History of whatever this is
Where "this" is probably at least three different things that got blended together. This list is inevitably going to be incomplete.
Lettering for the Cure single The Lovecats (1983), designed by Parched Art (Porl Thompson & Andy Vella).
Various examples of lettering by Stephen Tashjian (a.k.a. Tabboo!), from 1985 onwards.
Lettering for the Cure album The Head on the Door (1985), designed by Parched Art (Porl Thompson & Andy Vella).
Logo for the band Living Colour, designed by The Thunder Jockeys (Graham Elliott & John England) in 1988.
Lettering for the Crowded House album Temple of the Low Men (1988), designed by Margo Chase. (Margo Chase also designed fonts, but none in this style.)
Lettering for the Deee-Lite album World Clique (1990), designed by Stephen Tashjian.
Lettering for the Prince album Graffiti Bridge (1990), designed by Margo Chase.
Lettering for the Hole album Pretty on the Inside (1991), designed by The Pizz (Stephen Pizzuro).
The font Remedy (1991), designed by Frank Heine.
The font FF Mambo (1992), designed by Val Fullard.
The font Poptics Three (1993), designed by Patricia Lillie.
The font Slumgullion (1993), designed by Marty Bee.
The font Fobia (1994), designed by Daryl Roske.
The font Housemaid (1994), designed by Kristen Faulkner.
The font Paisley (1994), designed by Mike Allard and Noel Rubin.
The font Wet N' Wilde (1994), designed by Marty Bee.
The font Curlz (1995), designed by Carl Crossgrove and Steve Matteson.
The font Dollhouse (1995), designed by Kristen Faulkner.
The font Jokerman (1995), designed by Andrew Smith.
The font Whassis (1995), designed by Patricia Lillie.
The font Whimsy (1995), designed by Patricia Lillie.
Lettering for the Stevie Nicks compilation Timespace (1996), designed by Margo Chase.
The font ITC Jambalaya (1996), designed by Frank Marciuliano.
The logo for the film The Emperor's New Groove (2000).
