Waaju - Featuring Majid Bekkas - Alouane - Gnawa meets jazz on this live recording from BBE
Brainchild of Waaju bandleader Ben Brown, this unique collaborative record features Brownâs expansive arrangements of traditional Gnawa songs, bringing Bekkasâ incredible musical force into the soundscape of potent grooves and trippy delays that Waaju has become known for. Bekkas, whoâs previous collaborators include Pharoah Sanders, Archie Shepp and Peter Brotzmann, is considered one of the foremost figures in Moroccan Gnawa music today and has been key in the musicâs revival over the last decade. Heâs also never before collaborated with a UK band which, at the time of recording, was his first visit to the UK. On âAlouaneâ, Bekkas is welcomed effortlessly into Waajuâs simmering chemistry, which can be heard most vividly on their previous studio albums âGrownâ in 2020 and a self-titled debut in 2018. Waajuâs members have remained deeply connected throughout the ensembleâs eight year history amidst working in the bands of Mulatu Astatke, Alfa Mist, Loyle Carner, Jordan Rakei, JosĂŠ James, Ashley Henry, Nubiyan Twist and others, and their music has commanded global listenership and has been championed by the likes of Gilles Peterson, Jazz FM, Jungle & Jordan Rakei. âAlouaneâ translates as âColoursâ in Arabic and speaks of the seven colours which are integral to Gnawa music. Each colour represents and invokes a different spirit and most Gnawa songs are within one of these seven colours. It is said that each person has a connection with one of these colours, whether they are aware of it or not which, at times, can result in intense, involuntary bodily reactions upon hearing a certain Gnawa song. Recorded largely at a packed Church of Sound in London, the roomâs energy surges to peaks of extreme uplift with uncontrolled audience hollers like on âBaniaâ, balanced with others of delicate introspection like on âLandoâ. âAlouaneâ presents a record light on its feet with harmonic nuance and dynamic sensibility, and acts as a powerful contribution to the Gnawa fusion genre.Â













