Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch ⢠No registration required ⢠HD streaming
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch ⢠No registration required ⢠HD streaming
Really, Really Slow Thoughts on TRR Book 3, Chapter 3
⢠This QT took two days. Because my pace has been sluggish. Because my thoughts on this chapter have been sluggish.
⢠This chapter is the only time in the entire series that I was barely invested. Thatâs only ever happened to be at the beginning of Book 1, and only because I didnât think it would amount to anything beyond a Cinderella story. I havenât been in that space with a single chapter in this book since Book 1,Chapter 8. Iâm justâŚbored.
⢠Title: Allies among Enemies. Sounds very Kenna and Luther, no? But I doubt Kenna ever had to sit and play marriage counselor to a squabbling couple.
â˘
Esther asking all the relevant questions.
I mean, sure, Bertrand, I get it: I need to make a tour and that involves visiting other duchies, Justin thinks Madeleine would make a bomb press secretary, and I have to play matchmaker for her parents â
Wait what. Why do I need to resolve a personal fight because Madeleineâs parents? I know itâs all about reaching out and getting allies and making connections but playing armchair therapist just sounds extremely silly.
⢠I like that theyâre carrying over the âhouse coloursâ strategy from TCaTF. Kenna occasionally did this during alliances, especially when meeting with the Nevrakis family.
â˘
So I have a dress âas green as Madeleineâs envy towards me and black as her shrivelled heartâ (bomb analogy, Maxwell!). Buuuut Iâm taking part in a court event. A formal ball. Why is the dress style more like what I wore in the club for Madeleineâs bachelorette and Liamâs bachelor party???
⢠Also can you imagine how awkward waltzing would look in this dress? Ballroom dresses are long and flowy for a reason. Part of the beauty of your twirl comes from how your skirt flows when youâre turning, esp in a dance like the Cordonian Waltz where the twirl is the highlight.
⢠So Iâm supposed to ensure Adeleide comes for the wedding. Loooogically the story should make this easier on me because I already did the hard work of winning her over the last book right? Wrong. Because the story doesnât care. It doesnât care which Liam I chose, whether Iâve ever worn pepto bismol in my life or not, whether I charmed the pants off Adeleide (not literally). Nope. I still have to start from scratch (wouldnât be the first time tho. I won over Kiara and Penelope in Book 1 only for them to ditch me next book [even though Penelope knew it wasnât my fault. You owe me big, sister]).
⢠Soooo Godfrey, Madeleineâs dad, is an English nobleman. His marriage to Adeleide was a political alliance and he doesnât actually give a shit about Cordonia unless his daughter is the goddamn countryâs queen.
⢠Hmm. So Madeleine is half Cordonian too. Jesus Christ for a country that doesnât like foreigners very much, a lot of its major players seem to have at least one non-Cordonian parent: Liam (possibly), Madeleine, Drake, HanaâŚ
⢠I was a little confused because Book 1 mentioned that Madeleine is âpractically royaltyâ from her fatherâs side - but itâs possible thatâs more a hint towards his English roots. I guess we can rule him out for who the enemy is rn because this dude genuinely doesnât give a shit.
⢠So Liam, whose interactions with Godfrey have been few and far between and who admits he has never really met him in a social setting, is the one who provides us inputs on how to deal with the Duke. Turns out this advice is pretty helpful, coming from someone who barely knows the man.
â˘
Savour this moment, Liam stans. This - and the âwe need to avoid this lack of crowd at our weddingâ exchange, are the only times we will get to properly interact with him today.
⢠I know this decor looks like a piùata threw up over the ballroom but I love the purple and the soft lighting xD
⢠So the first event post Homecoming is super empty, which is quite dishearting. Itâs enough to make even our resident bar-hopper Adeleide upset.
â˘
Is it just me or does âSTOICISM RULEZ!!!â Regina sound like she gives zero fucks today? I mean sure it could just be her usual irritation around Adelaide but here even Constantine seems a little taken aback. And besides, itâs not the Krona duchy that needs anything from the Crown, itâs the Crown that needs something from them. Your arrogance doesnât have any legs to stand on, Regina.
⢠Also idk but am I the only one getting a different vibe from Regina this book? In the debriefing meeting she wasnât there at all, and this is someone who has been a part of every meeting weâve seen in the books. Then she comes here, to an event where if anything SHE needs to be begging her cousin to come for her stepsonâs/some random noblewomanâs wedding, and sheâs busy making snappy comments about the appetizers (and letâs be honest, everyone else found their spread incredibly good. Even Drake. DRAKE)
⢠Madeleineâs dad is essentially Madeleine Sr.
⢠âMagic Friendship Dustâ my ass.
⢠Madeleineâs reaction to this âbe my press secretaryâ thing is âI told you soâ followed by a resounding (implied) âfuck youâ. What else were you expecting, Esther?
â˘
Itâs great that they say this, but I would have preferred if they showed it. It really isnât that hard. Show him talking independently to a noble or two (you donât even have to show their faces) - winning some over and not managing to sway some others. The reason a lot of Liam fans are upset is that not only does the writing make weak excuses to keep him from working WITH the MC, we arenât even given a proper glimpse of what he IS doing!
Iâll return to this point later, because I have a LOT to say đ
⢠âŚcheeseburgers arenât appetizers, Drake.
⢠Iâd agree with you about the buffalo wings tho.
⢠Nomnom that pasta looks good.
⢠Iâd betray me for a plate of truffled penne too, Esther.
â˘
Back in the essay I wrote on the Balcony Scene, I spoke of how Liamâs motherâs story seemed like a mirror to the MCâs (I mentioned that she might be a foreigner, though, and given that Neville and Drake make the comparison between the MC and her, and that her son is customizable by ethnicity, I still think there are chances that is true). Called it! xD
⢠Neville is still as big a creep as he ever was and this scene was extremely ugly, especially with regards to Drake. But it was also extremely powerful because the group gets to rally around and protect him, and show Neville that Drake has people who will support him no matter what. It was a scene I felt was needed because it gives you a much better idea of what Drake has had to deal with in court. (also I know heâs taking the tour coz he wants a wife [good luck getting one with THAT level of creepy, asshole!] but Iâm suspicious about him following ppl he doesnât even like around).
⢠This is also amazing buildup to the dancing scene. The version of the scene I got was automatically platonic, which I loved, and I got more comfortable with this scene than I have ever felt with any non-Liam-LI scene so far (you know how you keep stressing about accidental romance points? That).
⢠In my playthrough, Esther keeps it professional, gives him encouragement, teaches him how to glide using a mental image. Drake points out he needs to give Liam adequate support and he will need to actually prove himself to other nobles for that. As a romantic scene, it really shines (and indeed it should, given that the Cordonian waltz is primarily romantic) but it works very well on a platonic level too.
⢠I also really, really loved the comparison Drake made between his situation and hers: that the MC is proof that he can hold on to who he is even if he becomes a part of the nobility/has endured this much from them. Drakeâs character arc is built heavily on his fear that being part of the nobility can change people, based on very valid experiences. Weâve seen in this chapter how desperately some nobles cling to their titles, almost using it to make up for their lack of personality (Iâm looking at you, Neville and Godfrey). But he has proof all around him too, that you donât need to lose who you are through a title. In a lot of ways this plays really well into his âletting goâ arc as well.
⢠Okay so I went with Godfrey first. Heâs talking to Liam, who again makes a disappearing act (I donât mind, because the MC specifically stated she wanted to speak to the Duke alone). Iâm not surprised Liam wasnât making much headway. This is the second dude to dump Madeleine after all, and worse still heâs brother to the first dude to dump her. No wonder Liamâs sticking to safe subjects like choice of scotch!
⢠YIKES @ Godfreyâs constant harping of successes and defeats. Why donât we talk about what a failure YOU are as a dad, Duke Karlington, since youâre only ever there for Madeleine to tell her what a failure she is!
⢠I like the exchange they show us between Adeleide and Regina before the MC steps in. Reginaâs care and concern for Madeleine has pretty much been there from the beginning and for what itâs worth, it has been genuine.
⢠Oh man. I want to give Adeleide a hug and some champagne. I mean I donât exactly envision her winning the âbest motherâ award anytime soon, but sheâs trying. Perhaps a little too pushy and a little too focused on her own coping mechanisms, but still, she cares enough about Madeleine to want to be there for her no matter what. Which is more than I can say for Godfrey, who thinks being a father means paying an annual visit to his goddamn FAMILY and judges people for failing when heâs perhaps the biggest failure in the room.
⢠Waltz time!
⢠Though between Esther not having a twirly skirt and Drake having an injured shoulder Iâm not sure they even looked that good.
⢠WTF ESTHER WHAT IS WRONG WITH YOU DOES THAT LOOK LIKE A MAN WHO IS IN ANY CONDITION TO MANAGE A LIFT
â˘
HEâS NOT JOHNY CASTLE AND THIS ISNâT DIRTY DANCING. STOP PUTTING DRAKE IN A CORNER.
⢠AT LEAST BABY DIDNâT MAKE JOHNY LIFT HER ON AN INJURED ARM. AND AT LEAST THEY AGREED TO DO IT TOGETHER NOT SPRUNG IT ON HIM LIKE A FUCKING JACK-IN-THE-BOX.
⢠âHe winces at the pressure on his arm, but smiles through itâ. âŚdamn Iâm angry at my own MC now.
⢠Drinking game time!!
⢠Iâm not going to comment much on the scene because itâs going to be part of my group scenes essay, but I *will* say Iâm so happy Hana gets her due in this one. She really shines in terms of character development in this scene and she gets the best line this whole chapter xD xD xD
â˘
⢠I think Hana has had this burn simmering in her pressure cooker ever since the bell-pepper episode in Shanghai đđ
⢠âYou all know thereâs more to me than liking whiskey, right?â
This is unfair and inaccurate, people. Of course thereâs more. He likes cheeseburgers and pasta and greasy junk food too, cmon.
⢠I recall speaking not too long ago about how Madeleine and Hana had very different approaches to similar issues (family pressure, feeling like they are failures, broken engagements with men they didnât love), and that Madeleine very possibly faced a lot of family pressure (I was wrong about the source being Adeleide, though). To me this forms part of why Hana can see Madeleine the way no one else can, and why itâs essential to have her around when Madeleine opens up.
⢠This doesnât really change my opinion of Madeleine, though. It makes sense of some things, but in my mind nothing can really justify the sick pleasure Madeleine gets out of breaking people. She makes excuses for herself by calling it ânot tiptoeing on other peopleâs fragile feelingsâ, but that would imply she was just being honest and not actively working towards making people feel like shit. In both Hana and Penelopeâs cases she was actively working on making them feel like they were beneath her, and enjoying doing that. To me what she did, especially to Hana, was emotional abuse. Speaking ecstatically about âbreakingâ a human being who has harmed you in no way, is abusive. No more, no less.
⢠Please donât tell me a Madeleine and Hana ship will be a thing now. No. Eww. Iâd rather not pair Hana with someone who was actively trying to break her. I donât care how much of a âcrushâ Madeleine seems to have.
⢠No matter how misguided Adeleideâs attempts to parent Madeleine are, to me she clearly wins the parenting stakes hands down. She may have made Madeleine feel like she couldnât mourn what happened to her, but at least she views her daughter as more of a human being than a prize horse.
â˘
Didnât lie to get her way? Was saying âIâm allergic to chocolate and you could have killed meâ just a figment of my imagination then???
â˘
⢠You have to be fucking kidding me. The MC is a duchess now. The Beaumonts are supposed to be helping her. These three should be at the top of their itinerary right now, not throwing things together at the last minute every chapter. Isnât this Unity Tour supposed to be about knowing your allies and enemies, and preparing accordingly? Being unprepared (somehow, barely) made sense to some extent in the first two books, but things are different now.
⢠Penelope next week! That woman owes us big time.
General Thoughts on this Chapter:
⢠Things I feel might come up in Penelopeâs estate:
1. Penelopeâs anxiety and her parentsâ fears about sending her back to court
2. Personal issues within the family maybe? Perhaps Penelopeâs desire to take up pet couture designing and her motherâs disapproval of the same might feature.
3. At some point there may be some sort of redemption arc for her where she gets reminded of her involvement in what happened to the MC earlier. Penelope clearly owes the MC a great debt for letting her off the hook so easily.
4. Iâll be damned if I have to play therapist for these people too đ
⢠This whole idea of âmeddlingâ is stupid. These people are adults. Grown people, who should be expected to know how to handle their own lives and talk to each other. The royalty/the MC shouldnât be expected to babysit them. Thatâs not what we came here for.
⢠It stings even more when you take into account that the common public is feeling pretty terrified at the moment, and having their own, and here we are busy resolving the family squabbles of rich people.
⢠It highlights even more strongly whatâs wrong with the whole idea of a Unity Tour. Iâm hoping this âresolving-aristocrat-issuesâ thing wonât become a pattern because itâs beginning to look ridiculous.
⢠@ladynevrakis mentions in her excellent write-up on this weekâs chapter that this chapter is a lot better if youâre a non-Liam shipper, and extremely frustrating if you are.
Correct on both counts. As the MC youâre just starting out as a noblewoman, and you will need all the support you can get. If youâre with Drake (especially Drake), Hana or Maxwell, you get plenty opportunities for support from all of them. With Liam, you barely get a few lines here and there before heâs completely MIA. There is no opportunity for Liam or his fiancee to talk properly, or work together as a team. And this house is unquestionably the toughest one, so why does the writing not give Liam any chance to truly be there for her when she needs it???
⢠I can understand why he wasnât there for the most part. In the Neville sequence he isnât there precisely because the writers need to highlight how people treat Drake when Liam isnât around (and to show what people say about Liam behind his back), and there is no way you could have Liam around in either the group scene or the final scene with the family without making things worse (daughterâs former fiancè, hello?). Plus if the MC is not engaged to him, it would look weird for him to be present at some of these conversations.
STILL, there were a whole range of ways you could write him without him actually being involved in the patch-up, and still do justice to his character:
1. Eat with the group: The group eating scene could have been a perfect time to have Liam come, speak about his progress with convincing ppl, bond with the group over the delicious spread, and leave before Neville enters.
2. Check in periodically: Liam is my MCâs fiancè. They are here together on their first tour as a couple. Theyâre doing this tour for his people and his country. She is a newcomer and it is essential he has her back. It wouldnât have hurt to have him come in on occasion and ask her how she is holding up. It wouldnât have taken more than a scene or two, really, and it could have worked perfectly both on a neutral and romantic level. If youâre going to make Drake such a huge presence in this chapter that youâd go the extra mile and write him two ways, you can very well do the same for Liam. Itâs even more essential in his case because he is the King of Cordonia and pretty damn invested in making this tour work.
3. Have the MC notice what Liam was doing independent of her: The writing team is no stranger to writing conversations that donât involve the MCâs presence at all. We know Liam was spending time speaking to the few nobles in attendance, but weâre never shown how he does this or whether he succeeds. I know heâs as hard at work as the MC is, but I donât see what heâs doing. Could you really blame readers for thinking he is less involved, then?
4. The Little Things: A gentle touch here, a smile there if heâs your fiancè. Things you would do with your partner when you donât have much time together but still want to show them they care.
Itâs not like the writers donât know how to involve Liam. Theyâve done a really good job of this in the past. The entire social season saw Liam working behind the scenes to ensure the MC was protected and cared for, even when he couldnât be involved. The engagement tour had him pitching in to help whenever it didnât seem too suspicious to. In all these instances they kept in mind Liamâs role and limitations, and STILL managed to make him proactive.
The writers had plenty opportunity this chapter to have Liam be there for her in small ways, but hardly bothered to involve him. I appreciate wanting to make his interactions as neutral as possible but that doesnât mean you donât put any effort into writing him at all.
To add insult to serious injury, this chapter follows another one where the MC practically takes over Liamâs speech (post the video), leaving Liam with little space to do anything besides agreeing with her. Itâs essential - now more than ever - to portray Liam as decisive and proactive, yet the writing has him take 10 steps backwards in terms of character development. The MC is his fiancèe/close friend now. She should be able to see him properly as a politician and a leader at this point. If that doesnât get resolved soon, weâre in danger of screwing up an interesting character who has a lot of potential.
⢠Iâm still holding out on this book, because itâs still early and I believe they can turn things around and ensure there is a fair balance between the LIs. They are taking what we say into consideration and they have worked hard to make our other LIsâ interactions with us as safe and platonic as possible. I think this is a matter of balance, and I still think they can manage to do a good job of it once they ensure there is a balance.
⢠But this chapter? Iâm not going pretend Iâm happy.
I have a new illustration in Lenny âWhy Democratic Unity is Nothing Without Womenâ by Cristina Garcia. Many thanks to AD Laia Garcia! http://www.lennyletter.com/politics/a880/women-are-the-backbone-of-the-democratic-party/