#worbla tutorial

1. Take the time to shape the Worbla as best as you can. A soldering iron is an invaluable tool for this.

2. Apply 1 coat of liquid gesso so that what we put on top adheres better (even though we're talking about plastic and it unfortunately won't adhere perfectly even then).

3. Apply 2 very thick layers of super heavy gesso. It's gesso with the consistency of greek yogourt or cake icing. It's very hard to apply smoothly but all we want here is as much thickness as possible without loosing sight of the Worbla's shape underneath. Since super heavy gesso remains slightly malleable when dry and can be vulnerable to hits, I prefer stopping after 2 layers for the bare minimum and therefore less fragility.

4. After at least 36 hours of drying, you're ready to sand. You're basically resculpting your armor and correcting any flaws in the shape. I use coarse sandpaper for this (40-60 grit).

5. If you've pierced through to the Worbla, fill the hole with super heavy gesso and sand more delicately in that spot.

6. If you need your piece of armor to remain flexible, apply 1 last thin super heavy gesso coat with a paint spatula or knife and use a fine sandpaper (~220 grit) to even everything out. You're now ready to paint.

7. If your armor does not need to bend, you can achieve greater precision with a primer in spray. I apply 4 thick coats and sand into the final shape with 100-150 grit. Since in some places you'll have uncovered the super heavy gesso underneath, and considering that paint may be absorbed differently by the primer and the gesso, put 2 thin final coats of primer and polish down the spray texture with a used 220 grit sandpaper. You're now ready to paint.

This sealing technique takes me around 10 days, but it's 10 days of inactive drying time for the most part. You do have to sand everything a total of 3 times, however a lot less time is put into applying layers than with the liquid gesso or wood glue methods. The surface remains slightly vulnerable to hits and sharp objects but not significantly more so than any other painted surfaces.