Swamps filled with ducks turned to rows of soil and plants. Farmhouses in their traditional red in the fields, and mountains in the distance, streams running through the fields. Plastic containers holding the plants neatly in rows glint in the sunlight, with sprinklers drenching the fields and visible pipes in the dirt. The people who live here don’t work these fields alone, they seem far too large.
The towns are bright and seem missionary in style, adobe buildings and small, dirty, colorful buildings everywhere, and graffiti lines the train tracks. Lady in front of me gets up, her jeans hang low and her shirt has a belt made of ammo. The train passes by the landfill overflowing with trash, and runs over the highway carrying cars to their destinations.
The mountains lull me to sleep, and soon enough, we hit the coastline. We overlook the bright ocean on a hill, and the water glints in the sunlight. Every so often, we end up in the middle of a hill, carved out so we can’t see the water, but then the grassy yellows yield to ocean blue and glittering white on a crème horizon, and a sense of serenity returns to my world.
On the left, there’s the air force base, Vandenberg, and on the right, there’s a sandy beach running into a perfectly blue ocean. The blue has gotten progressively darker and more intense, but there are still glittering white dots. There’s a few mission-style beach houses by the beach, and the sand here is covered in orange grass. There is some land off in the distance, on the other side of the water, and as we travel closer, I can see that it’s connected to our land. On my left, there’s a fence folded up and an abandoned barn. Land out here must come pretty cheap, or not at all. It’s so far away from a town. There are little valleys in the grass next to the tracks, and now the blue in the water has turned two-toned, both that beautiful intense turquoise and a darker blue. Even the horizon is a little blue now. The tracks are close enough to the ocean that I can see the tussocks of seaweed floating in the darker blues close to the shore, and I can see the yellows and greens and browns of the grass and soil overlooking the water. Almost as though to prevent us seeing the true form of Thetis, a hill comes up in front of the water again, blocking the ocean from sight. And now, to the left there appears a field of horses and a pasture, the horses grazing happy and free. Now there are trees overlooking the water, and the farmhouses are in the valleys and the hills. And through the trees, amid the water, I can see something, as though it’s in the distance. The water is calling to me. The mountains of seaweed form shapes, and the bluest water calls me to join it. And as the water becomes clearer to me, I can see the figure of a goddess rise out. And though I have never met her before, I know her clear. My lady Thetis, I call to her in my mind. It is I, Meredith. What do you wish of me?
And though I am amazed, she replies: I do not ask of you, else than that you be happy and joyful. I simply wish for you to delight in my presence, and to allow me to heal you of the pains and fears, which ail you.
Thank you, goddess, I bow my head, and I am ashamed, for I judged my lady of the sea. Like the water she inhabits, my lady is generous and stunning. The shimmering white waters where the sun meets the ocean scintillate like diamonds of her kindness. My lady, I have traveled here before, and I thought I met you, but we never spoke.
I have always been here, she replies, but I only speak with friends. You have dedicated odes in the name of the water I love, and so I consider you one. Be at peace, little one.