katrina.

Case in point:

DO WHAT YOU LIKE (1991) by Take That

"After I left Take That, I hung out with Oasis and I think it was Meg Matthews who put me in touch with Owen Morris who produced the first couple of Oasis albums. And he said he was interested in working with me, and of course I wanted to do anything to do with Oasis and was thrilled that he would even think of me. So we went down to his place in Wales, and his place in Wales was a cowshed. And in one half was this big desk and then in the other half was cows [laughs]. And we got off our faces, as we do. I mean, completely. Brilliantly. We also would come back from these writing sessions, because we'd write in this cowshed in a field and then I'd get dropped back at the pub which was a B&B, and we'd play these songs that we'd written. The car would be silent because we thought we'd written the best thing that's ever been written, ever. And our minds were blown that we'd managed to do this and woah. And 'this is going to be the biggest thing ever'. We didn't manage to do that, you know, but I'm very very fond of this next track..."