#withy bindings

🤍 NEW METHODS 🤍

Printing at home: In the past, I've sent my typeset PDFs off to a local print shop to be printed, but with access to a home printer for the first time, I battled the fucking thing to print it entirely at home. I had a lot of trouble getting my printer to do the whole thing (I think it was so long that the printer's memory started giving up), so I eventually ended up sending the PDF to print in smaller signature groups at a time. Due to misprinting, I ended up with many good glue sheets & pages to protect drying boards and such

Leather-core for endbands: I finally splurged and bought some leather jewellery cord to use as the core in my sewn endbands and it was FANTASTIC!

Ribbon bookmark: 🤍🤍🤍

Backed papers: I purchased two large sheets of artisan paper for the endpages and the cover material. Both were too flimsy for my comfort, so on the advice of some folks at @renegadeguild, I backed some cut-down sheets with regular printer paper using a mix of 50/50 PVA and rice paste. I pressed them flat between protective sheets and they came out perfect!

Paste mix: I enjoyed working with the PVA-paste mix so much that I used it for the rest of the project for pretty much all of my gluing :)

Using an actual book press: Not much to say here except that I finally have an actual press and it made everything 100% easier haha!

Cricut stencil: My sister donated her time and cricut to help me title my cover and spine (under the dust jacket). We cut out stencils with cricut's stencil material & with stick-on vinyl (when we ran out of stencil material LOL). The spine turned out lovely but with some bleed; the cover was a bit of a mess since the stencil material started peeling up the fibres of the cover paper (which I had somehow not thought to seal). But live and learn!

🤍 BOOK INTERIOR 🤍

Copy-editing: Done by they lifesaving and gracious @highlynerdy, who saved me from agonizing over if the raw text source I took from had typos or mistakes. Thank you again, Gracie 💛

Typeset: I was inspired by the original typesets from when these poems were first published, updated to my own aesthetic sensibilities (as much as I had patience for)! The main body-text font is 'Lancelot' which seemed the only appropriate font to use for this project <3

Art: (Not pictured) I included some art by Edward Burne-Jones, "The Beguiling of Merlin", and "The Failure of Sir Lancelot"

🤍 EXTERIOR DESIGN 🤍

Cover: I originally wanted to do this book in blue, but when I went to the paper store, I could not find any marbled blue paper that wasn't wildly over-budget, so I ended up doing another red book. I tried to stick to a colour scheme of white-heavy monochrome + red + metallics.

First of all, thank you to all the lovely folks from the @renegadepublishing discord for enthusiastically encouraging me to fanbind my own work, though this is not entirely just-mine. This fic was co-written with the awe-inspiring @whoawhataconcept (Misery_C_Epicaricacy on AO3) and this binding is as much a love letter to her writing, her mind, and our creative collaboration as it is to my own contributions.

On: Textblock & Typesetting

I've bound a couple fics at this point, but was saving Garamond for this one because I fell in love with how these particular words look set in Garamond. The headings are done in a simplistic all-caps Calibri with expanded spacing to pay homage to how many hours editing this damn thing were spent looking at the font in question. I've also used font 'Merlin' for the front title page—which I got linked out of the @merlinbingo discord server—and Felix Titling for the interior title page.

The body is printed on EarthChoice colour cream paper, and stitched with red crochet thread.

On: Endpapers

The endpapers were a tricky one for me! They are prints of my own fanart which was not the correct aspect ratio to use as endpapers for a book printed on letter paper. This was also the first large map I created, and if I could go back, there are things I would do differently. But in the end, I decided to use it as-is because I'm proud of it. To fix the sizing issue, I up-sized the map so the width was correct for a letter-sized print, which left a border on the top and bottom of the image—this I filled in with black and red checkerboard pattern to match the banners and standards of Camelot.

Originally, I wanted it printed on this textured, pearl-finish linen paper, but then the print shop I use didn't have it in a large enough size to do endpapers on and I was heartbroken. I ended up using topkote gloss paper by Oji.

On: Endbands

Hand-sewn in red and gold crochet thread. I redid these like three times to find a core I liked, and ended up doing them over tightly rolled paper.

The Dust Jacket

I'm not a graphic designer, so the jacket design is simplistic. It includes a cover, back cover (with a 'praise for' section), and two inside flaps (which contain the fic summary and author bios). I took some cues from this dust jacket post. It's printed on a thicker weight of topkote paper by Oji, this time with a dull finish.

Closing Thoughts