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Home
My final website!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
This is the final (1920 x 1080) version of our animation. I’m quite proud of how this turned out in the end, and thought the team did really well. I enjoyed doing my part, and working on my 2D skills, as it’s something I don’t get to do too often.
This is my personal experiment showreel for the Listening Project. It has all my experiments throughout my time working on the project.
This blog contains all of my animations whilst studying at NUA.
I also took part in a live brief for the BBC. This is evidence to working within the industry and live projects! I learnt a lot whilst doing this project, both about myself as an animator and how to handle/work for a client.
For all work part of this live brief, please click on the link above.
Here I have some evidence of competition involvement/understanding of freelance. I had entered an illustration piece into a competition run by 1340 gallery to feature in their magazine. Unfortunately I didn’t get into the next stage, but it was an experience nonetheless. I also found a stop motion freelance animator, and really liked his work. I had recognised some from his showreel and decided to email him to see if I could get any more information or hopefully advice on freelancing and the animation industry. I am yet to receive a response, and probably won’t get one, but it would be amazing if I could!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Really helpful document on how to conduct an interview for research. It explains the routes you should take when doing an interview, it includes the ethics and limitations of an interview. This helped me write my section on the limitations and how I would try not to make my questionnaire biased for my proposal.
The history of special effects and CG in film and their close relationship with today’s top-notch digital animation is the focus of author Christopher Finch’s new lavish 368-page book T…
An example of how CG rose in the industry.
I found this interview with Tim Allen, a Stop Motion character animator where he talks about his experience with animation and becoming freelance. How long it took him to find a job after graduation, and how he had gotten his first job. It’s also shown me how important networking is, as that’s how he was able to find out about jobs that were going around.
It was also influencing to see his thoughts on the Stop Motion industry with the growing of CG animation. He talks about CG always having more projects because there are always more animators willing to learn about CG, whereas in Stop Motion, there is only so little - and only 1 or 2 feature films a year. It’s interesting to see these points as this really helps with my research into how CG risks the future of Stop Motion. I think this interview is something I want to include in my proposal - if not add him to a list of people I would like to interview.