#week 78

You can reblog this post and do em all now, save 'em and find 'em as you have the energy/time, or just use it as a heads up for what's comin'.

Up to you!

All I ask is that you use the #sipofsnips tag so people can find each other's snips and get excited about writing.

CONFESSIONS ★ WEEK 78: @theunmappedstar

This week we have the opportunity to feature the works of @kingbuckley. This was Alex previous blog so if you want to check out her newest creations find her at @gayandrewminyard

Banner was made by the talented @litlifelover

Here is week 78, Everlark lovers! As always, thank you to these amazing authors who provide me with endless amounts of entertainment. You are all amazingly talented! Readers-please make sure you show these authors some love!

If you’d like to check out my previous posts, follow #rachel’s fanfic lists or search the tag on my blog. Happy reading!

Feast Your Eyes - @savvylark, @lovely-tothe-bone, @ra3lynn3

The Project - @ronjar

Sparrow - jennajuicebox aka @everafter37

Dandelion in the Spring - hmweasley

Disaster is Served - buttercupbadass

Closer - oh_so_loverly aka @thelettersfromnoone

Save the Ruined - wildcatpacer

Ellipses - @geekymoviemom

Extension Request - @deinde-prandium

Dissever My Soul From Yours - alliswell aka @alliswell21

May 8 - @shesasurvivor

Bits and Pieces - @javistg

Elsewhere - jennajuicebox aka @everafter37

Too Familiar - hutchabelle aka @hutchhitched

The Cook's Contract - @hpfanonezillion

The Road Ahead - @marzgaperez

Christmas Factory by Chen Ronghui. Photography. 2015. 

Shanghai-based photographer and photo editor of The Paper Chen Ronghui explores human fascination with fairy tale and manufactured wonderlands in various photo series. Photographing everything from lurid theme parks to petrochemical plants, Chen is perhaps best known for his collection Christmas Factory, which earned second place in World Press Photo’s Contemporary Issues Singles category. 

The subject of the series, Wei, coats polystyrene snowflakes with vivid red paint—which Chen captures as an unearthly, drowning hue—in one of the 600 Yiwu factories responsible for 60% of the world’s Christmas decorations. Wei wears a Christmas hat to protect his hair and changes face masks at least six times a day. Though Wei is unsure of exactly what Christmas is, he believes it is foreigners’ version of Lunar New Year. Christmas Factory represents the disconnect between reality and people’s projections of fantasy and entertainment, a common theme in Chen’s works. 

CONFESSIONS ★ WEEK 78: @samcaarter