An IRL friend gifted me the manga she had and since manga isnāt her thing anymore, she let me have them. Crazy to see that Please Save My Earth was in there!
I actually havenāt read any of these before, so Iām curious to try them out. I know 2 of these are not volume 1s lol so Iāll have to decide what to do there.
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How (and why) Biden should overcome the Supreme Court to end the debt showdown
ām coming to the HowTheLightGetsIn festival in HAY-ON-WYE with my novel Red Team Blues:
Sun (May 28), 1130AM: The AI Enigma
Mon (May 29), 12PM: Danger and Desire at the Frontier
Iām at OXFORDās Blackwellās on May 29 at 7:30PM with Tim Harford.
Then itās Nottingham, Manchester, London, Edinburgh, and Berlin!
Is it legal for Congress to default on the US national debt? It depends on who you ask. There are a ton of good legal arguments for and against, so perhaps it comes down to what the (degraded, corrupt, illegitimate, partisan) Supreme Court says?
Put in those terms, it seems like the game was over before it began. Biden should just surrender, hand the most extreme wing of the (degraded, corrupt, illegitimate, authoritarian) Republican Party whatever it wants, even if doing so will push Bidenās approval rating even lower, dangerously close to the next federal election.
In this telling, the Republicans have already won. The decision to let the GOP steal three Supreme Court seats, combined with the decision not to end the debt ceiling charade when Dems had the majorities to do so, means that from now on, we live in the GOPās shithole country, where the only āfreedomsā that matter are the freedom to control othersā bodily autonomy and gender expression; the freedom to exploit labor; the freedom to censor ideas that challenge white nationalist, imperialist messages; and the freedom to menace with open-carry assault weapons:
In other words, weāre screwed. Might as well dig a hole, climb inside, and pull the dirt in on top of us.
Fuck that.
There are clear majorities in support of the Build Back Better agenda, and even for the watered down Machin Synematic Universe version we got through the Infrastructure Bill. If the Dems could mobilize votersāāāby convincing them that they were committed to doing things rather than capitulatingāāāthey could win strong majorities in 2024. Even in the gerrymandered, antimajoritarian America, electoral wins are possibleāāāthey just require overwhelming turnout, rather than the 50.00001% āvictoriesā favored by ādata-drivenā Democratic consultants (victories that leave the party incapable of governing, and let monsters like Joe Manchin hold the entire nation hostage).
Maybe Iām wrong. Maybe doing things wonāt mobilize voters. But if weāre already going to stipulate that without significant majorities, the real President of the United States is the three-headed monster (Gorsuch, Thomas, and Roberts), and the billionaires who yank their chains, then what do we have to lose?
There are a lot of things that Biden could try to get through the debt ceiling crisis without giving up on the promises he made to the American people and the programs the American Congress passed. Hereās a couple interesting ones, courtesy of Brad DeLong:
āThe Federal Reserve might simply record a negative balance in the Treasury account,ā then create an āoverdraftā account and pay the USās obligations out of it;
The Fed could tell retail banks trying to clear government checks that the checks didnāt clear, and the banks could tell their depositors, ā your Treasury check has bounced, but do not worry, we have credited your account, anyway, and will handle this, and please be very grateful to us.ā
Of course, there are lots of other possibilities: Biden could issue an Executive Order to the effect that the Debt Ceiling violates the 14th Amendment. Or that it violates the Contracts Clause. Or he could order the Treasury to start issuing coupon-free bonds. Or he could just mint the coin:
If Biden does something about the debt default, and the Supremes block it, then the default is their fault. Whatās more, itās a mess they absolutely do not want to get into, like deciding which of the USās creditors will and wonāt get paid when they sue over the default. And if the court wonāt do it, will they give the president the power to ājust pick and choose what gets paid? That would give him a de facto line-item veto over the entire budget, and the Court has already ruled that a law explicitly giving him that power is unconstitutionalā:
Basically, if the Supreme Court kills Bidenās attempt to resolve the budget crisis, then it becomes the Supreme Courtās problem, as everyone owed a federal payment āsay, Social Security beneficiaries or military contractors,ā brings a caseāāāāThere would be tens of millions of such potential litigants.ā
So what should Biden do?
Call their bluff.
First, mint the coin. If the court strikes that down, issue coupon-free bonds. If the court strikes that down, declare debt ceilings to violate the 14th Amendment. If the court strikes that down, declare it to violate the Contracts Clause. Keep doing it. Throw in every solution including the kitchen sinkāāābut never give into the GOPās demand for Biden to violate his promise to the American people and unilaterally tear up laws establishing programs that make our lives better.
This is what Lincoln did when the Supreme Court blocked his attempts to end slavery. Itās what FDR did when they blocked the New Deal. The court doesnāt have an army, it canāt force its decisions on the American people. It doesnāt have a bureaucratic workforce and it canāt take over the administrative branchāāāhell, they donāt even have the keys to the office buildings.
The Supreme Courtās power comes from its legitimacy, not force of arms, and while they may not act like it, the Supremes know in their bones that without legitimacy, they are nothing:
The justices in stolen seats have made it clear that they consider themselves to be āa de facto super-legislature that rules in favor of its own partisan policy objectives based on tendentious up-is-down reasoning or no reasoning at all.ā This is an illegitimate proposition.
The Supreme Court canāt get any less legitimate. If Biden were to ignore the Supremes and make good law in the teeth of their pronouncements, it couldnāt make the situation any worse than it is today. The Supremes have set themselves against labor law, against climate resiliency, against bodily autonomy, against political accountability, against the rule of law itself. We should notāāāwe must notāāācede the power to overrule democratically elected lawmakers and the will of the people.
As Cooper says, Biden should tell the Supremes to go pound sand and then āraise holy hell in speeches and the press to make clear the grotesque irresponsibility of what is happeningā:
Hereās an institution trying to cause a completely pointless national default, destroying untold jobs, businesses, and the credit rating of the country, whose elite members are all unelected, where five members of the majority were appointed by a president who took office after losing the popular vote, and one of whom occupies a blatantly stolen seat. Hereās an institution that has struck down anti-corruption laws by the bushel and is openly rolling in oligarch graft like Scrooge McDuck, while declaring itself to be immune from oversight. All that would add to the political pressure on the justices.
If Biden canāt do well for the American people they they will not turn out in the massive majorities that Democrats need to get minimal majorities. If Biden canāt do well for the American people, then Bidenāāāwho would lose an election to either Ron DeSantis or Donald Trump if it were called todayāāāwill turn Americaās predators loose on its people for at least four more years:
And letās face it, itāll be Trump. DeSantis is dead in the water. The GOP is the party of out-of-control, swivel-eyed loons whoāve been whipped into a terrorized frenzy by an evil, crapulent senescent Australian billionaire and his freak henchmen, like the taint-tanning frozen food failson. They arenāt going to elect āsmart Trump.ā They like āstupid Trumpā (AKA āTrumpā) too much.
Catch me on tour with Red Team Blues in Hay-on-Wye, Oxford, Manchester, Nottingham, London, and Berlin!
If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
[Image ID: A kitchen sink. The Supreme Court building protrudes from it. Behind the sink is a window. Joe Biden grins from the other side of the window.]
Image:
Joe Ravi (modified)
https://commons.wikimedia.org/wiki/File:Panorama_of_United_States_Supreme_Court_Building_at_Dusk.jpg
CC BY-SA 3.0
https://creativecommons.org/licenses/by-sa/3.0/deed.en
X-DAY, a game with 3 seperate versions (all lost), released on January 1st 1994, according to this pdf mentioning the games that Namco no longer supported service for as of July 2015. It's a combination of a quiz and fortune game that determines when you will die using your answers to questions and reaction time. This game is much more famous for its thankfully available sequel X-DAY2 and the remix X-DAY2000 in the Taiko No Tatsujin series. Despite the fairly high popularity of 2 and the release of soundtrack CDs for both games, the first X-DAY game remains lost, alongside its Web conversion (while the site is available via Wayback Machine, the game itself is seemingly inaccessible) and i-Mode port (old phone games like this aren't preserved very well generally, Namco had a bunch of these that are now lost). There are no gameplay videos of any version online, as far as I can tell, and I have yet to find actual cabinet photos either...
The X-DAY series is fairly known for its soundtracks, with both 1 and 2 having Namco Game Sound Express CDs, which are both heavily 90s Dance influenced and have a pretty intense sound to them, which seems to throw people off for a fortune game. The first game's in-game music was all done by Ayako Saso, but the arrange tracks on the album were by Ayako Saso, Shinji Hosoe and Nobuyoshi Sano. The second game was seemingly all done by Akihiko Ishikawa, with credits for the previous game's composer and arrangers as multiple songs in 2 were sequenced conversions of 1's arrange tracks. Ishikawa converted the remixes from 1 and also created the new FOX-day and FIX-day tracks.
I've never seen an image of an X-DAY 1 cabinet that isn't the same promotional one, sadly, as it seems most of them were converted into 2 cabinets. If you pay attention to images of X-DAY 2 cabinets, you can see that some look a bit different in their casing, having the physical features of a 1 cabinet. There are very few screenshots and the only ones I have ever found are from official promotional media and the CD. The machine also printed receipts showcasing your results, at least there are plenty of images of those around.
[This post is more focusing on X-DAY1 but just a fun fact about 2: it's actually surprisingly really progressive for a fortune game of the time (1996), featuring the ability to have gay relationships and also even having options for trans players! Funnily enough, relationships get referred to officially by the game as "Super" if one member is trans, and "Ultra" if both members are trans, which explains the song names "FOX-day - Ultra gay edit" and "FOX-day - Super les edit". Another bonus fact, there's a doujin X68000 game based on 1 called Super X-DAY X.]
Also thanks to X-DAY for getting me into this whole obscure arcade thing in general! The music led me down a rabbit hole.
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I don't really understand what's meant by the X to know me by thing going around, because I thought it was generally agreed that media consumption is not a substitute for personality, but here are 10 (licensed) manga series that stick with me.
Hikaru no Go (Yumi Hotta and Takeshi Obata)
Tokyo Babylon (CLAMP)
KUROSAGI CORPSE DELIVERY SERVICE (Eiji Otsuka and Housui Yamazaki)
From Eroica With Love (Yasuko Aoike)
X-Day (Setona Mizushiro)
Pluto (Naoki Urasawa)
Goodnight Punpun (Inio Asano)
Otherworld Barbara (Moto Hagio)
Banana Fish (Akimi Yoshida)
Berserk (Kentaro Miura)
Hikaru no Go
The first sports manga I read and the gold standard for Shounen Jump sports manga. The slow maturation of Obata's art with Hikaru's character arc compliment each other so perfectly (when he does his own writing I don't have time for Obata), the triangle of skill/interest/desire in Hikaru's relationship with the game, JUST PUTTING A GHOST IN YOUR SPORT SERIES AS A MENTOR TO THE PROTAGONIST -- the natural end of the series is perfect (and not undone by continuing for several more volumes) and I still think about it twenty years later and get teary. Any subject can be engaging in the right hands.
Tokyo Babylon
My age and gender mean not including a CLAMP title would be a lie. It would be like a dude my age denying having seen any Dragon Ball. Tokyo Babylon is my go-to, with the heavy contrast of the art, chunkier and less streamlined than CLAMP's later titles, and the themes of death, environmentalism, and the disconnect between people and the world around them in post-Bubble Tokyo, are things I keep coming back to in contemporary series, and looking back is both nostalgic while showing me how things have improved in terms of what's accessible and considered marketable in North America. There was a time when the idea of Tokyo Babylon being licensed was laughable! And now it's been licensed, published, and had the license lapse MULTIPLE TIMES.
Kurosagi Corpse Delivery Service
You should read Kurosagi Corpse Delivery Service. Ask me about Kurosagi Corpse Delivery Service. It's a kind, primarily episodic horror manga with strong anthropological roots. It's supernatural and incredibly real, with stories dealing with xenophobia, the criminal justice system, homelessness, environmental destruction, war crimes, aging populations and the lack of support, isolation, idol culture, otaku culture, employability after receiving a liberal arts education, urban legends, aliens, the dangers of technological innovation, parental loss, revenge, abortion, infanticide, juvenile offenders, cloning, blackmarket animal imports, the continued military presence in Japan, cryonics, the postal service, immigration, what if Jack the Ripper was a ghost and he possessed a cool thing you had imported and continued his serial killings as a ghost. You should read Kurosagi Corpse Delivery Service. Ask me about Kurosagi Corpse Delivery Service.
From Eroica With Love
This series started with superpowered teens, including one named LEOPARD SOLID, and Aoike decided that was boring and she made it a series about a British aristocrat with a secret identity as a flamboyant gentleman thief with amazing hair and a sexually charged rivalry with a German intelligence agent who hates him. It's amazing. It needs to be rescued. There's something like 40 volumes. The pope gets stolen. There's a car chase with a tank and a bazooka on the autobahn. It's perfect and outrageous and over-the-top.
X-Day
I love Mizushiro and she's been tragically unrepresented in English licenses (X-Day is an ex-Tokyopop license, for a one-two punch of tragedy). X-Day is about lonely young people connecting on the internet and planning to blow up their school. There was a panel that felt like my depression had been put perfectly, beautifully, heartbreakingly onto the page.
Pluto
Urasawa's one of the greats and Pluto sees him adapting another of the greats into a smart, often sad, science fiction mystery thriller, and I still haven't been able to bring myself to read it a second time, despite it being Urasawa's shortest series.
Goodnight Punpun
Have you ever read something so profoundly raw and honest and recognizable that you had to quit reading it cold turkey? I think about Goodnight Punpun a lot and I stare at it on my shelf and I know I'm still not ready to read the rest of it.
Otherworld Barbara
No one draws the way Hagio does, with lines that look like they will dissolve if you touch them, and she understands that soft, dreamy beauty should be able to encompass things that are hard and violent and bloody because girls love romance and dream realms and clones and question of identity and beautifully androgynous characters with dark starry eyes and cannibalism.
Banana Fish
I have often gone on, at length, about one of the core components of shoujo, especially classic shoujo, being BIG FEELINGS, and the hugeness of the feelings make the events correspondingly BIG AND POWERFUL AND IMPORTANT but Banana Fish ties that with extreme violence and a plot that becomes increasingly Metal Gear Solid, with impossible drugs and mind control and knife fights and snipers and torture hospitals and the American military industrial complex. And then it comes back to feelings. It's another title where you really see the art evolve, which I love, and it's one of those perfect tragedies, where you can feel bad things coming, sometimes see them coming, but there's a rightness in the tragic ending. It hits the catharsis necessary in real, proper tragedies.
Berserk
I resent how superficial readings of Berserk kept me from reading it for so long. Do I love the hyper-violence and the gore and Miura's obsessive attention to the tiniest details in his shitty, blood-soaked world? Yes, of course, it's powerful and visceral and shocking and wild, which makes the hope and the realness of the trauma and how difficult everything is and how exhausting just living is and the cycles the characters are trying to escape from more engaging. Despite everything it isn't constant, grinding misery. It's a series full of sparks of optimism and so much more than BIG MAN BIG SWORD, with hurts more complex than demonic abominations. But the demonic abominations DO look rad as hell.