Guy Mees at David Zwirner #belgiumartist #avantgarde #conceptualart #newflemmishschool #zeronetwork (at David Zwirner Gallery, London)

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Guy Mees at David Zwirner #belgiumartist #avantgarde #conceptualart #newflemmishschool #zeronetwork (at David Zwirner Gallery, London)

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Another shot from the Guggenheim’s ZERO exhibition: Hans Salentin’s Roof Tiles Relief
A bed of pure pigment at the Guggenheim’s ZERO exhibition
http://www.guggenheim.org/new-york/exhibitions/on-view/zero-countdown-to-tomorrow-1950s-60s
Paul Der Vree, Jan Verhyen, Jan Bruyndonckx and Jos Pustjens, Essential, 1964, color film. #zeronetwork #pauldervree #janverhyen #experimentalfilm #postwarart #burninginwaterart
ZERO network artists adopted natural and dynamic processes such as fire, light, and movement as both subject and medium. Gunther Ecker, White Mill (Weisse Muhle), 1964, nails on wood with electric motor. #guntherecker #zeronetwork #zeromovement #postwarart #burninginwaterart

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A loose international collaboration of artists working mainly in Europe and Latin America, ZERO aimed to reboot Western visual culture in the aftermath of WWII. Robert Breer, Form Phases IV, 1954, 16 mm color film (silent). #zeronetwork #zeromovement #robertbreer #postwarart #burninginwaterart
ZERO: Countdown to Tomorrow, 1950s–60s on view at the Guggenheim until January 7, 2015.