You have the patience it takes for flowers to grow, and break through the hard mountain floor. You writing is able to show an imagery not really anyone else can give. You gift your readers canvas painted with the most thought out shades anyone could imagine. You are the writer of those long stories that change the reader's life forever. You create whole universes with your words. Paint colorful worlds with words in black and white. Pains whole lives with ink. Your stories can hold the deepest meanings, but the majority of the time, your goal is not to teach anyone anything in particular, rather it's just to tell the story of someone, of how they grew, and faced their problems. Your favorite genres are fantasy, or mystery. You can also really love high school and college au. Your stories show universes never seen before, and building them can take a lot of time, but you don't easily give up. You have a great work ethic and, even if your sturdy foundations fall, you'll build new ones. Tropes that can be found in your fics include established relationships and canon.
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Validating video from amazing editor Ellen Brock! She shares her observations on the types of writers she runs across during her work. Which type of writer are you ?
This was super fun (and definitely feel called out in the best way possible with my result lol). Thanks @avastrasposts for the tag!🫶
Find your elemental writing type
Fire Writer
You burn. In the night, under the hot sun, you burn. You shine in the darkest nights, bringing to your readers an immortal fire. No one is able to portray feelings better than you. Emotions burn your characters, making them matches in dark rooms, lighting up everything, and burning from their own hands. Your best is shown in short stories, where the flames of your character’s souls can burn brighter than ever, and become ashes. Your stories hold the most passionate love, soft sighs whispered against a lover’s skin, and the neon lights of a night club. Pain is your second name, and you don’t mind it. Wars, betrayal, yearning, a/b/o and enemy to lovers are your favorite tropes. But when you decide to comfort, the fierce fire that burns in your soul becomes the warm hug of a blanket in a cold day. Established relationships, per-relationship fluff and medical fics are great at showing this softer side of you. Keep burning, and show everyone how hard a fire can burn, even in the coldest of the nights.
"Pain is your second name, and you don’t mind it." ... lmao, this is so true. give me all the angsty fics that'll make me cry, i live for it😅
Tagging for funsies, no pressure though: @naughtyneganjdm || @lunapascal || @julesonrecord || @something-tofightfor || and to anyone else who would like to participate!
Okay Alice! So what's your writing style? I just figured out mine. It's controlled panster I know the ending and some plot points of my story but plotting stress me out. I think you'll be a plotter or a planster🤔
You’re spot on! I’m a methodological pantser.
If I do too much outlining, the energy fades away. Knowing the full story just makes me feel like I’m done with it before I’ve written anything. I fall on the edge between plotter and pantser. For an act, I use a rough outline, just to make sure I’m keeping up a good pace and not getting distracted. But beyond knowing the pinch points between acts, my midpoint and the ending, I don’t bother very much.
Also, I never really plot the third act beyond knowing approximately where I’d like to end.
I’m sure of my type, because I definitely revise and edit at the same time I’m writing the first draft. On the continuums, if you assigned the middle as zero and the extreme application of the trait as 100%, I would say I’m 5% a plotter and 95% methodological.
When I do sit down and outline a story, I’ll get one or two results. One - I lose interest. Two - having created the plan, I can now throw away the plan and write from a more creative perspective. Option two works kind of like doing a first draft, but it’s more time efficient.
I’m also totally committed to story structure.
There are so many variations on them that I never get bored learning about structure. I would say I refine my ideas with plotting and then charge in without a firm plan in mind. The tent pole method, where you know the key turning point and you’re always mindful of where you are in the story’s progression is what I rely on. This is probably why most people think I’m a plotter, when I’m really not. For example, with the Princess and the Lawyer I know the midpoint for certain, and I have since the beginning. But I don’t have much more than a concept about how I’m going to do the ending. To accommodate that when I wrote Nguyen’s interrogation scene, I made a list of potential scenarios and lists of clues that would be interesting to write about. I might use them or I might come up with something better once I know more about the story.
For me, plotting is more of an exercise in finding out how not to write the story, if that makes sense. Once I’ve plotted enough that I can tell my ideas are getting better, I start writing and see what comes out. This is always a surprise. I have no idea what I’m going to make the characters say and do once I’m in the zone. After I see it on paper, I can work with my methodological skills and pare it down into something that works. The creative side of me has to come out during the actual process of writing and then the scientific mind evaluates her colleague’s work, and helps with organization and execution.
Another reason I know I’m a methodological pantser is because I always run out of steam. The first 15,000 words of a book usually take me less than a week. Then I slow down a little for the next 15,000 and struggle through the transition into Act 2. Then, I’m down for the count. Discipline and commitment are key to getting through the next three chapters but they can take me months. I’ll set little goals and focus on writing every single day, because you can only fail for so long. Eventually, something works out. What’s helped me lately is expecting that 2nd Act “pit of despair” and reminding myself that I can, in fact, get through it.
I also run out of steam in the middle of Act 3. The fact is, all that freedom comes with a price. Where I planned to end up is never where I actually end up. It was a lie all along. But it’s always just accurate enough to get me to the right spot, where I can figure out the ending. It’s as if I’d planned a road trip from Los Angeles to New York, and once I hit New York, I realize I have to go to Vermont. Then I can look back at my story and see that I was never driving towards New York at all.
However, when I hit the end of a story and I finally see the ending, I go crazy. When I was writing “Restitution” I wrote, edited, and posted the last four chapters inside of a 24 hour window after a full day at work. No joke. I was awake for a full 48 hours, locked into a genuine ADHD hyper focus, while I finished that story. The time stamps on the posts will prove it.
It’s a strange and chaotic writing type, but that’s what makes it fun. 😂
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How to get this character out of here... Hmm.... Oh! Send in a bear! You're a sharp, witty type of writer that just doesn't try too hard. It's not like you don't like writing, but why try to be philosophical and sophisticated when you can just do what feels right and nothing more? Since sarcasm and dry humor are your most frequent tools, everything from romance to violence to deat...
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