#trapart

Cover image for Carl’s forthcoming Swedish novel CODEX NORDICA. Painting by @gabriellaeriver_ ✨ Skål! 🥂✨ Be sure to visit website https://river-artefacts.com Posted @withregram • @gabriellaeriver_ Updated my website with the Codex Nordica painting commissioned by @carl.abrahamsson today! I’m very proud of how it turned out. #artistsoninstagram #art #insiderart #trapart #trapartbooks #carlabrahamsson #sverige #sweden #codexnordica https://www.instagram.com/p/CcC0Xj4rBcD/?utm_medium=tumblr

Posted @withregram • @charlottejrodgers The wonderful @carl.abrahamsson bearing the splendid first issue of The Trapartisan Review which contains my work (as photographed by @jackvanhales) and that of luminous artists of all genres such as Val Denham, Ruby Ray, Paul Bee Hampshire, Jason Atomic… o the heady list runs long! Check it out at store.trapart.net #trapart #trapartisanreview #art #expression https://www.instagram.com/p/CZfQaQ3r7Jz/?utm_medium=tumblr

“Different People” is an anthology of interviews by Swedish author Carl Abrahamsson, focusing on art, life and the creative process. Included are in-depth conversations with Conrad Rooks, Malcolm McLaren, Stelarc, John Duncan, Charles Gatewood, Mark McCloud, Ralph Metzner, Peter Beard, Bill Landis, Ralph Gibson, Maja Elliott, Michael Bowen, Bob Colacello, Dian Hanson, Anton Corbijn, June Newton, Kendell Geers, Simeon Coxe III (Silver Apples), Vicki Bennett (People Like Us), and Brian Williams (Lustmord). These groundbreaking artists, writers, musicians, photographers, filmmakers, editors and psychedelic researchers have all helped shape the culture we live in. But what makes them do what they do? Which are their driving forces and their inspirations; their joys and fears?Trapart Books, 2021, 6 x 9” paperback, illustrated with photographic portraits, 292 pages.

Finally shot Tina in Venice beach California May 2020. We’re both Bronx natives. #trapart

"On the very last page of our book (a conversation from November 2019), Gen asked what I thought a world without he/r would be like. Hesitantly, I answered:⁠⠀ ⁠⠀ I’m trying not to think of it too much. But if I do, I’m just thinking of how blessed I’ve been. You know, we’ve worked together since 1986; we’ve never really had a disruption except for normal disruptions of time. It’s just been extremely valuable. We’ve made these three beautiful albums, and this book, and many other things, and it’s just a blessing. I don’t think I will have emotional problems with it. It’s just a matter of carrying on the work, like you did; you carried on the work. I will carry on the work, and then other people will carry on the work. It feels like a blessing to me."⁠⠀ ⁠⠀ @carl.abrahamsson — author and publisher of 'Genesis Breyer P-Orridge: Sacred Intent,' from today's @brooklynrail ⁠⠀ IN MEMORIAM: A Tribute to Genesis Breyer P-Orridge⁠⠀ (1950–2020) ⁠⠀ ⁠⠀ @pandrogyne #genesisbreyerporridge #trapart⁠⠀ ⁠⠀ ⁠⠀ https://www.instagram.com/p/B_nWW6NpelX/?igshid=1d01ckzc2qkir