This Tumblr Is For Appreciating Fat Hairy Men

on the way home, I encounter someone eating raspberries. I ask and they tell me that they grow their own, they got some seeds from the shop back in The Raspberry Days and kept them. They take me to a field of many beautiful raspberry plants and invite me to pick my own, they're free for all the town to pick whenever they'd like.

poolfur

>looks inside

and we will say "When I was YOUR age, fruits and vegetables came from a supermarket and they were bred to get shipped 1000 miles in a truck and sit on shelves for weeks, and they tasted so sour and watery it was like eating paper compared to these ones. It wasn't even legal in some places to grow your own food"

and they will roll their eyes like yeah yeah just because everything was miserable in the 20s doesn't mean I have to have a smile on my face standing in the hot sun while you listen to that one guy talk about his bees FOREVER

And many other people have been just spitting, foaming at the mouth fucking FURIOUS. How dare I have the audacity to imagine a future where things get better?

Don't I know how BAD things are? Am I not aware of the TERROR and DEVASTATION of climate change and fascism and biodiversity loss? How dare someone be so bold, so callous, as to imagine something other than misery and suicide. How dare someone suggest it will get better. How dare a person propose that there is a future where we will be okay, in the face of so much terror. Hasn't she seen the abyss opening its jaws before us?

Well? What do you think?

there were kids who stayed inside because of the black plague and went on to help cure it.

there were women who sat at home and cleaned the house and dreamt up a world where they could vote and have jobs.

there were kids in the mines who thought up a life outside of it. there were children who hid in annexes and wrote a diary where they prayed for a future without a terrible man in control

there were slaves who wanted freedom so badly and had hope that it would get better

there were gay people who hid in the corners of clubs and fought back for a future where they could walk down the street together

do you know what all of that has in common? they had hope that things would get better and they made that change. they looked at the world in its cruel ways and fought back.

so now, there are kids and teenagers and young adults and new adults who dream of a world so beautiful and the only amazon their grandchildren know is the rainforest

and it is in everything we do that we find this hope. wishing on dandelions, counting the stars, making our own clothes out of crochet or knit or sewing it, watching the sunset, going to the farmer’s market, feeding the birds, planting seeds.

Uber is a fucking shell game of a company designed to leech investor capital and output bootleg cabs.

Nvidia posted a profit in 2023 of $4.37 billion. This is like someone stealing less than a penny from me.

And they lock this kid in a prison hospital for LIFE?

1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.

2) the people who run Disney would be the first to fall in line with a fascist regime.

3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.

And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?

That one is from his autobiography, Becoming Superman. See also:

When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didn’t actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvin’s skull that lodge in Samuel L. Jackson’s hairpiece). The resultant cuts were actually more permissive than he’d expected, so he cut a little more and submitted it, and it got passed with an R.

The second story is about that artist on Morrowind whose name escapes me (I’m not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and “working” for another few hours on a second, “toned-down” version, and it worked every time.

The reason I bring these up is that the thing that drives censors isn’t some extant physical rubrick of what is and isn’t acceptable, it’s the idea that they can have absolute power over someone else’s creative work. It’s about the social dominance of the interaction.

There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.