Locklyle sleepy cuddling is everything to me ❤️
YOU ARE THE REASON
he wasn't even looking at me and he found me

if i look back, i am lost

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@teaandtoastandthyme
Locklyle sleepy cuddling is everything to me ❤️

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”This portrayal of a marginalized group was wrong then and is wrong now” and “This portrayal of a marginalized group was very progressive for the time period and paved the way for more representation while likely limited by factors outside of the creator’s control” are two statements that can and should ABSOLUTELY coexist and be kept in mind when interacting with older media
Great example
Spin the wheel. That's who's trying to kill you.
Spin the wheel again. That’s who’s trying to protect you.
(If you have zero idea about a name you got, spin until you see someone you recognize.)
Are you safe?
Absolutely not. I'm dead. 100% dead.
I might stay alive, but it'll be a really close thing.
I'll take some hits, for certain, but I should be okay in the end.
A few attacks might get through, but nothing concerning.
The attacker might be able to get in one lucky hit. If that.
I am the opposite of worried. I'm 100% safe.
…Look. I've tried picturing this. But I honestly don't know how to answer.
(I've run this poll twice before, expanding it significantly for the second run. With about a year passed since that second run, I thought it was time to add another couple hundred names to the list and have another go.)
the idea that restrooms, locker rooms, etc need to be single-sex spaces in order for women to be safe is patriarchy's way of signalling to men & boys that society doesn't expect them to behave themselves around women. it is directly antifeminist. it would be antifeminist even if trans people did not exist. a feminist society would demand that women should be safe in all spaces even when there are men there.
btw this is maybe the single most key distinguishing feature of the terfy strains of radical feminism, the seed all the rest of it springs out of: they have absolutely no faith in the ability of feminism to actually destroy patriarchy. they do not think feminism can truly build a better world. they cannot really even imagine that possibility. they think patriarchy is an inevitable natural consequence of unchangeable biological facts, and therefore the goal of feminism can only be to mitigate the worst effects of patriarchy, not to get rid of it.
they can imagine a society where women get some designated safe spaces without men around. they cannot imagine a society where the presence of men is not inherently a danger to women.

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BERTHA WEGMANN (DANISH, 1847–1926) Dandelions
Christ is Everywhere.
I was in an underground train, a crowded train in which all sorts of people jostled together, sitting and strap-hanging – workers of every description going home at the end of the day. Quite suddenly I saw with my mind, but as vividly as a wonderful picture, Christ in them all. But I saw more than that; not only was Christ in every one of them, living in them, dying in them, rejoicing in them, sorrowing in them – but because He was in them, and because they were here, the whole world was here too, here in this underground train; not only the world as it was at that moment, not only all the people in all the countries of the world, but all those people who had lived in the past, and all those yet to come.
I came out into the street and walked for a long time in the crowds. It was the same here, on every side, in every passer-by, everywhere – Christ.
Christ is everywhere; in Him every kind of life has a meaning and has an influence on every other kind of life. It is not the foolish sinner like myself, running about the world with reprobates and feeling magnanimous, who comes closest to them and brings them healing; it is the contemplative in her cell who has never set eyes on them, but in whom Christ fasts and prays for them— or it may be a charwoman in whom Christ makes Himself a servant again, or a king whose crown of gold hides a crown of thorns. Realization of our oneness in Christ is the only cure for human loneliness.
For me, too, it is the only ultimate meaning of life, the only thing that gives meaning and purpose to every life. – Caryll Houselander, from A Rocking-Horse Catholic (1955)
it breaks my heart that Anthony Lockwood probably thought he was a curse. that he brought death with him. because this boy changed lives.
lucy? the strange girl without a certificate, without her fourth grade. traumatized from her past. and he chooses her, trusts her, helps build her up.
george? the odd researcher kicked out by fittes? lockwood says “you’re my best friend now come home with me”. he sees the brilliant mind behind the eccentricity, naked yoga, rude commentary.
holly? scared, verbally abused, grieving holly who lost her whole team and all of her confidence in herself? he chooses her, too. strengthens her confidence until she’s back to the agent she needs to be.
even kipps, his once rival. the guy he loved to hate, who stole his jobs and was insufferable about it. the soggy ginger plague rat. and lockwood says “come with us on this case”. gives kipps’ his ability back.
of course, what each of them do for him is equally as important (and it’s a whole other essay). and these characters’ arcs have so much to do with other people and their own choices, not just lockwood.
but. there’s something about this boy who sees. He sees ghosts and he sees potential and he acts on it. And for someone who’s been abandoned. Who’s always afraid of being left, and being the reason people leave… he keeps choosing to bring people in. and I love him for it.
Autumn sun through my window
7.11.2022
Real thing that changed how i write: I started asking "what does this character think is wrong with them" and separately "what is actually wrong with them." Those two things are almost never the same. She thinks she's too much. She's actually terrified of being too little. He thinks he's bad at commitment. He's actually just never met someone he trusted enough. The gap between their diagnosis of themselves and the real thing, that's your character arc right there. you don't have to explain it. just write both.

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all is well now (im just fine, im just fine)
tired of cannibalism as a metaphor for love or sex. can we get into cannibalism as a metaphor for colonization.
1. Europeans using Egyptian mummies as medicine
2. The Delectable Negro: Human Consumption and Homoeroticism Within US Slave Culture by Vincent Woodard
3. "Abolitionists turned the tables on Europeans by accusing them of being cannibals when they ate sugar tainted with the flesh and blood of slaves."
4. Zombies (which I would class as cannibals, since they were human and need to eat humans to live) have a root in Haitian folklore and represented enslavement.
adding that, if you can find it, cannibal culture by deborah root is about exactly this. the way the white western world is a hungry, destructive force that cannibalizes non-white cultures and creates wealth and status through the cannibal colonization of those cultures.
here's the intro
i almost think there's an essay in bell hooks' black looks about this too? yes! just checked, there's an essay called "eating the other"
This kid is so fucking good holy shit. I love how into it the audience is, too
sheep detectives is finally out on digital which means i can show you guys one of the funniest movie scenes of the year so far

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Just added embroidered bookmarks to my Etsy!!
(I swear they’re cuter in person, I cannot take photos to save my life)
Luce,
I saw you looking at your reflection today.
You were tugging at the streaks in your hair like you do sometimes, twisting and pulling and trying to hide them, and you said something to Holly about dyeing them soon.
I know you don’t like them. They’re a constant reminder of the nightmare that was the Other Side.
But when I look at them… all I can feel is grateful. Grateful that no matter what happens, I got a glimpse of what you’ll look like when you live to grow old.
You know, perhaps better than anyone, what it means to be an agent. What it means to wonder if you’ll ever have a future. Believe it or not, I have hope for one… a future where there is tea and biscuits and decades of photographs on the walls and children’s drawings all over the Thinking Cloth and George over for dinner and your hand in mine.
But if we never get there, at least I have a piece of what it would be. At least I can enjoy how beautiful you look with white at your temples. How perfect you are. And sometimes, when we sit by the fire and I’m almost asleep, it feels like maybe we really did reach that future. Without ghosts, or fear, or doubt. A future where the one thing we know, the truest thing in the world, is that I…
Yours, Lockwood