I'm planning on doing a Linked Seas write-a-thon (writing and posting pretty much only LS) during May for MerMay.
So, leading up to that ...
Are there any non-LS fics you'd prefer to see me update in April? Can be unfinished fics, unfinished series, or things I've teased about either here or in my author's notes. No promises that I'll pick a specific fic to update, but I like knowing what people are enjoying, it helps me enjoy writing it even more! (And anon is on in my ask box if you'd prefer.)
If you want to browse what I've got going on to help you pick: https://archiveofourown.org/users/Sprite_and_the_Bunnydragons/pseuds/Sprite_and_the_Bunnydragons
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So when you're reading a friends to enemies to friends to lovers, do you personally prefer when the touches that occur between the characters until they're lovers be filled with 👀👀👀, or is there a phase while they're becoming friends again where platonic touching becomes somewhat normalised and THEEEEEN, when they start feeling a certain type of way, those touches begin having a different meaning?
I honestly can't make up my mind and I'd love to see how other much more experienced readers and writers feel about it 😌💜
I prefer some underlying tension all the time
I prefer they touch as friends do, and have that change alongside their feelings
Voting ended onSep 21, 2025
Thanks 😌 I know there's no right or wrong way to write, but I'm genuinely curious. Would normalising touch ruin the slow burn experience? Or could it make it more agonising by then having it flipped yet again 🤔 no clue, but we're going for maximum damage here 🤝
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I usually write one shots but would love to create a longer series/story.
So my series usually start out as a one shot and then continue because I feel like there's more of the story to be told.
If you're a fan of my blog you know I usually work from prompts, sometimes a string of them just kind of work to form a series. That's why I love prompts it takes you in a different direction from the norm and people quite enjoy that aspect of my work.
If I do 'plan' one it usually starts with a specific scene or idea in mind.
I think Dean Archer's The Study started with the idea of what would Dean do if Jack Dayton fell in love with his wife and then I start putting together the parts of how that happens and that usually generates the conflict. Like how do they end up in close proximity - ok so they're working on this study together, it's very important to Isobel, ok... why is it important to Isobel, does that override her ability to see straight when it comes to Jack. What does Dean do about it? That's the kind of thing that builds up the additional parts and formulates how it progresses.
I usually have an ending in mind that I work towards but as the story develops the characters usually change it and that's fine, it's having the goal that helps, like a little guiding star. I never start with this piece is going to be six parts. I never know how many parts it's going to be.
As for the motivation I try to live and breathe it, usually it will be the only thing I work on for a few days. I usually have the show on in the background, so I'm not distracted by something else. I think that plays a big part.
I try not to release a series before it's completed or it has at least five parts. If I'm around five parts usually I need a little break from it so I immerse myself in other stuff. That gives me five weeks to work on the next few pieces when I'm ready, depending on where they are in my schedule. I usually come back to it after a few weeks, read through it and continue because by that point I've had the brain space for it to be fresh again.
Main Tips to Take Away From This:
Have an ending in mind, it doesn't have to end up being the actual ending but it gives you something to work towards.
Live and breath it for a few days, make it the project you focus on. Give it the time it deserves.
If you need to take a break, that's fine, come back to it in a couple of weeks with fresh eyes.
Be wary of release pressure. If you start releasing it straight away you can’t go back and change something if the character reveals something new later on. Also the pressure of releasing it straight away is that when people want more, and you’re having an off day, that pressure can cause writer’s block and you feel like you’re disappointing people. What you really need is brain space so reframe the thought like - wow people are interested in this story, they’ll wait for the next part. Reframing takes that pressure away.
Use Cause & Effect to build conflict, if your character is doing A, question why and what led them to this moment and consider how it effects their actions moving forward. Do this for all characters. The Study is an excellent reflection of this because each character has their own motivations which causes them to react the way they do.
- Isobel becomes obsessed with the study because of her history, effectively ignoring her husband and putting her in the proximity of a man who is in love with her.
- Her history is the reason Dean chide her about the situation, but he’s also going through his own shit and is struggling to tell his wife about it because of the distance, which creates more distance. What will Isobel do when she does find out about Dean’s illness?
- Again her history is one of the reasons she’s so kind to Jack regarding his situation, which makes him fall in love with her because no one has ever understood him before. It’s that love that leads him to come clean to Dean about the why and take drastic steps regarding Dean’s condition.
So many fics fall short because they don’t use cause and effect, it gives you a deeper, more realistic insight into the characters and shows you what path they’re going to take without coming across as contrived or stilted.
I'm a planner. You can never go wrong with a plan.
I'm a bit of both - I plan some stuff but make up things along the way.
Voting ended onApr 27, 2023
As Chapter 7 is approaching completion, I was curious to know from those of you who write (IF or just regular novels) what type of writer you are.
One of the biggest tips most IF writers get told is to plan for stuff because there are tons of paths to keep track of and it can be easy to digress and get caught in plotholes.
A fun fact for those who were wondering, at least 90% of Crown of Exile is written on the fly. My plans consist of chapter outlines that are almost always ignored and honestly, nothing but the major plot is planned (in my head because who needs to write it down?).
This is just for the sake of my curiosity because it feels weird being 400K words into the game without having details of chapters planned out 😅