You believe that you are a bad person, and you are. Hello Husband, Goodbye Wife.

#dc comics#dc#batman#tim drake#dick grayson#batfam#bruce wayne#batfamily#dc fanart



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You believe that you are a bad person, and you are. Hello Husband, Goodbye Wife.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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> burdened, fatigued, and annoying
girl RELAX it’s just a bit of extreme graphic violence and bloodshed 🙄
fredda stress doodles

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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@sunnymatsu thank u so much i had a little too much fun with this prompt
i know you didnt specify Warrior cats but i couldnt resist. these kids would eat up those murder cat books!!!!
Chrissy would probably be the first to introduce warriors to everyone because she loves animals, but Fredda would probably become the most obsessed with them and read all of the books. Brightdream and Shadowheart are their warriorsonas and they’d absolutely roleplay as them at the playground.
Rudy never read a single book but he thinks that being an edgy murder cat is extremely cool. Unfortunately his idea of what a warrior cat is is far removed from the books and Fredda and Chrissy had to help him pick out a name that works with the universe.
Mr. Buddy read the books at the students’ insistence, but told them he would only do it to “check if they were appropriate”. He’s really fascinated by the violent death scenes and unexpected sentimental drama. the kids made up everything about Flowerstar, and that he was a kittypet turned leader (definitely not stolen from the plot of the books).
im making revisions to This Place Does Not Exist, especially concerning the ending from the pilot as
1. the stakes arent really clear going forward, and though i like ambiguity and that’s a lot of what the story is on purpose, i do have plans in mind and id be best if i at least give a bit more slack in what the audience should be paying attention to and give at least Some concrete context, i shouldnt be sacrificing the air of mystery im trying to convey. so there’ll be more info revealed but itll still be left vague enough for people to try to put pieces together.
2. i want to project a slightly opaque level of self-awareness with this story, in that ive been working to make tpdne into a statement on violent media and how kids interact with it. while i take inspiration from web horror media that uses its form to depict social issues like dhmis and petscop, i have that fear that tpdne will add onto the pile of “indie horror for kids” projects that garner a lot of attention and ultimately do more damage to kids brains for their addictive and predatory nature. the series im writing isnt aimed for kids, but i have been writing it in a way where i know kids would inevitably be watching/reading it. im aware of how mentally damaging it is to be addicted to disturbing media as it was my experience as a kid on the internet, and i feel it’d be extremely neglectful of me to add onto that without a sense of awareness of how audiences of all ages would react to something that falls under this horror subgenre.