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Even so did the bereaved Ceres light her torch and from Aetna's rocks cast the shifting glare of the mighty flame here over Sicily, there over Ausonia, as she followed the traces of the dark ravisher and the great wheel-furrows in the dust; Enceladus himself re-echoes her wild wailings, and illumines her path with bursting fire; “Persephone” cry woods and rivers, seas and clouds: only the palace of her Stygian lord calls not “Persephone.” (Statius, Thebaid, 12.270-277)
orba Ceres magnae uariabat imagine flammae Ausonium Siculumque latus, uestigia nigri raptoris uastosque legens in puluere sulcos; illius insanis ululatibus ipse remugit Enceladus ruptoque uias inluminat igni: Persephonen amnes siluae freta nubila clamant, Persephonen tantum Stygii tacet aula mariti.
This is the ultimate satire of adaptations like "after entering the underworld, Kore changed her name to Persephone…"
Y'know what? I really want to see your artstyle depicting Apollon one day, pretty pleaseee
You are so kind, I was actually busy with Apollon this month! But I felt quite overwhelmed with the process and with the fact that I don't see him as clearly as I do with the other Theoi, so I hit a bit of a block. Im planning on completely starting from scratch, but you definitely will see Apollon in the future
“Garden of Proserpine,” 1938 - R.H. Ives Gammell

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Apollo with his cithara
Attic crater, 300 BC
Times change, peoples come and go, but the tarallo is a constant
Images on the left are little carbonized ring bread cake offerings found in the Messapian cave sanctuary of Monte Papalucio in Oria, southeastern Italy, dedicated to Demeter and Persephone. It was in use from the second half of the 6th century to the first half of the 3rd century BCE. On the bottom right is the modern tarallo. Number 5 is a votive clay model from the deities' sanctuary in Corinth depicting cakes.
Here are some reconstructions of the cult area by Inklink Studio:
Regional Variation within Hellenic Polytheism
I feel like not enough time is spent in HelPol spaces discussing the regional variation of the religion, beyond occasional hat-tips to the preference shown to certain theoi in certain regions. In an attempt to get many thoughts out of my head in an orderly fashion, some blurbs: ಄ The majority of helpols are, whether consciously or unconsciously, practicing more or less a variation of Athenian (or generally Attican) polytheism. This is just due to source survival bias. There is absolutely nothing wrong with this, but it often isn't discussed openly, nor do many authors take the time to specify that we're aware in the records of regional variance. ಄ Additionally, records hugely skew towards civil worship (as opposed to household or rural worship), which both reinforces the regional bias towards more heavily developed at the time regions of Greece and obscures by ommission many aspects of daily life for the average Hellene that we can now only really infer ಄ Cultural conflation is an issue here, and one that does matter. Although certainly no one is arguing that Thessaly is any more or less Greek than Laconia, the way we interpret the idea of a unified 'ancient Greek culture' is very modern, and removes a great deal of political and cultural context. Responsible reconstruction requires acknowledgement of both intracultural and intercultural forces, and the fuzziness of the boundaries between what is and isn't 'the same culture'. As modern, often foriegn, practitioners we need to be careful that we're not partaking in intermingling regional disparities based purely on preference without acknowledging the complexity of their origins.
"Lord of the silver bow, now hear my prayer! Great guardian of Tenedos and Chryse and sandy Cilla! Mouse Lord! If I ever built temples to your liking, ever burned fat thighs of oxen or of goats for you, fulfill this prayer for me, and let the Greeks suffer your arrows to avenge my tears!" (Homer. Iliad, trans. wilson)
Apollo sends a plague to the Greeks, my piece for the 2026 edition, Sing! O Muse Zine.
Dea magna, dea Cybebe, dea domina Dindymiprocul a mea tuus sit furor omnis, era, domo:alios age incitatos, alios age rabidos.
Great goddess, goddess Cybele, goddess and mistress of Dindymus, may all your insanity, Lady, be far from my home. Drive others to frenzy, drive others mad.
(Catullus 63.91–93)

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Stele dedicated by two women to the snake goddess Renenutet
New Kingdom, 19th Dynasty, ca. 1292-1290 BC.
From Deir el-Medina, Thebes. Now in the Egyptian Museum of Turin. Suppl. 6138
Dark-haired Apollo
I know everyone likes blonde Apollo, and for good reasons! A lot of poets seemed to have been fond of imagining him with long, beautiful golden hair. But dark-haired Apollo, though quite rare in the poems, also exists and I honestly like that too.
• From the Erythrean paean to Asclepius (which then continues into a paean to king Seleucus):
"Over the libations, sing of Seleucus, son of dark-haired Apollo, whom the god of the golden lyre himself begot..." – (Trans. P.A.LeVen)
> κυανοπλοκάμου (kyanoplokámou) - dark-haired is used to describe Apollo's hair here.
• From Limenius' paean to Apollo (also known as the second Delphic hymn):
"But you, O god who owns the oracular tripod, come to this ridge of Parnassus where the gods tread, and where divine possession is welcomed. Weave a crown of bay about your wine-dark hair, and drawing with your hand . . . you encountered the monstrous child of Gaia . . ." (Trans. J.G.Landels)
>It was a bit difficult for me to figure what word is used here for his hair because the original Greek text is fragmented and I'm not knowledgeable about the language - I rely on the online translations - so a disclaimer. But from what I've put together, the word used to describe the color of the hair is οἰνῶ̣πα (oinõpa) which translates to "dark", "ruddy complexioned". Also, the same hymn calls Apollo "golden-haired" in the beginning lol.
In Deipnosophists by Athenaeus, a comment is made on the poets' imagination of Apollo's hair vs the painters' preference:
"And you do not either like the poet who spoke of the golden-haired Apollo; for if a painter were to represent the hair of the god as actually golden, and not black, the picture would be all the worse." – (Trans. Charles Burton Gulick)
> according to this, the painters liked to represent Apollo with black (μελαίνας) hair. Or rather that making his golden will make the painting look worse.
And if the Roman paintings and mosaics are any proof, these painters did actually seem to prefer representing Apollo with dark hair.
So yeah, while in the myths he's often called golden-haired, dark-haired Apollo is a more common sight in the paintings.
🌱🌾Demeter, 𐀯𐀵𐀡𐀴𐀛𐀊🌾🌱
"As the Basket comes, greet it, ye women, saying “Demeter, greatly hail! Lady of much bounty, of many measures of corn.” As the Basket comes, from the ground shall ye behold it, ye uninitiated, and gaze not from the roof or from aloft, child nor wife nor maid hath shed her hair, neither then nor when we spit from parched mouths fasting. Hesperus from the clouds marks the time of its coming: Hesperus, who alone persuaded Demeter to drink, what time she pursued the unknown tracks of her stolen daughter.
Lady, how were thy feet able to carry thee unto the West, unto the black men and where the golden apples are? Thou didst not drink nor didst thou eat during that time nor didst thou wash. Thrice didst thou cross Achelous with his silver eddies, and as often didst thou pass over each of the ever-flowing rivers, and thrice didst thou seat thee on the ground beside the fountain Callichorus, parched and without drinking, and didst not eat nor wash.
Nay, nay, let us not speak of that which brought the tear to Deo! Better to tell how she gave cities pleasing ordinances; better to tell how she was the first to cut straw and holy sheaves of corn-ears and put in oxen to tread them, what time Triptolemus was taught the good craft ---
O Demeter, never may that man be my friend who is hateful to thee, nor ever may he share party-wall with me; ill neighbours I abhor
Sing, ye maidens, and ye mothers, say with them: “Demeter, greatly hail! Lady of much bounty, of many measures of corn.” And as the four white-haired horses convey the Basket, so unto us will the great goddess of wide dominion come bringing white spring and white harvest and winter and autumn, and keep us to another year. And as unsandalled and with hair unbound we walk the city, so shall we have foot and head unharmed for ever. And as the van-bearers bear vans full of gold, so may we get gold unstinted. As far as the prytaneia let the uninitiated follow, but the initiated even unto the very shrine of the goddess, as many as are under sixty years. But those that are heavy and she that stretches her hand to Eileithyia and she that is in pain, sufficient it is that they go so far as their knees are able. And to them Deo shall give all things to overflowing, even as if they came unto her temple.
Hail, goddess, and save this people in harmony and in prosperity, and in the fields bring us all pleasant things! Feed our kine, bring us flocks, bring us the corn-ear, bring us harvest! And bring peace, that he who sows may also reap. Be gracious, O thrice-prayed for, great Queen of goddesses!"
---- Callimachus, Hymn 6 to Demeter 🌾
WIP
Praise Gê! Mother of all life, beloved of starry Ouranos.
Praise Rheia! Mother of the deathless Olympians, lover of wild rites.
Praise Hera! Mother of Zeus' strong children, Queen of Olympos.
Praise Demeter! Mother of bountiful Kore, bringer of harvest.
Praise Maia! Mother of clever Hermes, nurse of the young.
Praise Leto! Mother of far-shooting twins, darkly-veiled grafter.
Praise Aphrodite! Mother of love in many forms, heavenly Cyprian.
May every mother goddess be loved and venerated on this blessed day! We give praises and libations to you, mothers who watch over us dear mortals, even when our own earthly mothers do not.

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Chryselephantine Statues of Artemis and her mother Leto at Delphi
Greek Myth - Mother’s Edition
Happy Mother’s Day! Here’s a series of epigrams that dedicated to a historical queen who was honored by her sons with a catalogue of mothers receiving love in classical mythology and poetry presented in Greek Anthology 3.
1. On Dionysus conducting his mother Semele up to heaven, with Hermes in the lead and Satyrs and Sileni escorting them with torches
This is the fair-haired daughter of Cadmus and Harmonia, slain in childbirth by the lightning of Zeus, being led up from Acheron by her thyrsus-loving son; thus he responds to the godless insolence of Pentheus.
2. The second pillar has Telephus recognized by his mother.
Leaving the paths of Arcadia’s deep valleys for the sake of my mother Auge, I, Telephus, myself the dear son of Heracles, set foot on this Teuthranian land, to bring her back to Arcadia.
3. The third has Phoenix being blinded by his father Amyntor, and Alcimede restraining her husband.
Alcimede pulls her husband Amyntor away from their son, wishing to halt the wrath of Phoenix’s father. He was angry with his father for his virtuous mother’s sake, because he was drawn to the bed of a slave concubine. His father, listening to insidious whispers, was also angry with the young man, and turned a lethal torch against his eyes.
4. The fourth has Polymedes and Clytius, the sons of Phineus of Thrace, who murdered their father’s Phrygian wife, because he had taken her in place of their mother Cleopatra.
Clytius and Polymedes, renowned for intelligence, are killing their Phrygian stepmother for their own mother’s sake. Cleopatra is delighted with this; she had earlier seen Phineus’ wife righteously defeated.
5. The fifth has Cresphontes killing Polyphontes, his father’s murderer; Merope is there too, holding a staff and cooperating with her son in her husband’s demise.
You, Polyphontes, once killed Cresphontes’ father, wishing to defile the bed of his wedded wife, but later came his son came to avenge his father by your murder; now he kills you for the sake of his mother Merope. For this reason he planted a spear in your back, and she is helping, pounding your forehead with her heavy staff.
6. The sixth has Python being killed by Apollo and Artemis, because it appeared and prevented Leto from traveling to Delphi to take possession of its oracle.
Leto in utter loathing turns her head from earthborn Python, a creeping congeries of coils. It wishes to annoy the wise goddess, but Phoebus, shooting from the height, lays the beast low in its own blood. He will make the Delphic tripod inspired, and that most cruel of dragons will breathe out a plaintive hiss.
7. The seventh, on the northern side, has a scene of Amphion and Zethus. They are tying Dirce to a bull, because she, transported by jealous anger, punished their mother Antiope with excessive harshness; because of her affair, her father Nycteus had handed her over to her (Dirce’s) husband Lycus.
Amphion and Zethus, whelps of Zeus, kill this woman Dirce, who intended to slay your mother Antiope, whom formerly she kept in prison because of her jealous spite. But now she is the suppliant and begs piteously. Tie her to a bull with a double rope, so that it will drag her body through this thicket.
8. On the eighth is the necromancy of Odysseus. He questioned his own mother Anticlea concerning affairs at home.
Anticlea, mother of wise Odysseus, you did not live to welcome your son home to Ithaca; but now that you have come to the banks of Acheron, he wonders that his eye lights upon his sweet mother.
9. On the ninth are carved Pelias and Neleus, the sons of Poseidon, delivering their mother from bondage. Her father Salmoneus had recently imprisoned her because she had an affair, and her stepmother Sidero applied to her the instruments of torture.
Let your coils, Sidero, no longer torment Tyro, nor let her be subject to her father here, Salmoneus. For he will no longer keep her a slave in a cage, when he sees Neleus and Pelias sitting here nearby.
10. On the western side on the first part of the tenth tablet are carved Eunous and Thoas, the children of Hypsipyle, being recognized by their mother. They are showing her the golden vine that was the token of their birth and saving her from her punishment at the hands of Eurydice for the death of Archemorus.
Thoas, show her this, Bacchus’ plant, for you will save from death your mother, the slave Hypsipyle. She had endured the wrath of Eurydice since the earth-born snake slew feeble Archemorus.2 And you go too, Eunous, and leave the fields of Asopis, to take your mother to most holy Lemnos.
11. On the eleventh is Polydectes, king of Seriphus, being turned to stone by Perseus with the Gorgon’s head; because he wanted to marry his (Perseus’) mother, he had sent him for the Gorgon’s head, and the death that he intended for another he suffered himself, in accordance with the providence of Justice.
You, Polydectes, dared to defile the bed of Danaë, putting the blame on Zeus for your ill-rumored liaisons. In response Perseus here uncovered the eyes of the Gorgon and made your limbs stone, as a favor to his mother.
12. On the twelfth is Ixion killing Phorbas and Polymelus because of the murder of his own mother, Megara. They murdered her out of anger when she preferred not to marry either of them.
Here is Ixion striking Phorbas and Polymelus to the earth, in revenge for their punishment of his own mother.
13. The thirteenth has Heracles leading his mother Alcmene to the Elysian plains, giving her in marriage to Rhadamanthys, and then himself being admitted to the number of the gods.
The bold son of Alceus gave this woman, his mother Alcmene, in holy wedlock to Rhadamanthys.
14. In the fourteenth is Tityus being shot by Apollo and Artemis, for daring to assault their mother Leto.
Lustful and drunk with foolishness, why did you turn with violence to the bed of Zeus’ consort? He deservedly fouled you with your own blood, and now has righteously left you on the ground, food for beasts and birds.
16. By the temple doors as you go in are Aeolus and Boeotus, sons of Poseidon, delivering their mother Melanippe from the fetters in which she was placed by her father because of her affair.
Aeolus and Boeotus, you performed a clever and pious task in saving your mother from death. Therefore you were proven mighty men, one from Aeolia and one from Boeotia.
18. On the eighteenth are Cleobis and Biton; they enabled their mother Cydippe, who was priestess of Hera in Argos, to perform her sacrifices by putting their own necks under the yoke when the ox team was delayed. They say that she was so pleased that she prayed to the goddess that her sons should meet with whatever was best for men; thus she prayed, and they died that very night.
This story is no lie; the pious sacrifice of Cydippe’s sons is surpassingly true. Their timely journey set a pleasing target for men’s aim; they undertook a glorious labor out of pious devotion to their mother. So rejoice in sacrifices, men renowned for your piety, and may you alone have age-long story.
19. On the nineteenth are Remus and Romulus, delivering their mother (Servilia by name) from the tortures of Amulius. Ares had seduced her and fathered children from her; they were exposed and suckled by a wolf. When they grew to be men, they freed their mother from bondage, founded Rome, and restored Numitor to the throne.
You are bearing to Ares a hidden brood of children, Remus and Romulus from a single birth. A wild wolf raised them to manhood and nursed them in her cave, and they snatched you out of woes with no easy cure.