Aug 27, 2015
Oscar and Zofia Hansen - own house
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Oscar and Zofia Hansen - own house
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On Monday, we also talked about contrast and affinity. Contrast is difference and affinity is similarity. The greater the contrast in a visual component, the more the visual intensity or dynamic increases. The greater the affinity in a visual component, the more the visual intensity or dynamic decreases.
On Monday, we discussed Visual Structure. In visual structure, pictures can be broken down into three fundamental building blocks: story (plot, character, dialogue), sound (dialogue, sound effects, music), and visuals (basic visual components).
On Wednesday, we covered visual structure. We learned that pictures can be broken down into three fundamental building blocks: story, sound, and visuals. We leaned that the difference between contrast and affinity is that contrast means difference and affinity means similarity. We also discussed the basic visual components: space, line, shape, tone, color, movement, and rhythm.
Photograph & copyright owned by MandyXYWang. Oct. 02, 2013, at the Round Rock Donuts.
Contrast-- difference; Affinity-- similarity.
The greater the contrast in a visual component, the more the visual intensity or dynamic increase; the greater the affinity in a visual component, the more the visual intensity or dynamic decrease.
Contrast equals greater visual intensity; Affinity equals less visual intensity. The more intense the visual stimulus, the more intense the audience reacts.
Basic visual components: space, line, shape, tone, color, movement, and rhythm.
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Visual Structure
There are seven basic components to visual storytelling: space, line, shape, tone, color, movement and rhythm.
Space can then be deep, limited or ambiguous. It can also be created with surface divisions or outside the frame (open space).
Line and Shape are closely linked and define each other as all shapes are constructed from lines. Lines appear only due to tonal or color contrast. The three basic shapes are circle, square and equilateral triangle, whereas the circle/sphere and triangle/pyramid have maximum contrast.
Tone refers to the brightness of objects in relation to the gray scale. Tonal range can affect mood and emotions. There are three ways to control tone/brightness of objects in a shot: reflective control (art direction), incident control (lighting) and exposure. The brightest area will attract attention first.
Color is the most powerful visual component. There are warm colors (red, orange, yellow) and cool colors (blue, green). Warm colors appear closer and cool colors farther away.
There are four types of Movement: actual, apparent, induced and relative. Actual movement occurs in the real world. An example of apparent movement is the motion picture or video. Induced movement occurs when a moving object transfers its movement to a nearby stationary object. Relative movement occurs when the movement of one object can be gauged by its changing position relative to a second, stationary object. Movement occurs when an object moves, the camera moves, and the audience' attention moves as they watch.
Rhythm is found in stationary objects, moving objects and editing.
Sin City is an excellent example of a film maker choosing to structure the film visually with high contrast and spot color; something that makes the eye go to the area of the screen which has the most contrast at the time, be it black versus white or grayscale versus color. The film makers' desire for contrast over affinity is derived from the fact that Sin City was originally a graphic novel, which was also high in contrasting visuals.
Four kinds of movement: actual, apparent, induced and relative.
Actual - real life movement
Apparent - appearance of movement (as in a movie)
Induced - a movement causes another object to move
Relative - you perceive something has moved relative to another object's movement