NATIVE AMERICAN INFLUENCE ON PUNK 1868-1978
‘The living deserve respect. The dead deserve the truth. ‘ VIVIENNE WESTWOOD
todays bird

❣ Chile in a Photography ❣
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trying on a metaphor
YOU ARE THE REASON
Alisa U Zemlji Chuda
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Aqua Utopia|海の底で記憶を紡ぐ

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@talamakk
NATIVE AMERICAN INFLUENCE ON PUNK 1868-1978
‘The living deserve respect. The dead deserve the truth. ‘ VIVIENNE WESTWOOD

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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The Return of the Mona Lisa to the Louvre after the War, Paris, 1945
Antonio Recalcati (Italian, b. 1938), Untitled, 1962. Canvas, 100 x 80 cm.
Fritz Henle, Caribbean, 1966.
“Beginning a career in Germany in 1928 that spanned six decades, Fritz Henle traveled through the Mediterranean, India, China and Japan in the pre-war 1930’s documenting those travels with his trusted Rolleiflex before emigrating to the US in 1936. Passionately involved with the relatively new medium of photography, Henle was at once a successful freelance photojournalist, a well traveled documentarist whose work took him to Asia in the pre-war ’30’s, later to Mexico, Paris, throughout the USA, and to the Caribbean in the late ’40’s where he traveled the islands before making his home on St Croix in 1958.” https://www.instagram.com/p/CGx53f2gKWD/?igshid=btj0wk4rmp54

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Allegory of Camaldolese Order, 1600, El Greco
Medium: oil,canvas
https://www.wikiart.org/en/el-greco/allegory-of-camaldolese-order-1600
i just. love this video sm
Antoni Tapies’s studio

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Study for “Circles on Black”, 1921, Wassily Kandinsky
Medium: watercolor,paper
https://www.wikiart.org/en/wassily-kandinsky/study-for-circles-on-black-1921
FROM the MIND of ALAÏA………..No.7
The Lomellini Family, 1627, Anthony van Dyck
Medium: oil,canvas
Untitled, 1944, Mark Rothko

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