#triple-q

Alright, uh, WHEW - I hope everyone's had a great day in a post-Christmas Comeback Crisis Episode 11 world!! I've been absolutely giddy with excitement and joy ever since I watched it and I'm so glad that the reception has been so universally positive all around. I'm trying to wind down from all of it, and figured I might as well push a rip I had down the pipeline to cover up earlier in the schedule. And hey - RNR (Rip No Riffs) is also somewhat Christmas Comeback Crisis-related! If you haven't heard the rip on its own, you've DEFINITELY heard it within that series.

For those out of the loop, RNR (Rip No Riffs) is used as the theme to the Rapper's Union HQ in the CCC, the hub of the story's chill resistance faction fighting against The Voice. Yesterday with 9​来​4s I wrote a fair bit about how excellent a job dante and c.o. have done in giving the series a very distinct soundscape, but the thing is - that doesn't just apply to composing new songs for the series. Plenty of rips from the channel's life have been used for music in the series without being explicitly made with that purpose, and RNR (Rip No Riffs) is probably the most widely recognized of these tracks?

I think it's an excellent choice for a lot of reasons, quality aside, because of just how well it slots into the series' tone and feel. The original DND (Do Not Destroy) is the laid-back lounge theme of the original No More Heroes, playing whenever Travis Touchdown is at home rather than slaughtering people en masse outside - it's a chill calm before the storm, so to speak. At a first inattentive listen, you may not even notice that RNR (Rip No Riffs) is edited at all, as its edits aren't exactly explicitly out of tune or in contrast to the original tune. As the track's chill vibe plays out, elements from All-Star are inserted into the backing, eventually being replaced with the guitar from Linkin Park's In The End - a song typically associated with pent-up anger, frustration, rage, hatred, the works. Yet the rip builds it all up so subtly, it never interrupts the chill lounge beat that laid the foundation for the original track, and so this change in emotion never truly registers as sounding out of place or wrong.

And to me, that's what makes it such a perfect fit for the Rappers' Union's theme - it's a home where these people relax, where they talk to one another and lounge, yet its also the place where all their bubbling rage against the oppression they face is being stored - the last remaining home to all of these damaged souls. The Christmas Comeback Crisis, for as silly as its premise is, and for as many lighthearted moments that it does have, is still fundamentally a story about strife and conflict, about a bubbling state of disarray that's slowly exploding into full-on warfare. RNR (Rip No Riffs) feels like the perfect theme to embody all of those emotions, a breezy jam playing in the background to a downtrot apartment space that slowly bubbles to become something far more serious, with far more grit and rage.

I certainly don't believe this sort of vibe was what Triple-Q had in mind with the original upload - at the end of the day, it's just a silly, classic Season 1 rip, changing just enough in a familiar song to sound different while still sounding recognizably like the original. Yet I find it so fascinating that the rip still stands on its own two feet, whilst adding some genuine gravitas and mood to the series it was eventually grafted on to - althewhile being such a relatively-obscure pick for a rip to use, that it didn't feel played out whatsoever when it showed up again.