Title: You Make Me Feel Human (Even When Iâm Not) Chapter 2: Little Gifts from Nowhere
Genre: Post-apocalyptic psychological horror / Yandere romance Word Count: ~2,400 Tone: Tense, eerie, tender and obsessive Perspective: Second-person (gender-neutral survivor reader)
Youâve been seeing them.
Not clearly. Not directly.
But itâs there. That prickling between your shoulders. The faint scent of dried flowers in places where no flowers should be. Strange offeringsânotes, shiny things, half-rotted Polaroids with the faces scratched out, a scarf you swore you lost two cities ago now neatly folded on top of your ration pack.
Youâre being followed.
Stalked.
Watched.
But the strangest part?
You donât feel afraid.
Not exactly.
Not yet.
â
You find the first note three days after the arcade.
Tucked into the hollowed skull of a long-dead runner, its paper edges curled like petals, ink smeared with care. You hesitate before touching it, unsure why your fingers tremble. You havenât seen handwriting like this in months. Too slow. Too human.
The message is short:
I saw you limping. Left you something in the back stairwell. Itâs not much, but itâs soft. You always loved soft things. âYours
You turn the note over, half-expecting a signature. Thereâs none. But taped to the back is a bit of fabricâplush. Purple. Familiar.
Your old hoodieâs sleeve?
You blink and look around, half expecting someone to laugh and pop out of the shadows with a camera.
Nothing.
Just wind and ruin.
Just the echo of your own name whispered through brick and dust.
â
That night, you donât sleep well.
You dream of the safehouse tunnel. The one that collapsed. You dream of dragging someone out of the pile, coughing, shaking, their face smeared with ash and blood, and you remember the way they clung to you like your hands were the last light in the world.
But you canât remember their face.
Only that they didnât scream when the scanners went red.
Only that you let them go.
You wake up sweating, hand on your crowbar, heart pounding so hard it drowns out the moaning of the horde outside the barricade.
You think you hear someone crying.
But when you sit up, itâs gone.
â
Day four, thereâs another noteâleft near your fire pit this time.
Folded into a tiny triangle. Stuck between the teeth of a dismembered mannequin.
You pry it loose.
I saw what they did to the last camp. You made it out. Iâm proud of you. But your legâs getting worse. Iâll fix it. You can rest when I find you. Iâll carry you.
Thereâs a flower pressed between the foldsâHollow Pine bloom again, radiant and unnatural, edges glowing like veins in moonlight.
Your mouth goes dry.
You pocket it anyway.
â
You start changing your route.
Backtracking. Making false trails.
But they follow.
You leave a can of tuna as a testâplaced on a pile of bricks near the collapsed freeway. Hours later, itâs still there, unopened⌠but now itâs sitting on a folded square of newspaper, like itâs been served to you.
Next to it is a scarf. Yours again.
Someoneâs laundering your clothes.
â
You tell yourself itâs a rogue survivor. Maybe one of the Runners messing with you.
But youâve seen Runners.
They donât leave notes.
They donât press flowers.
They donât fold blankets over your pack while you sleep and tuck a piece of chocolate in your pocket like they remember what brand you used to like.
â
Itâs getting personal.
Itâs always been personal.
â
The sixth night, you find a message scrawled on the window of an overturned bus, written in some kind of slick, sticky ink that glistens faintly under UV.
You shine your flashlight on it.
YOUR HANDS SHOOK WHEN YOU HELD ME. I STILL FEEL IT. DID YOU MEAN IT?
You stumble back, breath catching.
How could they know that?
You press your palm to the glass. It leaves a smear.
You sit in the bus and wait.
But no one comes.
â
When you finally speak to them, itâs accidental.
Youâre rounding the corner of a broken hallway, sidearm drawn, when a voiceâclear and lowâcroons from above:
âYou dropped something, sweetheart.â
Itâs calm. Polite. Warm in a way that shouldnât exist in this world anymore.
You spin and spot a figure perched on the remains of a collapsed floor aboveâtall, stylish in a weird, DIY way. Their face is obscured by a broken lens-mask. Their skin is sickly but smooth, veins black and glowing faintly along their throat and wrists. They toss you something.
Your lighter.
The one you lost near the canal three weeks ago.
Your blood goes cold.
They tilt their head.
âYou used to flick it open five times before lighting it. I always liked that.â
Your grip on the pistol tightens.
âWho are you?â
They pause.
Their voice cracks a little when they answer, like it hurts.
âYou donât remember me.â
Thereâs silence.
Then a hollow, trembly laugh. A buried sob.
âThatâs okay. I remember enough for both of us.â
And before you can ask anything elseâtheyâre gone. Slipped between concrete and night like a ghost.
â
You donât see them again for two more days.
But the gifts return.
A scarf. A new set of boots. Bandages. A handmade trinket in the shape of a crow.
And a final note:
When you love someone this much, it doesnât rot. Not even here. Not even me.
â
You donât sleep after that.
You wait.
Crowbar by your side.
And maybe⌠maybe youâre not entirely afraid anymore.
Just curious.
And something else you wonât name.
Not yet.
part 1 and part 3 4 5 6 7
















