look i know they were all from tyre individually right. but i didn’t even realize that they were all from the same city until now this is taking me out
let's talk about Bridgerton tea, my ask is open
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@taiyoandluna09
look i know they were all from tyre individually right. but i didn’t even realize that they were all from the same city until now this is taking me out

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THE LOTUS EATERS WERE IN TUNISIA
WAIT WAIR WAIT and combine that with aeneas wanting to stay in carthage with dido.. like the lotus eaters wanting to stay on the island…
i find it so odd whenever people think aeneas is just pious and nothing else besides that. like many people think he is a boring character. aeneas? that guy is so not boring to me. yes hes pious but he also has wants and needs of his own. only he can't have those because above all he is pious, as much as he doesn't want to be sometimes. he is a character with immense trauma from the trojan war, who has lost his home and loses almost all of the most important people in his life. he is forced to leave the woman he loves and only finds out she's dead when he sees her again in the underworld, where he tells her he didn't have a choice. and when he gets to italy he is thrown into another war, that he didn't want but still has to fight. he loses more people and is then overcome by a rage and kills an enemy he could have spared. how is he boring?
I think Andromache has a lot of potential to be a subversion or deconstruction of the "ideal woman" trope. She is so often portrayed as the perfect wife and mother: devoted to Hector, loving toward Astyanax, obedient, and composed. But what happens when she is also expected to be the perfect enslaved woman? Something breaks in Andromache after she is made a slave by Pyrrhus. She develops a kind of rage she has never felt before, a silent rage, but rage nonetheless. She is not completely passive or accepting of her fate by her captor. And I think this becomes even more complicated when she becomes pregnant with Molossus and develops postpartum depression. Andromache can perhaps rationalize her inability to become the "perfect slave woman" because she was a queen. She has lost her status, her family, her home, and almost everything that once defined her. But motherhood is different. She was a mother before, and now she is a mother again, yet she is unable to love her child in the ways she believes a mother is supposed to. That could create a really interesting internal conflict for her. She might even wonder whether she has genuine affection for Molossus, or whether it is purely opportunistic something driven by survival rather than genuine maternal love. And that guilt could be especially painful because of the expectations placed on mothers. There is this idea that a mother should automatically and unconditionally love her child no matter what and that failing to experience that immediate affection makes her a bad mother or even a bad woman. Andromache could internalize that expectation and conclude that something is fundamentally wrong with her because she cannot simply be the loving mother her society expects her to be. In that sense, her postpartum depression would challenge the idealized image of Andromache herself (and motherhood in general). The "perfect wife and mother" is not actually invulnerable, endlessly patient, or incapable of resentment. She can experience rage, grief, numbness, guilt, love, and even contradictory feelings toward her own child. I also have a headcanon that Andromache experienced postpartum depression after Astyanax was born, but that it was much shorter-lived and she managed to make sure nobody noticed. That would make her experience with Molossus even more painful, because this time she cant hide it from herself as easily.
This painting but its Clytemnestra holding Iphigenia lifeless body, and then Clytemnestra in Iphigenia place, being held by her father, Tyndareus.

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I think that while Paris’s family sees being a shepherd as a lowly occupation, they are still surprised by how much knowledge he retains. They may expect him to be completely uneducated and ignorant because of his upbringing (he was also a slave) and personality (him being feminine,"vain" and not liking having dirt on his hair for example). Like i imagine that whenever Paris sees something that reminds him of his old life, he would probably start info-dumping (without realizing it) about everything he knows: how to handle and care for animals, recognize different plants and their uses, identify changes in the weather, navigate using landmarks, manage grazing and pastureland, protect livestock from predators, and understand seasonal cycles. He could also have extensive practical knowledge of the countryside, local geography, and basic survival skills.
Paris is kinda like a mix of Princess and the Pauper and Rapunzel
Favorite Rare Parentages in Greek Mythos
In no order whatsoever:
Prometheus - Son of Hera
"When Hera was being raised by her parents, one of the Giants, Eurymedon, raped her and made her pregnant. She gave birth to Prometheus. Zeus later married his sister [Hera], and when he found out what had happened, he threw Eurymedon into Tartaros, and hung Prometheus up in chains (he used the fire as a pretext)." - Euphorion, D Scholia to the Iliad Not Zeus pulling a Hera before it was even a thing by punishing Prometheus for circumstances of his birth that he couldn't control. But it makes him an outsider who rose up, did the right thing despite it all, and perhaps, made his mother proud.
Helen - Daughter of Nemesis
But some say that Helen was a daughter of Nemesis and Zeus... and the fruit of their loves she laid an egg, and a certain shepherd found it in the groves and brought and gave it to Leda; and she put it in a chest and kept it; and when Helen was hatched in due time, Leda brought her up as her own daughter. - Pseudo-Apollodorus, Bibliotheca 3.10.7 Symbolically, this makes Helen not just the catalyst of the war, but also someone embodying her mother's domain, as several players of the war like Achilles, Agamemnon, Ajax, Priam, and Paris suffer for their hubris. Each of their deaths become long overdue consequences coming back to bite them. Plus, I like the idea of Helen punishing Paris by guiding the arrow that killed him, for kidnapping her daughter
Hector - Son of Apollo
Stesichorus and Euphorion say that Hector was the son of Apollo and Alexander the Aetolian. Stesichorus and Euphorion and Alexander the Aetolian say that Hector was the son of Apollo. - Tzetzes, Ad Lycophronem, 265 Other than not being a Hector/Apollo fan, it does raise a personal stake for Apollo ensuring Hector's safety throughout the Iliad, going above and beyond for him, and even begging Zeus to have his body returned. Plus, it gives him a vendetta to kill Neoptolemus for killing Astyanax, who in this tradition, would have been his grandson.
Neoptolemus - Son of Iphigenia
"He calls Iphigenia the "first-born mother" because, according to some, Pyrrhus was born from her and Achilles." - Tzetzes, Ad Lycophronem - 183 This would make Iphigenia's sacrifice hurt Achilles even more as he loses someone he loved and the mother of his child, and his hate for Agamemnon would stem from somewhere deeper than their shared arrogance. He might see it as betrayal, and how would Agamemnon react to his grandson, the last piece of Iphigenia, going to Troy? And how does Neo react to the grandfather who condemned him to become an orphan?
Prometheus becomes the child punished for something that wasn't his fault.
Helen becomes the daughter of Retribution at the center of a war fueled by human hubris.
Hector becomes Apollo's son, making his death, and Astyanax's death, a divine family tragedy.
And Neoptolemus becomes the living consequence of Agamemnon's sacrifice.
Since Helios is the god of sight I think he purposefully burns people's retinas if they stare at him [the sun] for too long. Maybe just gets unconfortable by people watching him do his job (hypocrital, if you ask me, that guy is literally stalking everything under the sun). I think the exception would be his lovers, friends and kids. Imagine Rhode looking directly at the sun just fine lol, she is in love your honor.
Anyways, there will be a solar eclipse in the 12th of august. Do NOT look at the sun, only watch the eclipse if you have the proper glasses to do so, normal sunglasses wont protect your eyes
Young Aeneas doodle because every time I tried drawing my oc today I got extremely pissed off so

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Hector & Astyanax!! ★
Hi! I loved your art and your artistic style. I loved your design of the Greek gods. I wanted to know if you plan to do a design for Hypnos or Eros, they are my favorite gods. Eros is always portrayed as the son of Ares and Aphrodite in modern comics, but I've always liked Eros traditionally being the primordial being of love, the son of chaos.
Finally, I loved your account and I'm following you now :)
I did have designed an Eros. But he's a very personal version and sorry to disappoint but mine he's a son of aphrodite too 😭
Ignore the adonis mention it's more like an add-on for my personal use than an actual thing
Hope you'll love the design anyway ❤️❤️
{ 🌱 Eurydice 🌱 }
I wasn't sure at first to show this here but this is literally one of my best artwork ever so why not. I imagined this as "the first time Orpheus is seeing Eurydice"
This is my incarnation of Eurydice, my retelling is taking the idea that Orpheus and Eurydice keep falling in love over and over, being reincarnated and never breaking the cycle.
Also my Eurydice is genderless, some incarnation are more fem others more masc, but as a nymph I imagine them being more like a plant than a person. I also took the idea that Eurydice can be used to too many versions of themselves and since there's boys and girls in some of their incarnation it could work too as a way to emphasize the enby thingy
Alright I hope you will like this art eitheway
My Poseidon design doodle 🌊🔱 This is his current look made mainly as a reference for myself for future drawings. He has two different ear types: when he’s underwater, his ears shift into a more fish like form, while on land they appear human. I imagine him dressed very simply nothing excessive since he’s a sea god yk. (The idea was loosely inspired by Avatar style skirts, though I’m not entirely sure how I made that connection myself.) I also picture him with a tattoo on his arm. As for the golden shell, I chose it because it feels symbolic to me almost like a golden radio of the ocean, something that carries its voice. I don’t know if that makes perfect sense, but it felt right.
My dear Ganymede. They speak of him as a symbol, a constellation, a prize lifted into the heavens but I see a child standing at the edge of the earth, still smelling of grass and milk and daylight, still belonging to his mother. He is innocence made visible. And worse innocence noticed. No one speaks enough about the moment before the sky opens. No one mourns the seconds when his feet still touched the ground, when his mother could still reach him, when the world was small enough to be safe. They rush past that part, eager for gods and stars, as if divinity excuses the violence of being taken. I think of his mother often. I think of her hands what they were doing when the air tore open above her son. Was she folding cloth? Grinding grain? Calling his name? Did she hear the wings? Did she run? Did she scream until the mountains learned grief? And I think of myself, standing in that place, knowing that no prayer, no scream, no love is strong enough to stop a god who wants.

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Cassandra! 🔮
ref
Young Hector 🐴