#zande

Long sword. Zande culture. Democratic Republic of the Congo. Accession date, 1895.

Nzakara of the Ubangi: inwards migrants were generally Adamawa-Ubangi-speaking peoples such as the Banda and the Zande-Nzakara (or Azande and Nzakara) in eastern CAR.

"Sit there, magician! All is under control!" Arslan Senki : : Zandeh, Gurgin. And Zandeh's white horse.

Bottle, Zande, 1901, Art Institute of Chicago: Arts of Africa

The deeply inscribed, swirling pattern that encircles the body of the bottle above is found on Barambo and Mangbetu potter from the early twentieth century, although it likely originated with the Barambo. The maker skillfully gauged the thickness of the bottle’s walls, making them substantial enough to accommodate the depth of carving without rendering the vessel overly heavy. A slightly metallic sheen and several fire clouds further enhance its appearance.The centralized chiefdoms of the Mangbetu and Zande arose in the eighteenth century, and their influence cast a wide net. Among the Mangbetu and the closely related Barambo, pottery is typically practiced by women, while among the Zande it is men who control its production. Despite this, beginning in the late nineteenth century growing similarities between Mangbetu, Zande, and Barambo pottery reflect the spread of styles, potters, and their wares during a period of intensifying cultural contact. Ornate bottles for storing beer, oil, water, and wine were made as luxury items for rulers and the wealthy elite, and, increasingly in the early twentieth century, for European travelers. —Entry, For Hearth and Altar, African Ceramics from the Keith Achepohl Collection (2005), pp. 163-165. Edward E. Ayer Endowment in memory of Charles L. Hutchinson Size: 30.5 × 20.3 cm (12 × 8 in.) Medium: Terracotta

Sultan/Chief Tambura of the Zande people