Karl Rüter (1902-1986) — Totem Pole with Medallion [oil on masonite board, 1973]

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Karl Rüter (1902-1986) — Totem Pole with Medallion [oil on masonite board, 1973]

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Bashkir Girl with Fox. Ufa, European Russia.
In Bashkir culture, the fox occupied an important place within traditional mythological paradigm. Traces of a fox cult, once widespread among Bashkirs, reveal a complex system of beliefs where the fox was not only revered but also perceived as a sacred, almost divine, creature. This veneration is rooted in ancient totemic traditions, where specific clans believed themselves to be descended from foxes. Because of this, the fox functioned as more than just an animal, but also as a totemic ancestor, a spiritual guardian, and a guiding force. The fox was believed to bestow prosperity, fertility, health, and protection, and was, at times, invoked during rituals tied to these themes.
The image of the fox also appears as a zoomorphic deity in Bashkir culture; an embodiment of natural forces and a symbolic representation of the sun. An aspect shared with other Turkic and Finno-Ugric traditions, where animals often served as intermediaries between the human and spiritual realms. The fox’s cleverness and adaptability may have further elevated its status as a mythic advisor and/or trickster figure. Its presence in folk dances and customs also suggests that rituals were once performed in its honor.
Because of its sacred status, the fox was considered taboo, so it was protected and not hunted or harmed. The cultural memory of the fox cult offers valuable insight into the animistic and totemic roots of Bashkir spiritual life, pointing to a worldview where humans and animals were interlinked through cycles of kinship, mutual respect, and beliefs in reincarnation.
𖤗 Cosmotemic 𖤗
Another piece for collaborative exhibition in Łódź, Poland
GYP THE BLOOD OR HIRST WHICH IS WORST

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Aboudia, (aka Abdoulaye Diarrassouba), Untitled, 2013,
Acrylic and oil stick on printed paper collage on canvas,
49¼ x 78¾ in (125 x 200 cm).
Christie’s
'’Naked Man with Knife’’ by Jackson Pollock, circa 1938-1940