin, guiding him, taking him with them.

Most of the other times he takes the lead, very much in control. But the most emotions you get from him, are those times Rooks leads, when he lets go of this tight control over himself, or he is startled in to a reaction. For all the age difference that is played up in their relationship, in the important moments Rook is the one who guides. And he follows where they lead.

Those little moans he makes? If they did have sex before, I bet he did not make those sounds then. Where they did have some incredible sex, now they are making love. Open, vulnerable. He gives in.

And then they fall asleep together. Skin to skin, arms and legs intertwined. Their hands caressing, no sound but that of their heartbeats and soft breaths. Pure and utter contentment. In that moment nothing exists but them. Can you imagine that moment he woke up? The amount of emotions he must have felt then? This need to speak those little words? Those huge little words. He does not say them, not yet. But he is almost ready.  

Finally, they stand there, on the battlefield of Elgar’nans madness. And he tells Rook. The last wall falls. Gives the most precious thing he can give to anyone.

Emmrich Romance - Argument Scene (Lich Path)

i love and hate this scene so let's get into it -

keep in mind that even though emmrich is now a lich, his fear of death is still very much alive. emmrich immediately expresses his feelings to rook stating that he hopes that they can stay back abit in the battle. for fear that they will be hurt, or killed.

the second 'No' escapes Rook's lips, Emmrich bows his head with sadness. He wishes that she would heed his words because he is afraid to lose her.

Rook's response infers that she is offended by the request to have her 'stay back aways' during the battle, keeping in mind that this battle is rook's and she has been fighting it this whole time. yet, rook still shows that she cares for emmrich, by asking what brought this on.

emmrich states that he can see the life course through us, but is aware that he will lose us to time. in this one sentence emmrich is telling us that he is afraid of rook dying, he is deathly afraid to lose rook, and thats not even overselling it. Emmrich is afraid he will miss Rook forever and will never get over it.

which quite frankly, he wouldn't.

Divergence - Option 1

Rook responds with 'Oh, Emmrich' - Rook is calm and considerate in this response, knowing his fears are real to him.

even as I am (a lich) the mind (rationality) is a victim of the heart (love for rook, fear of them dying). even as emmrich is a lich, his fear of death is rampart, now mostly transferred to rook. emmrich is calm when spaeaking, but fear can be heard in his voice.

im no fan of this line, but it's what im working with so - it feels, double barrelled. on one hand telling emmrich he is not great at keeping stuff in because he is emotional and has panic attacks, and in the same sentence telling the big softy to not mourn the love of his life forever.

this line is delivered with some condescension, and honestly, valid, as the previous line feels on par with Divergence Path 2, invalidating emmrichs fears/feeling for rook. in saying that, emmrich is trying to plead with rook to be careful.

valid all around - rook wake up and smell that the man loves you immensely please

he can, and will be, because he is in love with you

facts - once again, hello darkness my old friend, its fear of death calling

ouch ouch ouch ouch ouch ouch ouch

Divergence - Option 2

You ever been mid panic attack and someone cracks a joke? that is exactly emmrichs response and mindset going forward. now watch the anxiety and panic escalate

rook once again, missing the beat, emmrich escalates by reiterating that he is afraid to mourn rook forever. his voice is shaking. this man is breaking his own heart by imaging the death of his beloved. reiterating my point in earlier posts that emmrich, whilst experiencing relationships and love before, hasnt experienced rook and the connection they share. im reiterating my soulmate trope here - and as we continue

i cant defend rook on this point anymore, 3 strikes ur out

defeat slicks off of emmrichs voice as he speaks this line, inferring 'does rook not love me?' 'does she not feel this'

bottom line is rook is in love with emmrich, just as much as he is with her. rook is however pre-occupied with survivng and getting through the battle, whereas emmrich in this moment in knuckled down in black and white thinking - which has been unfortunately backed up by rooks lil jokes. his anger is valid, just as -

Rooks concern with no realsing that Emmrich is having a menty b, is also valid.

both have their defensives up now. rook for upsetting emmrich, and initially being upset at the notion of 'stay back aways in battle' and emmrich for being scared out of his skull that rook will not exist anymore and he has to spend enternity mourning her, also feeling rejected.

Divergence - Option 3

oh jesus -

on god im trying to be non-biased for this but cmon. the man has a gutteral fear of death, he became a lich he was so scared, you were there rook.

valid king

possible, but rook, sweetie, you're being invalidating.

I was gonna make a comment but then -

insert office stare meme

so here - emmrich is clearly tired of trying to explain himself to rook, and rook backfires with just wanting emmrich to be happy, and calling him an idiot. imo, this route is a straight up argument, whilst both path 1 and 2 have some depth to it. I believe it was done this was because when you choose the mortal path for emmrich, it focuses around supporting emmrich to be happy 'in the now', whereas in the lich path, there is no now for emmrich, it is forever, it will always be forever. I believe this path is to show the frustration between rook and emmrich, one being mortal and immortal, whereas the other two paths have a focus of acceptance. whilst not there yet, its apparent.

All routes lead to -

rook has now said something to akin of a personal insult to emmrich, which then leads rook to 'snapping out of it' as their face changes to disbelief 'oh my did I just say that' aka regret, with Emmrich bowing his head and saying "Rook, I..." in response. Rook states that they should pack as they have to leave soon.

if biowares goal was to have me fear for mine and emmrichs life in the upcoming mission, they succeeded.

All routes leave emmrich feeling scared and confused as he looks to the gorund, holding his hands together -

and rook mumbling under their breath, with confusing and 'ugh, i just wanna shake him and kiss him energy' - rook recognises that emmrich is afraid, and their faults in the conversation.

all in all, this is a touch scene, because it is evident how scared they both are and just want the other to survive so they can be safely back home together. the lich version is more centered around death and mourning as they have alreayd broached the l word, where in the mortal version, you can essentially call emmrich a coward. a very heart breaking scene, which adds numerous layers of depth to emmrich and rook as characters who have flaws but are still loved.

imo, i stand tall that emmrich and rook are in love with eachother and it becomes more evident in the next scene. they have this soulmate type of love, the kind where you would hang off the side of a cliff, hanging on by the strength of your index finger if it meant you could save them. the type of love where one look speaks a thousand words. the type of love that a lich lord would go rogue trying to bring their dead love back.

to add on to the soulmate lover trope this snippet from the Flame Eternal short story feat. Emmrich & Johanna where they are burying a deceased lover with another.

"Johanna snorted. “All that fury, ending in another grave.” “Oh, I don’t know.” Emmrich ran a hand along the coffin’s snowy marble. “It would be rather fine to possess such an enduring affection. Besides, you did see this through.”

Emmrich YEARNS for love. YEARNS. He has yearned for the type of love him and Rook have for over 20 years, at least. THE MAN IS RUNNING HIS FINGER ALONG A COFFIN AND ROMANTICING IT. Romanticising possibly, loving someone so much that he is buried with them (quote flashback to Hezenkoss in the final boss battle of "Ill make sure to bury you and your new lover together", now has more depth) or loving someone so much that love would be eternal together, that type of love where you want to be buried together. for over 20 years he has yearned for this love, and he has found it in the middle of the end of the world. please note that emmrich has a fear of abandonement as well like, huge. oh and add in the comment made by Harding in game about Rook and Emmrich moving too fast, please there is only one trope that goes from 0-100 real fucking fast.

Sending thanks to @galedekarios for sharing a conversation between Davrin and Emmrich, here. This post adds a tremendous amount of depth to this argument conversation. I 100% AGREE with Gale's depiction of 'Emmrich not being equipped for lichdom' because it makes sense. If you think back to the lichdom decision scene and dissection, we mentioned how Emmrich had everything he needs to do lichdom. No?? Clearly not. look at what we have just dissected. Then further on the man is practically on his knees begging rook to be careful, telling them that he will find them in another world. In the event of Rooks death, Emmrich would go rogue. He would lose it. Yes, he is a kind and gentle soul, but he has that fire in him. A protective, and obsessive power that he would do anything to bring back his love.

Additionally, Emmrich grew up poor. This would impact his view on society and love. But more impactfully, it would impact his view on himself. His self-worth. Emmrich likely thinks he doesnt deserve this type of love. Hence the attempt to push Rook away and act over-suave at times.

considering dragon age veilguard is centered around the theme of regret, it is no suprise that saying things you regret have showed up in this game, particularly before the eve of battle and impending doom.