#zoom f8

How The Zoom F8 Integrates Ambisonic Audio

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Since their announcement of the partnership between Sennheiser and Zoom for Ambisonic Audio there is now the video on how it will be more integrated.

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I’m starting a run of several weekend shoots coming up, and I’ve been really working on getting ready. Reading and re-reading the scripts, marking them up with notes, getting a potential library of sfx ready, prepping and testing my gear, getting more rechargeable batteries, getting a quote on renting extra mics, cutting up moleskin strips and makeup sponges, and generally just doing whatever I can to be over-prepared.

Ready to make it happen!

I recently made the decision to step up my production audio game and get into it a bit more. I’ve been doing more and more over the last year, and although post-production is still my end goal, I’ve been really enjoying being on set and the challenges that come along with that. To that end, it was time to upgrade–I’ve been using my Zoom H4n and borrowing mics from my day job, and that isn’t going to cut it for the shoots I’ve got coming up in November and December. I’ve had to pass on jobs that I was qualified for just because I didn’t have the gear or didn’t feel comfortable with it–that era is now over! Here’s what I’ve got:

Zoom F8

More Mics!

Eight available channels, so up to eight individual microphones, including lavs, booms, and plants.

Timecode

I can now sync timecode with a camera, allowing for much simpler syncing of the audio.

More Power

A much longer lasting battery, which will get even longer when I get an external battery and connection.

Backup

I can now record to two separate SD Cards simultaneously, which allows for a little insurance in case something goes wrong with one of them.

More Options

I now have the option of mixing to a LR mix and a submix if necessary, and sending those out to another recorder, speakers, or even recording them to the second SD.

Sennheiser G3 Wireless Mic System

Reliable Wireless

A reliable wireless system that I am familiar with, but this time without the bulky receivers that need wall outlet power.

Decent Lav

It came with the ME 2 lav mic, which is decent and a bit of a step up from the ones I’ve been used to using.

Zoom PCF-8 Bag

Comfort and Customizable

The bag is built specifically for the Zoom F8, but can be customized in a number of ways to account for other gear (mic receivers, etc.) and accessories. I’ve tested it out a bit and it’s pretty comfortable! When the bag starts getting heavier after I add batteries, additional receivers, etc., I will probably invest in a back brace strap for it.

Various Tapes

A Tape for Every Situation

I got transpore, undercovers, and mepitac for adhering lav mics to talent. A step up from just clips and gaff tape! I’ve also got makeup sponges ready for separating the mic from clothing rustles, and I plan on getting some moleskin tape and maybe hushlavs too.

Stationary Boom Stand

Interviews with Ease

For simple interview setups, I can now set up a stationary boom and get quality audio without the struggle.

What’s Next?

This is a great starter kit for bigger shoots, and for the time being I’ll be renting any additional mics needed from Trew Audio. My next investments will probably be an external battery for the Zoom F8 so I can run all day without having to change it’s batteries. I would also like to get an additional G3 set, and upgrade the mics on both to Countryman B3s.

Of course, all gear is just a tool–it’s the skill that matters. I’m still working on my wiring technique, but I’ve been studying DOWN TO THE WIRE and using that as a guide while I practice. I understand the principles, but need practice to make sure I’m avoiding clothing noise, and it always helps to practice the social aspect too…being on the production audio team often means getting a bit more intimate with talent than some of them are initially comfortable with, so making it quick and easy for them is job #1!

 ZOOM製品は幾つか持ってますが、とても安価で高性能ですね。  性能はZOOMのオフィシャルサイトから転記させて頂きます。 プロ仕様をフル装備 超低ノイズ設計のマイクプリ ZOOM史上かつてない高品位プリアンプを搭載したF8は、EIN -127dBuの超低ノイズフロア、最大75dBのハイゲインを実現。PAミキサーや放送機器など業務用音響機器で標準のラインレベル（+4dB）の入力にも対応しています。   新設計の歪みにくいリミッターを搭載 F8には、8チャンネルの入力それぞれに独立して使用できるリミッター機能を搭載。10dBのヘッドマージンを持つことにより通常のリミッターより歪みにくく、信号を設定したスレッショルド以下に抑えることができます。 24時間で誤差…

Zoom F8 with Mark Lanza