#v.analysis

i wanted this playlist to be a narrative of sorts for the six monarchs storyline/oneus universe as we understand it (and as i liberally interpret it). the title comes from keonhee’s explanation on the official request video that the first trilogy of mini-albums covered the concepts of light, time, and space respectively. 

a good majority of this narrative takes place within the dreamworld/sun prison of “to be or not to be” (for which i’ve assigned a particular song for each member - look for the tracks with a “+” designation and it shouldn’t be too hard to figure out whose song is whose.

i wanted to post this before “black mirror” because it has the potential to joss things out of my interpretation. please enjoy!

(as with most of my monarchs lore exercises, this owes some gratitude to @highponyleedo for suggesting a couple of the songs in the tracklist)

TRACK LIST + LYRIC SNIPPETS

HALCYON lights ; ellie goulding

you show the lights that stop me turn to stone, you shine me when i’m alone

ARRIVAL under the sun ; diiv

yes i’ll catch up to you, then i’ll ask “what have we done?” under the sun

AUGURY prologue + twilight ; electric light orchestra

twilight, i’ll give you time to steal my mind away from me

SACRIFICE given to fly ; pearl jam

and he still gives his love, he just gives it away the love he receives is the love that is saved

COLLAPSE helios ; space team electra

no apologies for burning; fire is its own reason

SLEEP the wretched ; nine inch nails

the clouds will part, and the sky cracks open, and god himself will reach his fucking arm through just to hold you down

DEFIANCE rise ; katy perry

they’re whispering, “you’re out of time” but still i rise

POWER+THIRST help i’m alive ; metric

if we’re still alive, my regrets are few if my life is mine, what shouldn’t i do?

BLOOD+ROSES little dark age ; mgmt

forgiving who you are for what you stand to gain just know that if you hide, it doesn’t go away

VISION+ISOLATION miss it so much ; royksopp

my mechanical heart, how it tears me apart

PROTECT+HOWL friction ; imagine dragons

why can’t you let go? like a bird in the snow, this is no place to build your home

FLIGHT+FIGHT destroyer ; phantogram

i tried to save so many lives i guess my heart got carried away i guess the dark turned on the light

SUN+SON big god ; florence + the machine

well, you can never know the places that i go

VENGEANCE wolf like me ; tv on the radio

got a curse i cannot lift, shines when the sunset shifts when the moon is round and full

KINGDOM animal life ; shearwater

i held your name inside my mouth through all the days out wandering but called up from the mouth of oblivion, cast away like dogs from the shelter

REIGN brighter than the sun ; brick+mortar

have you ever had a daydream leak into your day? have you ever had a nightmare bigger than everybody?

RUN warrant ; foster the people

Part One: Now then, where were we? 

At the end of TBONTB, the monarchs are approaching monumental, pitch-black gates made of skulls and desperate, reaching hands. 

I can’t not interpret this as the gates of Tartarus, considering the Greek mythology in the canon lore already. Tartarus, however, is at the lowest depths of the underworld, and so my interpretation is that, while they reclaimed their souls from the necklace, they awoke physically in a realm beyond the underworld, and now have to make their way out of this psychological nightmare to breathe free the air, as it were. Through Tartarus, through Hell, this is not because I played 80 hours of Hades in the last three months but it might have a little to do with that. Stay with me. (Though if anyone is wondering, YES Leedo would be Zagreus, but that’s not why we’re here today)

Part Two: Devil is in the Detail 

What an opening formation. The imagery is not 100% clear to me, but I feel as if this entire opening formation sequence is dual-wielding imagery of a crown (much like the killing part of TBONTB), but also the gates of Tartarus. 

Look at this transition once Hwanwoong ascends to the top of the formation, and how the hands all come out, similar to the gates above. I’ll be damned if this is supposed to invoke anything else.

Rewinding a bit, this framing of Seoho being resuscitated and borne by their hands is stunning. Seoho’s journey in the TBONTB choreography merits its own post entirely, because there are a lot of moments that seem to be telling a story for him particularly, and this is just a continuation of that. 

Ravn and Leedo being separated for the rap line part seems like an obvious utilitarian choice, and I agree that it is. However, before we prepare to dismiss all “pairings” as serving the progression of the song itself, I have another theory that ties together a lot of the inciting moments of choreo. I promise you this is going to sound like A Reach, but that’s just how my mind works and if you enjoy it I’m glad.

Leedo, Hwanwoong, and Xion are the monarchs who have absolved themselves by the events of 반박불가, and fully reclaimed their souls as well as their conscience. Seoho and Ravn, not so much. They have a lot of work to do to free their conscience - especially Seoho. Oh, lord, especially Seoho. Keonhee is an extremely interesting case, as he seems to have a foot firmly in both sides, More on that later. 

For further paranoid conspiracy theorist proof of this, please note that their outfits in the choreography videos symbolically reflect this:

Light, Light, Light/Dark, Dark, Dark/Lightish, Light

If you need more convincing, may I point out that Leedo, Hwanwoong, and Xion are the only members who got those wonderful “all clothed in white” shots in the back half of the 반박불가 MV? I tried to make a gif, and I did make a gif, but Tumblr doesn’t want to post it in this text post.

(you rn)

The most interesting moments of loreography in DiitD are the following: 

1. These lotus hands. Again, the imagery, I die!! Keonhee is coming into his own, his character is blooming, expanding his consciousness, going sicko mode with the realization that he has power in the underworld. 

2. Directly following this, Seoho offers a hand to Keonhee and literally drags him down (again, the light/dark dichotomy of Keonhee), while the two good good boys Hwanwoong and Xion are back there just trying to maintain balance so they can get through this Hell/Tartarus thing. 

3. Good ol’ ONEUS Summoning Circle, but wait this time I think it’s actually meaningful beyond the imagery. Seoho is at the center because he has the vocal line, yeah obviously, but he stays there much longer than is objectively necessary without a formation change. This isn’t common in ONEUS choreography. As much as they love their Summoning Circles, they tend to move on to other formations quickly. This one has meat on its bones, and I think what’s happening here, loreography wise, are the other monarchs banding together in an attempt to save Seoho from the darkness. But Seoho is powerfully dark, y’all, even going so far as to overpower them in the moment above. 

4. This is flame imagery. Seoho has been engulfed in flames despite everyone’s best efforts. 

5. At the last minute, he gets yeeted via backflip back into Hell/Tartarus

6. Keonhee takes the initiative in going back for him...

7. We’re back in Hell, that’s just great. Thanks, Seoho. You’re lucky we love you and your extremely disturbed conscience. 

With this in mind, you can probably get way ahead of me, here. 

Part Three: 반박불가 

Perhaps not remarkably, the title track doesn’t have nearly as many loreography beats as DiitD. However, we know it’s part of the lore, and this was made abundantly clear simply with that opening move...

This is where we left off TBONTB, but not exactly. There is a slightly different formation of dancers here, which suggests it’s not picking up exactly where TBONTB left off, but rather that this is a cue to let casual fans know, explicitly: yes, this is a continuation of the TBONTB story. 

Some moments don’t have choreography allusions, but they are loud in the MV, such as:

- “Youngjo, would you stop playing with flowers, our lead vocalist is going to Hell.” Ravn, who barely scraped out of Hell last time, ostensibly with Leedo’s help according to the rap line break in the choreography, has a rough time of it in the 반박불가 MV, but Hwanwoong isn’t going to let him fall back into toxic behaviors and lose himself to that psychological prison again. Hwanwoong drags Ravn back out of Hell, but not before Ravn successfully makes contact with Seoho. Obviously, Ravn would be the one to make contact, because Ravn’s still a little on edge about his own conscience and can easily backslide if he wants to. Who does he find down there? Seoho.

- Keonhee, who led the charge to return to Hell, is staying on task but seems to be the chief of operations to Hwanwoong’s chief of intelligence here, exercising his newfound sicko mode. Those two are certainly working hardest at keeping the servants of darkness in check down in the depths so they can make a quick break for it. 

- Leedo’s actually having a grand time fighting his own demons - or rather, smirking at them and realizing that nah, he’s good. He can use his guilt and regret to motivate him towrd good things now. 

- Xion is literally just above all of this and can move between Hell and Earth with ease, so he’s just waiting to see if he has to pull any Fallen God-Prince cards here to save his friends. 

Now, for the key loregraphy moments. It’s obvious that 1Million was choreographing for a new direction in the ONEUS style, here, so it’s nearly bereft of the usual lyricism and formations, but they’re definitely there. Unsurprisingly they almost all deal with Seoho. 

1. God, this moment whips. They’re all working to free Seoho and lock the gates behind them, with Keonhee giving Seoho one final push. That’s not a normal choreography move. That is storytelling and it sticks out like a beautiful sore thumb with an entire sonnet written on it. 

2. With Seoho on lock, now Ravn may break out. He does so rather easily, but it’s not without Hwanwoong’s help. Please notice that Keonhee and Seoho are the two BEHIND him, and what that symbolizes. 

3. This fucking bridge. It’s amazing with the loreography. First of all we have Keonhee, and the Summoning Circle is using the same imagery/texture that was formerly used to represent engulfing fire. Uh-oh.

4. Keonhee reaches out...

... but gets dragged under.

5. (excited football commentator voice) but who’s that on the outside making it to the surface, literally with the support of the other monarchs? IT’S SEOHO (cheers)!!

And Seoho finishes things out in the center, as well he should because he got us into this mess.

Part Four: What just happened to Keonhee

I’m so angry at this post-MV stinger. It took me forever to wrap my brain around what is being suggested here, because I thought “hey wait, the red lighting represents darkness/hell, doesn’t it?? DOESN’T IT?? RBW???? I thought we just GOT OUT OF HELL????

So I leave the final interpretation in everyone's individual hands, but the thought that occurred to me today was: 

What if this entire scenario was a test of resolve and camaraderie, an illusion, a trick by the Devil (or that donger Helios, whatever). What if Keonhee was the only one who saw through this, and the only one who genuinely made it to Earth at the moment he appeared to have been dragged back to Hell? Because, as we know, Keonhee is a tactical genius, a monarch among the monarchs, and all his visual imagery in the MV suggested a sort of power cabal. 

What if he realized that they weren’t all strong enough to face the challenge of breaking this cycle, so he schemed to leave them behind, but leave them safe in the illusion, while he struck out with the power of God and anime on his side.