#wpbz

(Pictured Above: 2008 Logo for the Buzz Bake Sale, WPBZ’s annual music festival)

While the station signed off the FM airwaves in 2011, its impact, disappearance and legacy remains prominent to this day.

There is one constant to which you cannot deny; in some facet, in some way, FM radio is heard at least once a day.

Be it in your local coffee shop while you wait for the frother to cease its hissing, inside of a Lyft or your own car, in a retail store (RIP to almost all K-Mart’s) or even perhaps in your own workplace, the medium itself is the oldest driver and receptor of auditory media consumption.

And while there are some television events that will forever be integrated into the ever growing, and increasingly strange fabric of reality, it can arguably be stated that none are as special as radio transmissions.

Think on your childhood. How many of those memories are associated with one of your parents driving in their car, blaring some of their favorite songs with the windows down?

What songs were playing in the background of your first kiss, the volume turned down just enough to hear and feel those first precarious breaths as you both leaned into the unknown?

What songs did your family member have on in the kitchen as they began dinner prep, and you took in the scents and sounds of what would influence you later?

Or maybe your own experience is similar to this particular writers: anxiously waiting to press record as you counted down the minutes to 7pm on a Thursday night. Because this night, tonight on an evening in late September of 2006, when The Killers “When You Were Young” is going to be premiered on The Buzz during Dropping Trou with Ross Mahoney. Finger hovering right over the record button of an old (but reliable) ocean blue boom box. You’ve checked the tape inside about a dozen times, and now you’re just waiting for this Green Day song to finish so you can click it.

Finally, you hear the queue come on for the segment and you mash the button. It’s the World Premiere of the first single from the follow-up of the Las Vegas act and though it’s more than likely being premiered across the country, it somehow feels special. It feels like this is the debut of it on your home station, and the rest of the country can wait.

The special thing about radio, is that every experience is unique. And while every community may or may not have their own rallying call, 103.1 The Buzz, call sign WPBZ, made it somehow feel like this community was the best damn one.

“I was working with a radio consultant at my current station at the time, who was also going to be the consultant for The Buzz. “ says Jason Davis, one of the original DJ’s at the station and host of the weekly Buzz Light show every Sunday morning. “I had expressed my desire to work at a startup modern rock station in a cool market to that consultant before. So when this station was being formed, he had me in mind and recommended I send in an audition.  I did, and the program director, Amy Doyle, heard it and thought it was awful. She called me and told me so, but said I came highly recommended by the consultant so she wanted to give me another chance.  I sent in another audition tape and she liked it, flew me down for an in-person audition, and made me a job offer before I flew back home.”

WPBZ operated in West Palm Beach from 1995 to 2011, being not only a stalwart beacon for alternative music as the sole provider for newer alternative and rock music in West Palm Beach, but provided a rallying point for the entirety of Palm Beach County.

“Everyone who worked there was young and trying to figure out life.” said Dan Stone, who also worked as a DJ on the station and now works as a voice actor and audio producer. “The music and city kinda felt the same. It was where I started to learn production on a DAW which gave me a career as an imaging director and eventually voice actor.”

In addition to the myriad of radio personalities, the station also held the accolade of the Buzz Bake Sale, starting in 1996, with the tagline being 13 bands for $13. The first ever line-up cultivated artists Evan Dando, The Mighty Mighty Bosstones, Primitive Radio Gods, Butthole Surfers and more onto Coral Sky Amphitheater’s stage.

During its 16 year run, the lineups grew to include Green Day, Reel Big Fish, Foo Fighters, Drowning Pool, Our Lady Peace, Muse, My Chemical Romance, Chevelle and AWOLNATION, to just name a small few of the headliners that graced the bill throughout the years.

“A memorable moment with an artist (there were many) was at the after-party of the '97 Bake Sale and we were standing around having drinks with Green Day.” replied Davis, who is now based in Atlanta as the News Producer for WSB-TV. “I (or someone) asked the singer, Billie Joe Armstrong, if we could snap a photo.  When it came time for the pic, he unexpectedly leapt into my arms. So in the pic, I'm cradling him with a shocked look on my face. Good thing he's a wee little fella and I didn't drop him. Unfortunately that was back in the olden days before digital cameras and the hard copy of the photograph is long lost.”

(Pictured above: The logo for the 10th Year of Buzz Bake Sale in 2006)

“Probably my proudest moment was staying on the air for 36 or 32 hours straight to raise 10k for Forgotten Soldiers. It still upsets me that the only thing people remember was the Handlebars bit.”, said former Buzz DJ Tre Nation, who now works with SiriusXM as an Imaging Producer. “Also, this may not be my proudest but it's one of the things that affected me the most. Standing on stage at Bake Sale and listening to John O’ Connell (Program Director for the station) thank the listeners and say good bye. I still pull up that video on YouTube every now and then and it still chokes me up to this day. I think we all knew what was going to happen, but we didn’t dare say it to each other. I remember walking back stage with Ross (Mahoney, former Buzz DJ and current Regional Vice President of Audacy Alternative) and out of nowhere he told me he loved me. Most would have thought that to be weird but, I knew why he did.”

The station also held sessions such as Buzz Lounge, a special in-studio acoustic performance by an artist. While the performances were broadcasted on air, a select number of listeners would also be allowed in studio to watch the performance, as well as a short interview between the band and one of the DJ’s.

The below performance, uploaded to YouTube of Yellowcard’s “Ocean Avenue” was one such example.

“Working with the other DJ’s & managers, we were truly a TEAM. A band of brothers. And we got to do basically what we wanted.” said Metal Mick McCabe, who was the Production Director for 16 years with the station, and is still involved with the radio industry today. “With the Alternative format, the weirder the better! John (O’Connell) and I really pushed the boundaries of poor taste and humor with the station imaging. ‘Why is it 103.1 The Buzz always sounds better to the hooker tied up in your trunk?' comes to mind…."

Some of the station’s hijinks and various other clips, including the earlier mentioned Buzz Lounge are still available to watch on the station’s archived YouTube page, buzz103 .

“What made the Buzz great was the freedom it gave its staff to say and do what they thought in the moment to entertain and connect with an audience.  The world has become so politically correct that those freedoms have all but been taken away from broadcasters and instead lives in the world of un-regulated podcasts.” answered Mark Rider, former Buzz morning show host who now works as a VA and whose credits also include narration for National Geographic and various commercial campaigns such as “Into The Spiderverse”.

“I’m not sure it would work in WPB.” Nation responded, when asked if he felt a station could operate such as WPBZ did in the current market. “The Buzz came on the air before WPB and Treasure Coast grew into what they are now. That hometown audience has been diluted. Too many people have moved away or just outgrew the music. They have also been replaced by new residents that aren’t necessarily going to support a rock station. A lot like Miami and Ft. Lauderdale. Now it would probably work in a market that’s a bit isolated like a Buffalo or Rochester NY. No one is moving to those places and no one really leaves.”

Since WPBZ’s sign off on December 5th 2011, the city and county remains without a true local alternative or rock station which incorporates newer acts into its rotation.

Currently, the only locally based station within the city range and county remains 98.7 The Gator (WKGR), and while a more modern song does occasionally grace the airwaves, it's playlist caters mostly to classic rock for both this generation and its predecessor.

“I was there for the sign-off. I was the DJ tasked with telling the audience that 'this is it'. I got to thank them and speak from the heart for a little bit. It was very emotional. I played the last song on the air before it switched to the pop station.” elaborates Davis. “The last song was a sweet full-circle moment, Midnight Oil "Beds Are Burning." I smile every time I hear that song since then. The people who were going to launch the new pop station were gracious and allowed me to be in the studio alone for my last break. And I started the song and remained in the studio with it nice and loud for about half the song as I choked back tears. I left the studio, went down the hall, closed an office door and let those tears go. It was like mourning a loved one.”

Since the hole left by the station, there have been an occasional few music festivals to take up the place of an annual local alternative music festival, but none have truly lasted.

Rock venues itself have come down to only perhaps half a handful of major players for smaller acts, which include Respectable Street in Downtown West Palm Beach, and both Propaganda and Bamboo Room in Lake Worth. The lack of a rock radio station in the county has resulted in a ripple effect which has reduced the live music market for Southern Florida to arena shows with exorbitant prices (resell tickets for My Chemical Romance’s sold out show in Fort Lauderdale were upwards of $400 for nosebleed seats, and near double the amount for other closer areas), and a lack of attention, desire and traction for local acts in the area.

A trend which Broward publication New Times noted in their tributary article following WPBZ’s sign-off. “Concertgoers will soon start to notice that fewer and fewer tours will come our way. After all, why should agents book tours to an area where there is apparently no rock market and no avenue to help in promoting? Not everyone uses the internet to find out what concerts are coming to their area; radio has a hand in that one, as well as bringing the sounds of new music to our ears we otherwise would not have known about. A lot of smaller alternative artists may not have had a fan base in South Florida if not for the Buzz giving them the necessary spins for listeners to discover them and venture out to experience them live.”

This may also attribute to why the stations fans remain loyally dedicated to this day, almost 12 years since its last transmission. The Facebook group, REMEMBER Buzz 103.1, currently has nearly 900 active members, with past personalities of the station often active on the group as well.

(Pictured above: Logo for the station from its inception to it’s final sign off)

“What a unique time.  Maybe the last time in American history will a format of music be so powerful in uniting an entire generation of listeners. The music was like a drug that we all couldn't get enough of.  We lived it, thrived off of it and needed it to be complete human beings learning how to grow up in such a strange time.” Rider continued, when asked of the experience working with the station.

“It was a thrill for me. I love the fact that I got introduced to, and introduced so many others to, bands that were unheard of at the time and ended up being some of our lifelong favorites. I waved the 311 flag proudly since The Buzz first started. Those guys are still chugging along with a loyal fan base 30 years later.” Davis stated.

There are still glimmering beacons of hope around the country for flagship alternative stations.

In the San Francisco Bay Area, Live 105 (KITS) returned to the airwaves on June 5th of this year, two years after going off air, when it was changed to Dave FM. And former Buzz DJ Ross Mahoney, as Davis states, “has been the King of Las Vegas radio for years now, and rightfully so.”

Davis continues. “These days I listen to a public radio station out of southern California, KCSN. They aren't 90's alternative rock like The Buzz was (hardly any station is these days, which makes sense). But they aren't beholden to ratings, so they can play what they want. It's very eclectic and they have lots of great specialty shows. You're not going to hear hard rock like Tool or Rage or anything. But you might hear some obscure Talking Heads, into Marley, into Garbage, into Jack White, into brand new Depeche Mode, into some new band you've probably never heard of, etc. You never really know what you're going to hear.”

Stone adds “I wish people demanded more from radio instead of letting corporations and hedge funds call the shots.  It’s a public trust and citizens could put pressure on the government to demand more live local content.”

Nation elaborates further. “Terrestrial radio is still the dominant platform. The reason people seek out other platforms is because of commercials and the fact that terrestrial radio lacks personality and won’t take real risks with new music and artists.”

“Radio as an industry destroyed itself when it decided that it was more important to focus on websites and apps than it did the connection between itself as a product and the consumer.” says Rider. “The clock is ticking like it has been for a long time now.  Radio as we knew it doesn't even exist anymore except for a few big major markets that still employ real people that actually live in that town.  Even though I am the station voice for over 30 radio stations around the country, I would be shocked if real personality radio is ever really a thing again."

The legacy that WPBZ instituted into the hot concrete of Florida remains a timeless and irrefutable staple. And it’s a token that the former personalities are thankful for.

(Pictured Above: Buzz Bake Sale 2006 Staff Photo, courtesy of Jason Davis)

“I’m incredibly grateful to have been a part of that station and its staff and to have experienced the leadership of John O. I'm also insanely thankful for the support and loyalty of the Buzz listeners. If my career would have ended with the station like it did for some, I would have considered my career incredibly successful. I deeply miss each and every one of you”, says Nation.

Davis adds, “I had so much fun hosting Buzz Light for all those years. Sure, it sucked to get up early most every Sunday (sometimes still "buzzed" from Saturday night) and drive in. But it was a true open format.  I could play what I want, play any request I wanted. Add any new music I wanted.  It was a blast.”

While it may be a more personal opinion, and perhaps even biased, it is an undeniable fact: South Florida has some of the most passionately driven music fans, and fanbases, of anywhere in the country.

It may not be the small-town hotspot that Washington is, or the underground chic that New York has always carried, but Florida is one of the most powerful markets.

Take out the tourism, strange animals, Florida Man and mounting news headlines against the state and look at its demographic.

Here are the young and in-between generation: a group which stands on a sinking piece of land that may very well be the next Venice, Italy. But we stand on its soggy, mosquito infested and sandy shores, supporting all our friends' bands.

We go to shows, even if our backs hurt and we have work the next morning. We mosh, sing our hearts out under a humid veranda of stars and then drive through the traffic the next day.

We wear band tees in the summer despite the fact that Gildan shirt brand clearly wants to kill us, because who else will rep these bands? Where else can we broadcast our love for new music, acts and show our passion for those acts which shaped our youth, along with the Buzz?

Local and national acts, once they come to the state and most especially West Palm Beach, seem to make a valiant effort to try and come on back once they do. Because they see a crazy, tired and passionately diverse group of people, who just want to sing the words we had etched in our hearts, right back to the people who gave us the words to begin with.

As Dio once said “The world is full of kings and queens, they’ll blind your eyes and steal your dreams, it’s heaven and hell”. And strangely, it encapsulates Florida pretty well.

Whether the FM radio will ever blast alternative once more, we carry that little piece with us.

The FM radio, playing softly in the background, narrating some of our favorite moments. In the car, in our room, and kitchens.

And where there’s a kid, getting excited to hear their favorite song on the radio, is hope for the next wave of possibility.

“The love and honest to God passion for this station is undeniably one of the most timeless things I have ever been a small part of and I am wicked proud to have been a part of such an amazing time in radio in West Palm Beach.” Rider stated. “There will NEVER be a tighter group of people who respected and understood each other more.”

-Jenelle DeGuzman

Additional Links:

The archive Buzz YouTube Page can be viewed here: https://www.youtube.com/@buzz103/videos

New Times full article, “RIP The Buzz 103.1 -- Goodbye South Florida Rock Shows?” written by the New Times Staff can be read in it’s entirety here: https://www.browardpalmbeach.com/music/rip-the-buzz-1031-goodbye-south-florida-rock-shows-6426023

The Wikipedia page for KITS, which has a partial and condensed history of the station can be viewed here: https://en.wikipedia.org/wiki/KITS