Hello! I'm relatively new here, and this is my very first time attempting to post art to the internet. I have a lot of stuff I'd like to share in terms of comics, stories, original characters, fanart (hopefully-- think podcasts, Project Hail Mary, Half Life, and a ton of other stuff), as well as any art reference-related reblogs n such, and I hope you'll be willing to join me as I figure myself and my art out on here. I am primarily a traditional artist (but am trying to learn digital), am self-taught, and mostly do comics whenever I have the time (there are several long stories I've been working on for years that I'd love to share bits about whenever I get the nerve to, so let me know if you'd ever like to know). Favorite medium is BIC pens and Pilot pens on the grungiest goddamn paper I can get my hands on, for some reason, but ink in general is fun as hell!
artfight is tetrachroman (will be searchable on July 29th, because I unfortunately put in the wrong username when I first created my accountā¦). Search for āJhriah Mezzanine Birdcropā and youāll find my sole character on there.
Relevant tags and additional information under the cut!
Relevant Tags, Currently:
#my art/#trcr art == self-explanatory
#my reblogs/#trcr reblogs== any reblogs I have added commentary to, either in the tags or in the actual reblog post thingy itself. Reblogs without commentary go under #reblogs.
#trcr char Mezzanine, Juarez, etc. == character names! Filter by the characterās name to find more Art of them.
#Sargasso World == world where I intentionally throw spaghetti at the wall to create the weirdest, most ridiculous worldbuilding I can come up with and then shlapp some characters in there. A lot of fun, but fair warningā sometimes a bit⦠out there.
#trcr Icarus, #trcr WoB, #trcr Cyberpunk/Fungston/Prohibition/Fusion AU == If you see me post literally anything under these tags, it is time for us to celebrate like the world is ending (because it means Iāve gotten the nerve to share my Important Stories/Comics/Characters with the world). All parts of something Iād like to publish someday, if I can ever finish it.
#my worlds/#trcrās worlds == stories, worldbuilding, etc. Uncategorized will go under #trcrās misc worlds
#trcr rambles/#trcr fandom rambles== random posts, usually fandom things and random thoughts. Block this if youād rather just see The Arts
#mushrooms/#trcrās mushrooms == I fuckin love drawin mushrooms dawg. expect mushrooms
Stuff like art references, good information to know about representation, and all the like will be tagged respectively. Whenever I finally post some fanarts, their fandom will be tagged in whatever the typical way is for that fandom (e.g. project hail maet == #phm, #project Hail Mary, #phm fanart) as well as a āmyā <insert fandom name> fanart (e.g. #my phm fanart or #tetrachroman phm fanart) for ease of access. Will try to include image IDs in alt whenever I can, and will try to tag relevant triggers in my legitimately disturbing stuff, but absolutely no guarantees.
Thanks for joining me on my art journey!! Hope you enjoy your stay, and let me know any thoughts in the reblogs, comments, or asksā I live off of talkin with peeps!!!
āāā
NOTE: While my opinions on it are nuanced in theory, in practice I am staunchly anti-AI and refuse to engage with it willingly unless I am literally forced to by a third party (*narrows eyes at my employerā¦*). Do not send me AI-based artwork. Do not feed my art into any AIs, please, as being terrified of that happening has been a huge reason why I haven't posted any of my stuff to the internet before now. Do call out if I've accidentally reblogged something that is AI.
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āI have this artistic idea but not the skills to achieve it to the standard I want.ā
congrats! Now you have a motif! A recurring theme! A focus for your art! Something to haunt you!
Seventeen still lives of dandelions? Three hundred poems about grief? A sketchbook dedicated to your grandmotherās house? Two books trying to unravel the complexities of familial relationships?
Donāt let the fear of it not being perfect on the first try stop you from being Weird About It!
Please view Hokusai's gradual working towards The Great Wave Off Kanagawa, over a period of 39 years.
An early exploration of the themes Hokusai would keep coming back to is Spring in Enoshima, done in 1793 when he was 33. The wave is small and there are no boats, but Mt Fuji is clear in the background, and Enoshima is in Kanagawa, so we are clearly beginning to work towards something here.
A second pass, eleven years later in 1803 when he was 44. The title of this one begins to get more familiar: The View of Honmoku Off Kanazawa. It has a towering wave over a smaller boat, but Mt Fuji is not present, and the boat is considerably larger and has a sail. But the feeling of danger in the wave and the smallness of the boat are here, and of course the general composition is definitely recognizable.
This is A View Of Express Delivery Boats, done in 1805, merely two years later at age 46. Here we find the wave and the boats almost exactly as we'll find them in The Great Wave Off Kanagawa, though Mt Fuji isn't present, and the location is uncertain. And it's a good picture! The wave is threatening, the boats are small -- but the feeling of "ocean" isn't really there yet, is it? It's unlikely this picture would have become a classic for the ages. But that's okay, there's still time.
And here we have it, a full 26 years later, done by Hokusai in 1831 at the age of 72. The Great Wave Off Kanagawa, one of the most recognizable pieces of art in the world. The boats are there, the mountain is there, the wave is there, and the FEELING is there. He did it! He reached the apex of his ongoing motif and theme!
Or did he? Because the whole point of a motif is not that you're striving to get to the perfect version of it, the one idealized image you carried in your head all along, and when it is done, you are also done. Hokusai is on record at the age of 73 saying he'd only just begun to feel like he was learning how to draw things properly, and that "if I keep up my efforts, I will have even a better understanding when I was 80 and by 90 will have penetrated to the heart of things. At 100, I may reach a level of divine understanding, and if I live decades beyond that, everything I paint ā dot and line ā will be alive." He had drawn The Great Wave, but he didn't believe he was finished -- he thought that he was still just beginning to get started.
And he wasn't finished with his ocean motif, either. Please check out his Mt Fuji At Sea, done in 1834 at the age of 75.
It's all there; Mt Fuji, the ocean, the wave. The boats are gone, but replaced with birds, flying with the wave instead of fighting against it. It's not as famous as The Great Wave Off Kanagawa, but that's not what motifs are for -- each successive work does not have to surpass the previous in terms of success, especially in terms of external success. They're there for you to keep playing with, keep remixing and re-experiencing, for as long as you think you have something to say.
I love project Hail Mary so frickin much yāall. And thus I suspend my disbelief. HOWEVER. That man would not survive solely by eating an alien āamoeobaā (listen. Maybe taumeoba aināt an amoeba is just what Iām sayin) straight-up, and I AM going to write a fic about. Problem is if Iām as accurate as I want to be imma inevitably get something wrong because I am Not A Biologist, but. Well I will do my best. Thus, while I am doing this for the fun and the love of the game, if anyone knows the science equipment Grace most likely had onboard (and what he might have been able to use to modify a taumeoba to overproduce, like, proteins n lipids n such for extraction, or to just be edible on its own), and/or knows actual stuff about biology in general, that would be great!!
EDIT: ok so apparently he has enough food ON THE WAY to Erid in the form of the coma slurry, itās AFTER heās THERE thatās the issue (thanks @mkmonster!!). Still if anyone knows anything let me know!
all I can keep thinking about is how Project Hail Mary is a horror story with a single ray of hope from Graceās perspective. You wake up on a ship with no memory (the corpses of your friends on either side of you, but who are they?), and the more you remember, the more ways you learn youāre not coming back from this: first, because the world has most likely ended, then, because youāre lightyears away from home completely by yourself, then, because this is a suicide mission and the fact that you survived is a fluke at best. The only thing to come out of this (other than hopefully saving humanity, but you can barely remember them right now, and even when you do you wonāt be around for the conclusion of that, so. What does it mean for you right now?) is someone who cares about you despite being a literal alien. And every day you wake up, you know you are trapped in a place you were forced to be in and yet can never leave unless you want to die, /knowing/ you will in a few months no matter what you do, and then even when learning there is a chance for survival it will come from the skin of your teeth: that even then you will be dying but not yet dead, and all in front of the only person who will ever understand where youāre coming from. The fear evolves then from not just your own safety but what will happen to your best friend if you donāt make it, because he canāt pilot your ship and you canāt take care of yourself the sicker you get and in order for him to even be able to help you stand on your worst days he has to go on a frickinā EVA, essentially. Wholly dependent and still forced to be functional when youād rather just curl up in a ball in the control room and cry. And then, after all of that, having to decide between preserving your own humanity and assimilating into the culture of the one that loves you and saved you, because you couldnāt relate to humans anymore if you tried (or at least, thatās what you tell yourself) but youāre still so human it hurts (it hurts all the time anyway, of course, but still). Enough that you know when you die, you will die hundreds of years before your best friend does, and then you will leave him on his own. How is that not a bittersweet horror?
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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