#working process

Alexander McQueen Working Process

Photographs by Nick Waplington

Damiani, Bologna 2013, 304 pagine, 200 ill., 24,8x29,5, ISBN 978-88-6208 295-2

euro 50,00

email if you want to buy [email protected]

Nel 2008 Alexander McQueen incaricò il fotografo Nick Waplington di documentare la sua ultima collezione Autunno 2009 dall’inizio fino all’ingresso in passerella. La collezione da lui denominata The Horn of Plenty [Cornucopia] vede McQueen rivisitare l’archivio costruito in quindici anni di lavoro e riutilizzarlo in una nuova collezione. Si trattava in effetti di una sua personale ricognizione, in cui il set era costituito di specchi rotti e di un mucchio gigantesco di resti degli allestimenti di show precedenti. Secondo i critici questa modalità rifletteva il sentire di McQueen nei confronti del fashion system e del suo modo di obbligare i designer a essere geni creativi, contemporaneamente relegando ogni collezione nel cestino della spazzatura della storia non appena effettuata la vendita. A Waplington fu garantita una facilità di accesso senza precedenti a McQueen e al suo staff, compresa Sarah Burton, attuale direttore creativo del marchio. Ogni fase del processo creativo è documentata, ma la cosa più interessante è che il layout del libro è stato disegnato da McQueen in persona, che si servì di immagini fissate su bacheche. Il libro era pronto per la pubblicazione quando McQueen morì e il libro rimase in sospeso fino a ora. Il libro viene pubblicato esattamente come lo aveva impaginato McQueen, come tributo alla sua personalissima collezione. Nick Waplington è un artista che lavora con la fotografia, la pittura e la scultura. I suoi lavori sono conservati in molte importanti collezioni nel mondo, tra cui al MoMA, a New York, e alla Tate Gallery, a Londra.

🎄❄️

My Work consumed me the last weeks, i hadn't had time for anything and then covid striked on me.

Chapter 4- Reliving the Past

Raven stepped out into the hall, her boots echoing softly on the concrete. She felt strangely exposed without her jacket — the scars, the tattoos, the history written across her skin — but Negan’s presence at her back steadied her more than she expected. He fell into step beside her, Lucille resting casually on his shoulder again. But the way he carried her now was different — not as a threat, not as a warning, but as a habit. A piece of the man he had become. “You’ll like the room,” he said as they walked. “It’s not the Ritz, but it’s clean, it’s safe, and the mattress doesn’t feel like sleeping on a damn rock.” Raven let out a soft laugh. “That’s already better than anything I’ve had in years.”

Negan glanced sideways at her, his expression softening. “Yeah… I figured.” They passed a few Saviors in the hall — some nodded respectfully, others stared with curiosity. Raven kept her chin up, her posture steady, refusing to shrink under their eyes. Negan noticed. “You don’t have to worry about anyone here,” he said quietly, his voice dropping just enough that only she could hear. “People know the rules. And they know what happens when someone breaks them.” She nodded. “Good. I’m tired of looking over my shoulder.” Negan stopped in front of a door near the end of the hall. He pulled a key from his pocket, unlocked it, and pushed it open.

Inside was a small but clean room, a bed with fresh sheets, a dresser, a small table, and a lamp that actually worked. There was even a folded towel and a bar of soap waiting on the bed. Raven stepped inside slowly, taking it in. It wasn’t much, but to her, it felt like a palace. Negan leaned against the doorframe, watching her reaction with a quiet satisfaction he didn’t bother hiding. “You’ll be safe here,” he said. “No one comes in without your say‑so. And if anyone even thinks about causing trouble…” He tapped Lucille lightly against his shoulder. “Well. You know how I handle that.”

Raven turned to him, her expression soft but serious. “Thank you, Negan. Really.” He shrugged, but his eyes warmed. “You’re home now, Raven. Least I can do.” She hesitated, then added, “And… dinner later? Like old times?” His grin returned, brighter this time. “You bet your ass. I’ll come get you when everything’s squared away.” He stepped back into the hall, but paused before closing the door. “And Raven?” She looked up. “I’m damn glad you’re here.” The door clicked shut, leaving her alone in the quiet room — the first safe space she’d had in years.

Raven’s question hung in the air, soft but edged with something she didn’t quite recognize in herself — a flicker of jealousy, confusion, maybe even hurt. She had only just reunited with Negan, and already someone else had his attention. Someone who could pull a smile from him instantly.

Negan’s demeanor shifted the moment he saw the blonde woman approaching. His shoulders relaxed, his irritation melted, and that trademark grin — the one Raven remembered from years ago — spread across his face as it belonged to her. But it didn’t. Not anymore.

The woman strutted toward them with practiced confidence, heels clicking sharply against the concrete floor. Her blonde hair was curled and glossy, her black dress hugging her figure in a way that made it clear she wasn’t just any resident. She carried herself like someone who knew she had a place here — a place close to Negan. Raven slowed her steps, her icy blue eyes narrowing slightly as she watched the interaction unfold. “Negan!” the woman called again, her voice bright, almost flirtatious. Negan’s grin widened. “Well, hello.” Raven blinked. Hello? That tone. That smile. That shift in his posture. Her stomach tightened. She leaned closer to him, her voice low but steady. “Umm… Negan, who’s that?”

Her question wasn’t accusatory — just confused. But there was a softness in her tone that betrayed something deeper. She didn’t understand why this woman could pull such an easy reaction from him. She didn’t understand why it bothered her. Negan glanced at Raven, then back at the blonde woman, then back at Raven again — as if suddenly aware of the tension between the two. He cleared his throat, shifting Lucille on his shoulder. “That,” he said, voice casual but with a hint of hesitation, “is one of my wives.” Raven’s breath caught.

Wives? Plural?

Her eyes widened slightly, but she kept her expression controlled. She didn’t want to show how much the word hit her. She didn’t want to show that it stung. Negan noticed anyway. He always noticed.

The blonde woman reached them, smiling brightly at Negan before giving Raven a quick, dismissive glance — the kind of look someone gives when they’re sizing up competition. Raven straightened her posture, shoulders back, chin lifted. She didn’t say a word, but her presence sharpened. She wasn’t intimidated. She wasn’t backing down. She had survived too much to shrink under anyone’s gaze.

Negan stepped slightly between them, not protectively, but instinctively — as if trying to manage two different worlds colliding. “Everything alright?” the blonde asked, her hand brushing Negan’s arm with familiarity. Raven’s jaw tightened. Negan gave a small, forced laugh. “Peachy. Just giving our new guest the grand tour.” The blonde’s eyes flicked to Raven again, this time with more interest — and more suspicion. Raven met her gaze head‑on, unblinking.

Negan felt the tension thickening between them and quickly stepped in. “Why don’t you go on ahead?” he said to the blonde. “I’ll catch up.” She hesitated — clearly not used to being dismissed — but eventually nodded and walked away, heels echoing down the hall. Negan exhaled slowly, rubbing the back of his neck. “Yeah,” he muttered, “that’s… a long story.” Raven crossed her arms, her expression unreadable. “Wives, huh?” Negan winced. “Yeah. About that…” Raven didn’t snap. She didn’t accuse. She didn’t cry. She simply looked at him — really looked at him — with a mixture of hurt, confusion, and something he couldn’t quite name.

“Negan,” she said softly, “what happened to you after I left?”

Her voice wasn’t angry. It wasn’t judgmental. It was… sad.

And that sadness hit him harder than any weapon ever could.

So, i started with idea (again). I chose Hakkai’s elder brother for the sin wrath because he is… god damn… he is crazy and desperate satan’s child )))

I’ve taken this color palette as a base and than added some accents:

Than, I looked for some character references:

Next I needed a pose. I sketched some variants, but I haven’t taken any of them.

I couldn’t find right pose on the photograph, so… no problem! Let’s make it via Clip Studio Paint ^_^ I imagined Taiju as the Red Apocalypse Rider of War and he required corresponding pose of such a lord of evil.

Than: simple sketch in random colors just to separate details of drawing: figure, clothing, background. I always draw on light beige background - it’s easier to understand the ratio of skin to other drawing elements.

After sketch there is vector line art that I make in Clip studio paint.