#thomas wraith

There are three main thrusts to this book (pun sort of intended, but I feel bad about it). There's Harry's Family Stuff and the White Court, there is the Black Court, and there is Arturo Genosa and the adult film. Let's take those in reverse order, because that just feels easiest.

The thing that pulls Harry into this book is Thomas Wraith showing up and asking Harry to help a buddy of his who is cursed. Arturo Genosa apparently really likes sticking his dick in crazy, because he has three ex-wives who have banded together after finding out that he's planning to marry again, but the new bride does not have to sign the same prenup they did, which will screw them out of their shares of Genosa's estate when he dies. Unfortunately, because fax machines are not great, the name of the new bride is smudged to hell and back, so rather than trying to decipher it and target just one person, the ex-wife brigade adopts a spray-and-pray method (double entendre also intended, and I feel less bad about this one). So they basically curse the studio and every woman around Genosa is in the firing line, which is what Harry has been hired to stop.

This gets WEIRDLY slapstick at times, since someone tries to take Harry out with a blowgun, and a frozen turkey quite literally falls from the sky. What is decidedly not slapstick is the sheer level of catty woman-on-woman violence, pettiness, and vitriol. Like, yes, this bullying and violence dynamic exists and deserves page time, but the point is WILDLY undercut when you drop the whole conflict into a highly sexually charged environment and trip into classic horror tropes like the final girl, the brides of Dracula (which is absolutely the vibe in the Wraith Deeps), and punishing sex workers for sex work. You've just basically undercut any other point you're trying to make, because you haven't subverted jack shit and you are so buried in tropes and heteronormative sex that any sense beyond "women are literal monsters" gets completely eclipsed. Like, I'm genuinely shocked that Butcher didn't somehow work a vagina dentata or a sarlacc joke into this book.

Now, running in the background of Harry and the Porn Film is Mavra, a Black Court vampire who is full-on coming for Harry and working to rebuild her court. Harry decides that the best course of action here is to go old school: Find the nest and burn it out before the baby vamps can hurt anyone else. Which, frankly? I support. The Black Court can and should get wiped off the face of the earth. And for the most part, this section is just fun to read. Harry, Murphy, and Kincaid--with Ebenezer McCoy as their wheelman--track the scourge of vampires to their lair in a homeless shelter and proceed to wreck shop on them. Harry even manages to get a group of captured kids out of there in one piece. Well, the kids are in one piece. Harry gets his hand dry-roasted because his shields aren't designed for thermal regulation. That's going to be extremely relevant in terms of lore and character building for the next few books, until Butcher basically forgets about it. But in general, it's a kickass quest and is largely successful.

My only real beef with this scene is the five or so minutes where Murphy is traversing a set of lasers wired to claymore mines and Kincaid has to take her pants off to buy her a quarter inch of space. Which like, is fair enough in practical terms, but Kincaid, Harry, and the book itself sexualize this in a way that is just absolutely gross and unnecessary, and I'm pretty sure it was 100% just so that Harry could smirk about Murphy gunfighting in panties with a little bow on them. Which made me want to take his staff and clock him across the jaw. Multiple times. This was not required, and it just keeps adding to the pattern of sexualizing women in deadly situations...holy crap, did we accidentally wander into a Joss Whedon project?

This scene does set up Murphy and Kincaid's relationship though, which will be relevant for like...maybe one other book? So fine. It also highlights that Kincaid and the White Council DO NOT get along, since he and McCoy draw on each other on sight and Harry almost doesn't manage to talk them down. So we do get some interesting insight into who the White Council does and does not approve of.

I suppose I have to stop stalling now, and actually address the White Court and the Family Stuff.

For any of this book to make sense, we need to know a little bit of history. Mostly that Lord Wraith, Thomas, Lara, and Inari's father, had just the biggest boner for Harry's mother, Margaret Le Fay. Margaret spent a lot of time in the White Court, gave birth to Thomas, and then peaced out. On her way out the door though, she cursed Lord Wraith so that his hunger--the demon that makes him a White Court vampire--couldn't feed. So he hasn't been able to feed since before Harry was born, is dangerously weak--but somehow still strong enough to be STRONGLY implied to be grooming and assaulting his children--and is losing power internally. So yes, Daddy Wraith is a piece of utter garbage, and when we start the book, Inari and Lara are both working for Genosa. Thomas is trying to spare Inari from ever becoming a White Court vampire, while Lara is actively yeeting her AT HARRY to try to awaken her hunger. This is just a bad situation all around.

That said though, this is the book where Harry starts to really gather family--blood family--around him, because in addition to leaving a curse for Lord Wraith, Margaret left mental messages for both her sons that they unlock in this book, so they would know who and what they are to each other in case she wasn't there to connect them.

And as much as I hate to admit feels for anything in this book, the messages she left and the emotional rollercoaster of discovering that you HAVE a brother and that you actually LIKE that brother gave me feels. Harry and Thomas desperately need each other, and now they have each other, and they can trust each other. That's huge for both of them. They both have to play that information very close to the chest, but THEY know, and that's kind of the important thing.

That also makes the end of this book, in the Wraith Deeps, even more complicated because family plus politics is never NOT messy. Lara full-on stages a coup to take control of the White Court, thanks to Harry outing Lord Wraith's curse and utter disregard for any of his children to her. The way it shakes out though, is with Lara in charge, Inari free, and Thomas living with Harry because Lara banished his ass.

Again though, we have Murphy being mentally and physically assaulted in the Deeps, and no, Butcher, him being "the lord of the freaking nation of sexual predators" (p. 330) does not go any distance to excusing or defending it. Like...Perhaps we could STAHP assaulting women everywhere? For five minutes?

Overall, I think this is one of the more forgettable early Dresden Files books, and it falls into horror and vampire tropes way too easily, even when Harry himself is trying to insist that he's open-minded or chivalrous. Clearing out the Black Court hideout was fun, and Harry and Thomas knowing about each other was lovely, but honestly the rest of this book is SO WEIRD about sex and consent and lust that it really did out me off.