#turquerie

Orientalism is the imitation or depiction of aspects of the Eastern world (or "Orient") by writers, designers, and artists from the Western world.

In art history, the term Orientalism refers to the works of mostly 19th-century Western artists who specialized in Oriental subjects, produced from their travels in Western Asia, during the 19th century.

Chinoiserie media included imitations of lacquer and painted tin (tôle) ware that imitated japanning, early painted wallpapers in sheets, and ceramic figurines and table ornaments. The popularity of chinoiserie peaked around the middle of the 18th century when it was associated with the Rococo style.

Pleasure pavilions in "Chinese taste" appeared in the formal parterres of late Baroque and Rococo German palaces. The Yellow Drawing Room at Buckingham Palace is rife with chinoiserie designs. King George IV was a keen patron of chinoiserie, and had many rooms created in this style.

As a style, chinoiserie is related to the Rococo style. Both styles are characterized by exuberant decoration, asymmetry, a focus on materials, and stylized nature and subject matter that focuses on leisure and pleasure.

FOLLOWER OF CHRISTOPHE HUET, TURQUERIES

Jean-Étienne Liotard (1702-1789)

Lady Ann Somerset, Countess of Northampton (at the age of about 14), ca. 1770. Pastel on vellum: 61 x 46 cm (23.8 x 17.9 in). [eucanthos edit]

Turquerie was the Orientalist fashion in Western Europe from the 16th to 18th centuries for imitating aspects of Turkish art and culture.

This fashionable phenomenon became more popular through the increased diplomatic relationships between the Ottomans and the European nations, exemplified by the Franco-Ottoman alliance in 1715, a precursor of Romanticism, characterized by emphasis on emotion and individualism as well as glorification of all the past and nature, preferring the medieval rather than the classical.