synth stamps i made a few months ago
in order (left to right):
roland juno-106
roland TR-909
sequential circuits prophet 5
roland TR-808
ARP quadra
moog source
oberheim DMX
fairlight cmi
yamaha dx7
gleeman pentaphonic (clear)
seen from Malaysia

seen from United States
seen from United Kingdom
seen from TΓΌrkiye

seen from TΓΌrkiye
seen from Japan

seen from Australia
seen from United States

seen from Australia

seen from Poland
seen from United States

seen from Spain
seen from United Kingdom
seen from United States
seen from United Kingdom
seen from China
seen from Spain
seen from United States
seen from Malaysia
seen from Russia
synth stamps i made a few months ago
in order (left to right):
roland juno-106
roland TR-909
sequential circuits prophet 5
roland TR-808
ARP quadra
moog source
oberheim DMX
fairlight cmi
yamaha dx7
gleeman pentaphonic (clear)

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8:08 am π
[ Get Enuf 808 βοΈ]
(via COPY (Welcome Back ver.) - The Plastics (1981)
This record was a huge inspiration for me in terms of programming drums for longer songs structures, 8 bar segments that fit together into larger pieces. Integrated into a drum track for the composition.
All the drum tracks are the TR-808, which I had access to. A hell of a mind fuck.
and the drum break is wild.
The band used the Roland CR-68 and CR-78 drum machines for their early albums.[4] In 1980, member Masahide Sakuma had some input on the Roland Corporation's development of the Roland TR-808 drum machine. When its development was complete, the Plastics owned the first TR-808 model, which they used on their 1981 album Welcome Back.[4]Β [wikipedia]
Ryuichi Sakamoto

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(BRAND NEW BASTARDS)
Danny Wolfers (Legowelt) with his famous TR-808 signed by the Egyptian Lover πͺπ¬ π‘ π