Black people embody (which is different from saying are always willing or allowed to express) a meta-aporia for political thought and action. For most critical theorists writing after 1968, the word aporia is used to designate a contradiction in a text or theoretical undertaking. For example, Jacques Derrida suggests an aporia indicates 'a point of undecidability, which locates the site at which the text most obviously undermines its own rhetorical structure, dismantles, or deconstructs itself.' But when I say that Black people embody a meta- aporia for political thought and action, the addition of the prefix meta- goes beyond what Derrida and the poststructuralists meant— it raises the level of abstraction and, in so doing, raises the stakes... Afropessimism, then, is less of a theory and more of a metatheory: a critical project that, by deploying Blackness as a lens of interpretation, interrogates the unspoken, assumptive logic of Marxism, postcolonialism, psychoanalysis, and feminism through rigorous theoretical consideration of their properties and assumptive logic, such as their foundations, methods, form, and utility; and it does so, again, on a higher level of abstraction than the discourse and methods of the theories it interrogates. Again, Afropessimism is, in the main, more of a metatheory than a theory. It is pessimistic about the claims theories of liberation make when these theories try to explain Black suffering or when they analogize Black suffering with the suffering of other oppressed beings. It does this by unearthing and exposing the metaaporias, strewn like land mines in what these theories of so- called universal liberation hold to be true. If, as Afropessimism argues, Blacks are not Human subjects, but are instead structurally inert props, implements for the execution of White and non- Black fantasies and sadomasochistic pleasures, then this also means that, at a higher level of abstraction, the claims of universal humanity that the above theories all subscribe to are hobbled by a meta- aporia: a contradiction that manifests whenever one looks seriously at the structure of Black suffering in comparison to the presumed universal structure of all sentient beings. Again, Black people embody a meta- aporia for political thought and action— Black people are the wrench in the works.