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Scott getting arrested while clinging to that baby rattle, in the middle of having a psychotic break, bumbling with pictures of his wife and ex-girlfriend who he can’t tell apart anymore… this is one satisfying comic! (X-Factor #14 – Mar 1987)
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Dang. After an unknown party submits some kind of convoluted court order to declare Warren mentally incompetent, the hospital decides to amputate his wings. I think we all know where this is going... (X-Factor #14 – Mar 1987)
Scott has a pretty exciting battle with Master Mold, if you can believe for one god damn second that Scott could ever single handedly take down a gigantic, zombified version of the master god-sentinel all by himself. Still, there was some great artwork and action in this fight! (X-Factor #14 – Mar 1987)
Holy cats!! Oh hey don’t mind me, I’m just reading this god damn comic book about truth and justice and having tolerance for people who might be a little bit different. Wasn’t expecting to see this cop get his skin exploded off and the marrow of his bones splintered into a billion pieces and blown up in my face and lodged into my teeth. God damn it. I’ve talked about this before, but one of the reasons I was drawn to comics as a kid was because the storytelling was much more unconstrained than any other form of media I was allowed to consume. I don’t really understand why this was. You could depict death and destruction in books, because it’s just words on a piece of paper I guess, but not in the movies and TV shows I was allowed to watch. Comic books exist somewhere in between these formats, providing a static visualization of the story, but perhaps leaving just enough for the imagination to stitch together that it’s ok to have a giant robot nuke the skin off people and turn them into a pile of charred bones and gristle. (X-Factor #14 – Mar 1987)
The zombiefied Master Mold goes on a killing spree when his sentient programming makes the realization that, “hey, we’re all a little bit mutant,” and starts killing regular old humans since everyone has small traces of mutated genes in them. Mutation is a spectrum, people, not a binary number!! Also interesting, somewhere in the recesses of his databases, Master Mold identifies 12 mutant leaders around which others will gather, and these people become the primary targets for his assassination algorithms. Besides Cyclops, who Master Mold attacks in this issue, this panel hints at who some of the others might be, perhaps providing foreshadowing into the near future of X-Men storytelling.
Cyclops, Jean and Storm make sense I guess, and Apocalypse as well, but is that little blonde haired kid supposed to be Franklin Richards? If so, that plot detail went absolutely nowhere. (X-Factor #14 – Mar 1987)
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Request: 1D performing with Ronnie Wood x
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