taylor literally raised us so well that we figured it out in like 5 mins and iām very proud of that and i hope she is tooĀ
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@taysonedollar
taylor literally raised us so well that we figured it out in like 5 mins and iām very proud of that and i hope she is tooĀ

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an absolute ray of sunshine, literally daylight
Literally.
Of course Taylor has one of those backpacks that cats can travel in š¹š¹
"IT FEELS FUCKING AWSOME"
Miss Americana feels like Iām having a Swiftie dream like?? Howww is this real?!

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Taylor asked us to let Scott know how we felt.... so @tied-together-with-a-kyle and I did!!
THANK YOU FOR HELPING US MAKE THIS POSSIBLE!! #IStandWithTaylor
This billboard is in Nashville!
Better photos! Digital billboards donāt photograph well
Probably the best thing that will ever happen to me, tbh. Thanks Billbord! We love T!
@taylorswift iām so sad this is happening but thank you for trusting us enough to stand up for you.
The AMAs have just become the most pivotal awards ceremony of the decade. That show will be a telling moment in the industry and for a very important reason. You are going to have a musician standing on that stage, accepting the highest honor of Artist of the Decade. You are going to have the very first female musician in the history of the AMAs accepting this honor and title. She is going to be standing on that stage, in a room with all of the biggest names in the music industry watching, listening. And she is being blackmailed, silenced into not performing her own music, music that she has created, because of two power hungry, controlling men. She has worked tirelessly, and put so much dedication and time into her craft over the last 13 years, and has EARNED the right to be called Artist of the Decade, only to be silenced because again, two men are terrified of letting her be completely free.Ā
Make no mistake. The AMAs have just become the most important moment for Taylor Swift and the music industry. And she will speak up. And the music industry better be fucking listening when she takes that stage.
Donāt know what else to do
Guys - Itās been announced recently that the American Music Awards will be honoring me with the Artist of the Decade Award at this yearās ceremony. Iāve been planning to perform a medley of my hits throughout the decade on the show. Scott Borchetta and Scooter Braun have now said that Iām not allowed to perform my old songs on television because they claim that would be re-recording my music before Iām allowed to next year. Additionally - and this isnāt the way I had planned on telling you this news - Netflix has created a documentary about my life for the past few years. Scott and Scooter have declined the use of my older music or performance footage for this project, even though there is no mention of either of them or Big Machine Records anywhere in the film.
Scott Borchetta told my team that theyāll allow me to use my music only if I do these things: If I agree to not re-record copycat versions of my songs next year (which is something Iām both legally allowed to do and looking forward to) and also told my team that I need to stop talking about him and Scooter Braun.
I feel very strongly that sharing what is happening to me could change the awareness level for other artists and potentially help them avoid a similar fate. The message being sent to me is very clear. Basically, be a good little girl and shut up. Or youāll be punished.
This is WRONG. Neither of these men had a hand in the writing of those songs. They did nothing to create the relationship I have with my fans. So this is where Iām asking for your help.
Please let Scott Borchetta and Scooter Braun know how you feel about this. Scooter also manages several artists who I really believe care about other artists and their work. Please ask them for help with this - Iām hoping that maybe they can talk some sense into the men who are exercising tyrannical control over someone who just wants to play the music she wrote. Iām especially asking for help from The Carlyle Group, who put up money for the sale of my music to these two men.
I just want to be able to perform MY OWN music. Thatās it. Iāve tried to work this out privately through my team but have not been able to resolve anything. Right now my performance at the AMAās, the Netflix documentary and any other recorded events I am planning to play until November of 2020 are a question mark.
I love you guys and I thought you should know whatās been going on.
Taylor
The stakes are high, the waters rough, but this love is ours,

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i had the time of my life fighting scooter with you
This canāt be reblogged enough
ā beautiful ghosts (from theĀ motion picture ācatsā) performed by taylor swift, written by taylor swift and andrew lloyd webber
I love how people jump from calling Taylors fans āharmless teenage girls uwuā to ākiller assassins that are a threat to male millionaires and their familiesā whenever it fits them
What happens if taylor just sings her old music anyway?
I say fuck it, just perform the way she planned on doing originally and we just start a gofundme if they try and sue her
I donāt know who Tim is but I love him

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letās recap:
scott sold big machine to scooter, whom he knows taylor has been bullied by dated from 2016 onwards, for $300m
scooter acquired her catalog, changing tiny details (such as fearlessā genre, reputationās stylisation and ikywtās period) just to mess with her head
they come out claiming that they wish her all the best with lover, despite evidently being vile out of the public eye
they tell her/her team that she cannot perform at the ceremony where she will be awarded their most prestigious title, obviously to diminish her decadeās work
taylor calls them out in hopes that this will raise awareness of how susceptible to manipulation female artists can be in the industry, even at this level of fame
big machine responds claiming that she made up the restrictions they put on her, as if she wanted to be victim blamed as well as have to ruin the netflix surprise??
to conclude, they are trying to gaslight a strong, successful, hard working woman in order to protect the partiarchy of the industry.
āa man does something, itās strategic. a woman does the same thing, itās calculatedā