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𩵠avery cochrane đŠľ
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let's talk about Bridgerton tea, my ask is open
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I'd rather be in outer space đ¸

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@that-witchy-pan
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tuck him in Tuesday
tuck him in Tuesday once again
another tuck him in Tuesday is here
Tuck him out đ
WHAT THE HELL IS YOUR PROBLEM
I'M PUTTING HIM BACK
this is the look i needed mike to give when will said âmilkshakes at melvaldâs.â it needed to be like âthat isnât my will.â i needed him to gather everyone after that scene and say, âthatâs not will. thatâs not my will.â and everyone immediately trusts him because literally who else knows will better than mike wheeler himself
FUCK. honestly just FUCK. We missed a very important day yesterday.
what was yesterday, cat?
Iâm not missing it this year.
Happy birthday to this guy

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i dunno man this is some romantic candlelit dinner type lighting right here if iâve ever seen it
Teeny tiny people
Duran Duran, 1983
đ¸: Fin Costello
Duran Duran
made a sketch of somthing, it'll be a while before ill get to finish it tho
my creaturified blorbos
somthin somthin , birds and fish where made on the same day.

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I love when a byler fic has detective Lucas sprinkled in there cause he deadass be onto Mike just like this
in yuri we trust
i feel morally obligated to remind all my cadence fans out there that john taylor from duran duran was motswoloâs sirius fancast while she wrote tcoptp #yeah
John Taylor in the '80s
dont forget the cutest couple that never was burger and the we were all rooting for it fries and the we didn't close this storyline well enough salad and the brand new exclusive mike would have explored milkshake

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"mike would've explored". yep, right after lasagna
noah saying âi feel like i was robbed of a good romance in stranger thingsâ is the first time someone inside the machine has actually pointed at the elephant the show kept shoving behind nostalgia and neon. from a film and tv standpoint, itâs a performer finally naming the structural failure the text refused to confront: the only explicitly queer character was treated as an emotional prop, not a narrative subject. willâs arc was built on longing, repression, and service to other peopleâs romances, while the cinematography and blocking kept hinting at a story the writing wouldnât let him have. thatâs not subtlety; thatâs a refusal to commit.
the industry has a long history of letting queer characters ache but never arrive, desire but never be desired, orbit but never be centred. stranger things followed that pattern to the letter, and noah calling it out isnât unprofessional, itâs necessary. his performance carried the emotional weight of a romance the script wouldnât acknowledge, and the disconnect between what he was playing and what the narrative allowed became impossible to ignore. saying he was ârobbedâ isnât exaggeration; itâs a precise articulation of how queer characters are so often handled: sidelined, sanitised, or treated like narrative inconveniences.
good for him for saying it plainly. itâs rare to see an actor break the polite silence around mishandled queer storytelling, and it lands even harder because heâs right and because heâs gay himself.