Characters: Bucky Barnes, Steve Rogers, Natasha Romanoff, Scott Lang, Bruce Banner, Clint Barton
Summary:
Steve has his own heist crew. Bucky has his own heist crew.
They vaguely know about each other in the way people in the same line of work sometimes vaguely know each other - which is to say, not at all.
They know of the others' existence. Barely.
And then one day their paths cross. And things have the potential to get very lethal very fast.
Unless they don't.
Unless possibly nothing works out exactly to plan.
Unless nothing is quite what it seems.
So here then is a heist fic which channels Leverage a lot and John Wick a little, because plot and action happen to me no matter what i do, it seems.
Battle couples and happy endings all the way.
A/N: Hello lovely people!
Here is my MTH2024 fill for the amazing and wonderful @bittersweet-in-boston (please give her ALL THE LOVE).
Auction was for a minimum 10K fic in typical sat fashion - AU with lots of plot, action, and a HEA. Bitters decided she would take a heist fic, since i couldn't write WWII (again - so sorry about that), and instead of a 10K setup-payoff-HEA, we have an 18K behemoth that may or may not eventually get a sequel.
(Do not worry. The ending is NOT a cliffhanger. i would never do you like that.)
Thank you so much to the truly wonderful @marveltrumpshate mods, because they really do the most incredible work. Extra special thanks go to my beta @booksandabeer who does the impossible on short notice and challenges me in all the right ways. i love you so much. You are invaluable.
And finally, i'm tagging the incredible @sparkagrace who has been through all the writing woes with me, the incomparable @dontcallmebree because they asked for it (thank you honey!), and the inimitable @mixaether -- i don't know if you even read stucky anymore, but i once wrote you a heist fic, and i swear, this current heist fic would not have happened without your first venture.
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Preferred organizations:
- Center for Reproductive Rights
- Disability Rights Education & Defense Fund
- Transgender Law Center
- World Central Kitchen
- World Literacy Foundation
(See the list of approved organizations here)
Will create works that contain:
most AUs (with or without powers), happy endings, shrinkyclinks, shrunkyclunks, fluffy angst, connection, emotional resonance, plot, worldbuilding (especially anything cyberpunk dystopia /speculative future fiction, but I'll build a world anywhere), niche interests /eras /professions /hobbies that need to be researched, humor, trauma wrapped into sass and sarcasm, action, battles, fight scenes large and small, h/c, pining, baggage, idiots in love and being idiots about it, side characters being chaos muppets and occasionally making googly eyes at each other.
Will not create works that contain:
smut, explicit, A/B/O, mpreg, incest, non-con, MCD, gender swap, twinks, age difference, daddy kink (I'm not great at kink in general), second chance, celebrity AU, fake dating, RPF, de-ageing, most mental illnesses, major illness, sad endings, HYDRA!Cap, Hydra Trash Party, pure fluff, pure canon (canon divergence is OK), fix-its
-- Fic or Other Writing --
Auction ID: 1079
Will create works for the following relationships:
Bucky Barnes/Steve Rogers - MCU
Work Description:
Auction is for a minimum 10K fic (but might be longer).
I am equal parts plot and character driven, but I can go Very Plotty, if that's your jam.
I can do lots of plot and action, or quiet character studies, or both. Anything with a real emotional connection and resonance. Baggage can be unpacked, trauma worked through, angst conquered, or pining pined - and all of this can happen in a hail of bullets or while holding hands and sharing a bed. i also love comic relief, sarcasm, sass, and snappy comebacks. Dialogue is actually one of my strengths.
I am a straight-up stucky writer and do not write either Steve or Bucky with anyone else. I do not write Peggy or Sharon, ever, but usually Clint, Bruce, Nat, Sam, Scott, and sometimes even Tony (as a sarcastic cameo) run wild in my fics, being chaos muppets or the voices of reason, and making all kinds of googly eyes at each other in various constellations. Rumlow (and Pierce) usually get their comeuppance in pretty much anything I write.
I don't write straight up canon, but love to put canon bits (and sometimes small comics references) into all of my AUs. I cannot write smut to save my life, sorry. I'm not great with kinks either, or pure fluff /bliss. But I am all about the emotional connection and truth, softness, love and kissing and yes, also sex - it's just not explicit.
My fave trope of all time is bed sharing /huddle for warmth, and I get it into almost everything :D (But if you hate that, I can leave it out). I am absolutely willing to try tropes I've never written before and I'm not afraid to dive deep into darkness - but I will come back up to a happy ending always.
I want to work with you to give you something you really want, something you really love. Other than a few hard DNWs I am open to anything and happy to discuss specifics in detail.
Ratings: Gen, Teen, Mature
Can pods bid on this auction? Yes - Podbids welcome!
CLICK HERE TO BID ON THIS WORK
The auction runs from October 20 (12 AM ET) to October 26 (11:59:59 PM ET). Visit marveltrumpshate.com during Auction Week to view all of our auctions and to place your bids!
for the fic author ask game - #26, 28, 30 please? 💕💕💕
Hi, friend! Thank you oh so kindly for the ask <3
#26: Do you ever “prep” your fics with outlines or warmups before you start writing, or do you just dive right in?
If we’re being completely honest, it depends from fic to fic, but mostly: no, I don't really go through all of that before I start writing. I try to, especially with outlines, but realistically in the past year the only fics that ended up getting published were somewhere more towards the "dive right in" side of the spectrum, with some light structure beats sketched out before hand.
I only ever laid out one fic in meticulous, color-coded detail, and I haven’t updated that one in over a year because, well: through the power of prep I also realized that I want to change every single thing about it and that drove me into, for a lack of a better name for it, some kind of useless writer identity crisis/creative block.
Which is both a blessing and a curse, because it made me realize that I'm usually an atmosphere & character study-oriented writer, and those things are where I always start from when I get inspired to write. The flip side of that is that I struggle with plot quite a bit, so outlines and beat sheets are a useful tool to figure out what I want and don’t want happening and where the holes are in the long run. At the same time, there’s a real risk of them ending up a procrastination crutch if I get too caught up in them as opposed to the actual writing, which has happened quite a few times. So it’s an interesting balance I’ve yet to strike.
Am trying to make it a habit with newer WIPs, though, and it's kind of going hand in hand with the whole "there's no rush!!! but also you need to get organized at least!!!" thing I'm trying to drill into my brain. So that's something.
#28: What’s the angstiest idea you’ve ever come up with?
Ah, okay, so: I’d say my pure angst for the sake of angst! levels have toned down a bit since I originally started writing fic, and thank god for that. I’ve also never really been a no way out/“punishing” angst writer. It’s just not my speed, and I kind of tried to set a rule/challenge to myself a while back where all the angst I write has to play some kind of tangible role, either in character or plot motivation.
All of that said, I do think most of the fic writing I do is, well—if not downright angsty, then definitely somewhat melancholy as a baseline. In general I think my angstiest stuff usually boils down to writing either a) dream-like, sometimes disturbing sequences that prominently feature characters’ fears and/or mistrust in reality or their own judgement, which often lends itself to a lot of grim Winter Soldier/Red Room (amongst other things) scenes, b) relationships between good, well-intentioned people who still keep fucking up repeatedly and things not getting better for a long time before they do, or c) repressed grief/depression, survivor’s guilt and suicidal ideation, which, well. Haaaaave you met Steve Rogers? Or any of them, for that matter.
I will say that out of the things I've published, the ones that took the most out of me to write were a nightmare sequence of Bucky's immediately post-CATWS and an interaction with his hallucinated "other self" in it's never over (hey orpheus), and possibly more than that the entirety of moving like a river of trouble crossing, which is a non-explicit nor romantic and yet still pretty deeply fucked up (or at the very least sad, at least for me) Steve/Rumlow fic.
I think that specific detached, aimless space 2012!Steve exists in (and to a degree, post-CATWS Bucky does too) is my angst jam—which is a horrible expression, sorry—as opposed to any plot-related angst, which I suck at.
On the not published front, I just wrote something about Bucky's relationship with his dad and how that affects him post-Kreischberg, which was. Well. Not a picnic, either.
#30: Have you noticed your style change over time?
Oh, for sure! I think some of it is a conscious effort (how the hell do I write more concisely being one goal, and also, what the hell do people do with their bodies or notice around them in between speaking) and some of it just happened the more I kept writing and reading other things. It’s also another thing that varies fic to fic and tone to tone—I’d say the way I write humorous situations and dialogue has changed much less drastically than the way I write drama, for example.
Time is All the Luck You Need by @thisonesatellite
There are all kinds of social distance.
Physical.
Mental.
Emotional.
Emma knows them all, practises them all (even in normal times), doesn't mind the lockdown one bit, and is completely unprepared for the connection it brings.
Part One | Two | Three | Four | Five | Six | Seven | Eight | Nine
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Here it is @thisonesatellite! your 2020 CS Secret Santa gift. It was a complete and total delight to get to be your gift giver this year. That is not hyperbole - you are a gosh dang delight! Each of your message responses left me in stitches and while I will NEVER try and convince you a movie you think is bunk is good, I am delighted at the opportunity to recommend rom coms that don’t make you want to gouge your eyes out.
This fic is heavily inspired by your love of coffee shops AUs (except...you know, a pub), your travel stories (which I shamelessly incorporated into the fic) and I believe rates about a 4 on the reindeer scale of Christmas cheer. You’re a total eagle eye, so I just need to say I am well aware that Colin O’Donoghue’s accent in no way resembles an accent from Cork, but I just need that to be ignored, please and thank you.
Also, I’ve decided we’re fandom friends now. Okay? Okay! Finally, thank you to @cssecretsanta2020 for organizing this exchange and being the actual best and most patient fandom soul.
***
Title: the gift of gab, the gift of you
Summary: Emma needs an Irish man. Wait! No! It’s not what it sounds like. And then the universe just has to go and provide her with the world’s chattiest, flirtiest, blue-eyesiest Irish man in existence.
Available on AO3.
***
Emma is in no position to complain. From where she sits both literally – (perched upon a comfy barstool in the world’s coziest pub) – as well as existentially – (traveling abroad for the first time in her life) — she is fortunate and blessed.
It’s just –
It’s just it would be easier to enjoy it all if she didn’t have to deal with a rather annoying request from her rather annoyingly persistent mother.
Her headphones are in but Emma still takes great care to speak in hushed tones over video chat. There’s nothing she wants less than to be the loud American who shares her private conversation with an entire establishment. The pub she found is at the end of a quiet lane off of Cork’s high street. The customers within the pub appear to be locals well known by the staff who tend the pub. In truth, she wouldn’t even be having this conversation if it wasn’t for —
“Who have you talked to today?” her mother asks.
“Uh, I’m pretty sure I thanked the barista who made my coffee. And I ordered a pint in this pub.”
“That’s not talking.”
“It is by definition talking.”
“That’s not what I meant. How else are you going to get to know the city?” Her mom interrupts before Emma can properly formulate a snarky reply. “And don’t you dare say ‘guidebooks.’ Your father and I raised you better than that.”
“Mom, please don’t make me do this.”
“You said I could have anything I wanted as a souvenir.”
“What about a mug? I bought Grandma Ruth one with a big fat sheep on it.”
“Sounds lovely, sweetie, but no.”
“Mom.” Emma realizes that as a twenty-six year old woman it is probably unbecoming to whine, but her mother is being absolutely ridiculous. Where is her dad when she needs him to rescue her? All he requested was a bottle of whiskey. What a sensible person!
“No. It’s fine. If you don’t want to get your mother the one thing she asked for on this trip that’s okay. I won’t say one word about paying for this celebration trip, or paying for graduate school, or —”
“Shit, mom. Did you take a Guilt Trip 101 class or just Google how to?”
“Oh, this is natural talent. My present, please.”
“Fine.” There’s a group of bearded men, the ones she pegged as locals, tucked into one corner of the pub. They’re probably her best bet, but she just arrived last night, and the combination of jet lag and travel nerves make her feel not yet up for that. Which leaves the staff working the bar.
One of the two men she’s seen pouring pints and serving up food has gone missing. Besides, Emma wouldn’t trust herself in her sleep-deprived state to not say something utterly absurd to the blue-eyed, dark-haired, scruffy bartender. Probably a good thing he’s gone. Much safer is the other man working the bar – the one who refused to serve her Guinness but was very kind about it. While arguably attractive, he is a decidedly less intimidating sort of handsome. Unfortunately, he is in the midst of a heated discussion with one of the patrons, the two of them gesticulating to something happening with a football match on the screen. Which leaves the blonde haired woman currently polishing glasses.
Emma lightly clears her throat. “Excuse me, ma’am?” When the woman turns to look at her, Emma smiles, and signals her over. She sets aside the pint glasses and tucks the polishing rag into her apron. Her mother, on the other end of the video call, is not satisfied.
“Did you say ma’am?”
“Mom,” Emma whispers.
“I said an Irish man, Emma Blanchard Nolan. Man.”
“No. You said person.”
“The man was implied.”
“Then you should have been more specific.”
“Ready for another?” the woman at the bar asks.
Emma looks down at her half-full pint. “Not quite.” She frowns. “And, uh, you’re not Irish, are you?”
“No. Canadian.”
“Ah. Okay.” Emma lowers her voice again and looks at her phone screen. Her mother remains unimpressed. “That’s foreign. Technically she’s a foreigner.”
The sternness of Mary-Margaret’s expression is evident even over the video call. “Emmaline —”
“Not my name, mother.”
“Emmaline Blanchard Nolan, you promised me.”
“I’ll find an Irish person tomorrow.” It’s about this time Emma realizes she’s rudely ignoring the very kind and apparently Canadian bartender. The one she asked to speak with. What’s more, the very kind and apparently Canadian bartender has been joined by the curly haired bartender. Both of whom peer at her with matching expressions of amused befuddlement. Emma removes her headphones and addresses the man. “You’re Irish, right?”
“Well, miss,” and the gentle brogue of his accent, even with those two short words, is quite evident, “you are in Ireland.”
“Excellent! Can you talk to my mom?” She detaches the headphones from her phone and turns the camera around to face the man and woman. “My mom wants to have a conversation with an Irish person.”
“Irish man,” her mother corrects.
“An Irish man. Out in the wild.” The bartenders stare at her, nonplussed. “It’s her souvenir.”
The woman presses her lips together – an obvious attempt to stifle a laugh.
“Well, uh, aye.” The man tugs at his ear. “I guess I could —” He’s interrupted from his stuttering by the return of the blue-eyed, stubbly bartender, hauling a new keg into the back of the bar.
“Actually,” the woman cuts in. “My husband,” she hip checks the curly-haired man, “needs to replace the keg.”
“I do?” he asks.
“He does?” This from tall, dark, and holy hell! also possesses an Irish accent.
“But Killian is in the middle—”
“Shh,” the blonde woman interrupts her husband.
“Yeah. Killian is—”
She goes on to shush the man Emma now knows to be Killian.
“Oh no,” Mary Margaret whispers over the video call, “there’s two of them.”
“What is happening?” Emma’s not sure which of the two men asked, this whole interaction spinning rather absurdly out of control.
“I don’t know,” Emma says.
The woman ignores all of them. “I’m Elsa, this is Liam, and that,” she points to Killian, frozen with a hand on the keg like he’s uncertain what to do, “is my very single, very Irish brother-in-law.” And all at once it becomes clear what Elsa’s intentions are. “Killian, can you come over here and help our lovely patron and her lovely mother?”
“Oh, Emma, Killian even sounds like an Irish name.”
“Mom!” Originally she found her mother’s request to be silly but harmless. The more people who become involved, however, the quicker it approaches mortifying. Emma watches as Elsa whispers something to her brother-in-law, likely explaining the unconventional request.
“I’m very friendly,” Mary-Margaret reassures anyone who might be listening.
“You are a flirt, is what you are,” Emma scolds. “And what would dad say if he found out about this?”
“He asked for whiskey. I asked for this.”
“Come on, lass. Don’t deprive me of a dashing rescue.” Killian leans across the bar, his hand reaching out for her phone. All that stubble and the blue-eyes and the accent are worse when directed directly at her. “Besides, your mum sounds like a woman after my own heart.”
“If you’re sure—?”
“Absolutely.”
To her abject horror, the moment she hands Killian the phone, he walks away with it in hand.
“As requested, milady,” he says to the screen, “one genuine Irish man.”
Her mother’s delighted giggle is embarrassing for all Americans everywhere but it seems to delight Killian. She can just makeout her mother’s question about where he grew up when he rounds the corner, out of her hearing.
“Where is he going?” Emma asks, craning her neck. “Where is he taking my phone?”
“If I know Killian, your mum is probably about to get the most thorough oral history of Irish pubs she could have asked for,” Liam says, tossing a towel over his shoulder.
“Oh. Okay.” She drums her fingertips on her glass. “I’m sorry about all the trouble.”
“Nonsense,” he waves her off. “This is the most exciting thing to happen in our pub since Seamus and Willy hosted their wedding reception here.” He jerks his chin towards the group of bearded men she noticed earlier, though which one is Seamus and which is Willy she can’t be certain.
After another fifteen minutes, Emma has finished her pint and Killian still has possession of her phone. He crossed through the room once, merrily chatting with her mother as he regaled her with the story of how he got the scar on his cheek.
Elsa is filling a series of pint glasses for a group of women standing at the bar, and Emma feels the need to apologize again. “This isn’t what I expected,” she explains.
“What’s that?” Elsa asks.
“I was kind of thinking, best case scenario, there’d be an exchange of hellos and that would be that.”
Elsa nods, hands the pints off to the women, and then fills one more. “Are you familiar with the legend of the Blarney stone?”
Emma nods. She has absolutely no intention of kissing the dang thing (her research indicates local teens do all manner of ungodly things to the stone, knowing that tourists intend to kiss it), but it’s on her list to go see.
“Well, Jones family legend —”
“I take it your husband and his brother are Jones’?”
“And me by marriage. Jones family legend has it that Killian must have been birthed upon the stone because never has there been a man more endowed with the gift of gab.” Elsa finishes pouring the pint and sets it in front of her.
“Oh, I didn’t order this.” Right at that moment, Liam returns to the bar and sets a turkey sandwich in front of her. “Or this,” Emma says.
“Knowing my brother, you might be here a while,” Liam explains.
“Gift of gab?”
He nods, pleased that the Jones family lore has reached her. “Gift of gab.”
Liam proves to be correct, which means Emma has ample time to get to know both Elsa and Liam. The two of them are freakishly adept at juggling bartending, interacting with their customers, and keeping up a steady flow of conversation with her. The highlight is hearing the full story of Seamus and Willy (she is able to identify them by their matching navy sweaters – sweaters which Willy apparently handknits for the both of them), two men who worked on the same fishing boat for decades before realizing they were in love.
“Once they sorted that bit out, they got married three weeks later,” Elsa says.
“So which one of them is the designated driver?” Emma asks.
“That whole lot lives down the street.” Liam raises his voice so the group can hear them. “And they do nothing but hassle me every day of my life!” The group all raise their pint glasses and cheer, indicating this kind of teasing is something central to the pub’s dynamic.
Killian returns from wherever it was he was busy flirting with her mother and sets her phone on the bartop. She looks down at the display only to find it blank.
“Uh, your mum had to run to the market, but she indicated she’ll call you later.”
“She didn’t even say goodbye? Unbelievable.” As Emma gears herself up for peak mom-annoyance, she gets a text message. “Speak of the devil.”
4:38 PM - Mom to Emma
hubba hubba
“Ah, geez, mom,” she grumbles.
“What’d she say about me?” Killian asks.
“What makes you think that text was about you?”
“Because you have roses in your cheeks.” Emma frowns. She what? “You’re blushing,” Killian says.
“No I’m not.”
“It’s getting deeper, I’m afraid.” He takes away her empty pint glass. “Another?”
“Yes, please.”
He sets another pint of Murphy’s in front of her (Liam was the one to inform her that one drinks Murphy’s when one is in Cork). “Your mother is lovely.”
“Yeah, she’s something alright.” She sips the beer and licks the foam off her lip. “What were the two of you talking about for so long?”
“Oh, just having a chat. She wanted to know about the pub and how Elsa and Liam met.”
“The gift of gab.”
“Ah,” he says, “Elsa told you of that, then?”
“Like my mom didn’t tell you anything about me?”
“It was all good, Emma.”
She snorts. “Yeah, I’m sure.”
“Why a conversation with an Irish man?” Emma frowns at Killian, not quite certain of what he’s asking. “For a souvenir. That’s truly all your mum wanted?”
“Oh, that. In between flirting, did she tell you anything about her and my dad?” Killian shakes his head. “It’s kind of a long story.”
As if waiting for his cue, Liam comes up behind Killian and slings an arm around his brother’s shoulder. “My dear little brother has time.”
“Younger brother,” Killian corrects.
“Shorter brother.” Liam bumps Killian towards the other side of the bar. “Why don’t you keep Emma company?”
“I have another three hours on my shift.”
“I think Elsa and I can handle it until Will arrives.”
“Liam.”
“Don’t make me fire you.”
“You can’t fire me. We’re co-owners.”
“Fine. Don’t make me quit.”
Killian rolls his eyes but slides out from under Liam’s arm. He crosses to the other side of the bar and sits beside Emma. “I’ll take a pint, then.” He raps his knuckles on the bartop. “And make it quick.”
Emma hides her smile in her pint glass. Both Liam and Elsa have been so lovely. There’s no reason to switch allegiances at this point. Regardless of how much she might be tempted by the stubbly-faced, blue-eyed flirty Irish man sitting beside her.
“Between the two of them and my mother,” Emma says.
“Yeah, not the most subtle lot.” Liam shoots Killian a glare as he sets the pint down to which Killian responds with the cheekiest grin Emma has ever seen. The interaction has older and baby brother written all over it. “So, your mom and Irishmen. Go.”
“Oh, that.” Unlike her mother, and even her father, Emma holds the details of her life close to her chest. She’s made the mistake in the past of sharing too much too fast. When people leave her, either by choice or circumstance, it physically pains her to know there are people out in the world with knowledge of her worries, fears and dreams. But maybe it’s the sandwich sitting warm in her stomach, or the jet lag, or simply the buzz of international travel, because she feels inclined to share at least a few details of her life with Killian.
“My mom and dad both took a gap year after high school and met while backpacking across Europe. They met at the Roman Colosseum, decided to match up their itineraries, and by the time they arrived in Budapest five months later they were in love and my mom was pregnant.”
“And they’ve been together ever since?”
“Almost 27 years.”
“That’s quite the story.”
She nods. “They cut their year of travel short, and went to live with my Grandma Ruth, my dad’s mom. They always talked about returning to Europe, finishing their trip at some point, but by the time I was old enough to leave behind with my grandma, dad was in vet school, mom was teaching, and they were running a wildlife rescue from the family farm. They kept making new plans to travel but they just kept getting pushed back and back and back. Until, one day, they decided to put all that money towards sending me on my first trip instead. So, as much as I fight every silly request she has of me, I would do anything if it made her smile.”
“Your mum and dad never made it to Ireland?”
“Nope.”
“Thus the strange request.”
“Thus the strange request.”
“Well, it gave me a reason to chat with the lovely lass at the bar, so for that I’ll be forever grateful.”
Her Grandma Ruth, Aunt Ruby, and frankly everyone who knows her parents well, routinely comment on the resemblance between Emma and her dad. Apparently in temperament and affectation they are almost identical. But maybe she’s more like her mom than anyone knows because the conversation between her and Killian flows fast and easy. Easy enough that she barely notices when she and Killian finish their pints and Elsa slides new glasses in front of them. Emma’s head is feeling a little buzzy, and that turkey sandwich was more than a couple hours ago. Maybe she can hint at Killian that she wants to go to the Christmas market. Hint even more specifically that she wouldn’t hate if he went with her.
No, she can’t do that. To even think such a thing would be ridiculous.
She can’t possibly ask a practical stranger to walk up and down the stalls of the festive market with her. She can’t expect him to want to sample all the baked goods and food they can handle. Or to hold her hand while they drink spiked apple cider. That kind of thinking is romantic, and hopeful, and not at all her brand.
“This is really your first trip out of the states?” Killian asks.
“I mean, Canada, but that’s so close to home it doesn’t count.” Emma catches herself, eyes darting to Elsa. “Don’t tell your sister.”
“Your secret’s safe with me.” Killian angles his body on the stool to face her more directly. Without Emma realizing it, they’ve drifted close enough together over the past hour or so that the move makes it so their knees knock together. Emma could move away, put some distance between them, but everything is foggy and hazy in that delicious way, and she can’t bring herself to move. “What does that make me, then? The ruggedly handsome foreigner you intend to seduce as a notch on your bedpost?”
“Who said anything about seduction?”
“You’re giving me bedroom eyes.”
“I do not make eyes of any kind. Especially bedroom eyes.”
Elsa jumps in, setting glasses of water down for each of them. “Yeah, but Killian does. And he needs to put them away.”
Emma tries to react quickly enough to Elsa’s teasing to evade Killian’s detection, to turn away and hide her smile in her shoulder so he can’t see, but the gentle tug on the end of her braid indicates he caught her.
“Think that’s funny, do you?”
“You and my mom ganged up against me. I deserve to join with your family against you.”
“Your mum is great.” He shrugs. “Well, based on the little I know.”
“I know she can be a little intense. I hope she didn’t—”
“She was as lovely as her daughter.” Before his words can fully sink in, perhaps bringing that blush back to her cheeks, he’s moved on. “You’ll have to bring her with you when you return.”
She rests her chin on palm, blinking up at him. Okay, maybe she sometimes makes eyes. “What makes you think I have any plans to come back?”
“Ireland gets in your blood. You’ll be back.”
This time they’re interrupted by Liam. He swipes away the pint glasses in front of them, remaining beer and all. “That’s about all I can stomach of that.”
“What do you mean?” Killian asks.
“You’ve been flirting with the kind tourist long enough. Time to go.”
Oh. Emma looks down at her boots. A surge of deep embarrassment heating her cheeks and causing her stomach to churn. “Sorry,” she says quietly, her eyes turned down. “I didn’t mean to—”
“No!” The twin cries from both Liam and Killian startle her. She’s not sure which one appears more stricken by her announcement she intended to leave.
“Apologies, Emma, I wasn’t clear,” Liam says. He extends his hand to Killian. “Apron.” It takes Killian a moment to react but when Liam stays in his place, his hand extended, Killian removes his apron and hands it to him. “See you tomorrow, little brother.”
“Younger.”
“Dumber.”
“Stubborner.”
“Not a word.” Liam stalks back over to Elsa who is shaking her head at the whole display. “They’re both idiots,” Liam says, and Emma is just going to pretend she didn’t hear that, thank you very much.
“Have you been to the Christmas market yet, Emma?” Killian’s voice brings her back to the pub, and this particular bar stool, with this particular man. This particular man who has somehow intuited the secret desire of her heart to go to the town’s Christmas market with him.
“No. No. Not yet.”
Killian jumps down from his seat and extends a hand to Emma to help her down. “Come on, love. Let’s sail away.”
There’s 100 ways Emma could respond to that. She could tell Killian she isn’t his love. She could jump down from the stool on her own. She could insist she’s fine going to the market by herself. But she tries to channel a little magic, that particular magic which for her mom and dad turned one day in Rome into a lifetime, and chooses differently.
(Not that she’s saying she expects—)
She takes Killian’s offered hand and his answering grin is all the confirmation she needs she made the right decision.
And so they go to the Christmas market, and at Killian’s insistence she tries mulled wine but quickly trades it in for a cup of boozy cider. They ride the ferris wheel, the cold stinging her cheeks from the top, the lights of Cork spread out before her, and that thrum of love for this place beats loudly in her veins. Suddenly every travel story her parents have ever told her makes sense and maybe Killian is right – maybe Ireland is in her blood.
They walk together side-by-side and at a point Emma can’t remember – somewhere between sampling whiskey, buying several bottles for her dad, and licking salt and malt vinegar from hot chips off her fingers – they transition to walking hand-in-hand. The heat of Killian’s skin, even through two layers of gloves, is what she blames for the fact that she actually starts humming along to Christmas carols. Where’s that deep cynicism she has been committed to for her life when she needs it?
“Told you,” Killian says after the two of them step away from a stall with handmade ornaments. She must have been channeling her mom because she couldn’t stop herself from striking up a conversation with the vendor. Somehow by the end of the interaction she’d agreed to join him and his wife for their annual holiday pub crawl the following night.
“Told me what?”
“That you would fall for Ireland.”
“You get the honor and privilege of keeping me company on my first full night on my first real trip out of the country and all you can say is ‘I told you so’?”
“I believe what I am trying to say, love, is you appear very much at home here.”
The sentiment makes everything in Emma buzz, but she does what she does best and works to diffuse it. “Well, uh, I don’t know. Does it ever snow here?”
“Eh, we get about 50 mm every year?” At her look of confusion Killian smiles. “Not much.”
“Have you ever had a white Christmas?”
“Can’t say I have. They’re pretty rare in Ireland.”
“In that case, I think this means you should come to Maine. We do a great white Christmas.”
“Maybe I will.”
“Great. Next year sound good?”
Killian laughs and squeezes her hand. “Sounds great.”
She hears the faint echo of advice her dad once gave her. It was right when she was fresh off her heartbreak with Neal and wasn’t sure she had it in her to apply for grad school. He said something to her about moments. About the need to notice good moments even in the midst of bad ones.
Standing here hand-in-hand with a man she met only five hours ago, the glow of Christmas lights dancing in technicolor hues against his cheeks and hair, Emma is absolutely certain this is a good moment.
“Emma?”
She answers Killian’s question by rising up on her toes and kissing him. It’s quick and fleeting, barely a brush of her lips against his, but the look on his face as she pulls away, all bright eyed-wonder, deserves to be classified as a good moment all on its own.
It takes self-control Emma wasn’t aware she possessed to not drop their shopping bags to the ground, grip him by the lapels of his jacket, and kiss the crap out of him. Instead she loops her arm in his.
“It’s getting late,” she says. “Want to walk me back to my hotel?”
He swallows, that poleaxed expression still on his face. “Aye.”
The next morning, Emma is woken up by the sound of her video call alert and boy it was a mistake to not extend her do not disturb until noon. She reaches out and blindly bats at the bedside table until she makes contact with her phone. As soon as she swipes up on her mom’s call, she squeezes her eyes shut again.
“Hello?”
“Oh, sweetie. Are you still jet lagged?”
“And a little hungover.”
“Sounds like you had a very eventful night.”
Killian grumbles from somewhere behind her. “What time is it?” he asks.
It’s right about this moment Emma realizes her error. Her mom goes quiet and Emma considers taking the opportunity to end the call. And then maybe ignore every call thereafter for the next five days.
“Emma Nolan. Is there a man in bed with you?”
“No,” Emma answers, though it’s perfunctory and not at all convincing.
Killian presses closer to her, and shifts so his chin rests on her shoulder. “Hello again, Mrs. Nolan. And this must be Mr. Nolan.”
That gets Emma’s attention and she opens her eyes enough to see her mom and dad sitting beside one another on the couch. While her mom is positively gleeful, her dad looks as though he wishes he could melt into the couch cushions and disappear.
“There are certain things I don’t care to see,” her dad says. “Certain things I don’t care to know.”
Emma rotates in bed and onto her back, holding the phone above her head so both she and Killian are still in view of the camera. “Oh hush, Dad, you and mom did it the first night you met.”
“You told her that?”
In response, her mom shrugs. “She asked.”
“And not that it matters, but Killian and I didn’t have sex.”
Though it didn’t stop them from trading long, slow kisses that left her dizzy and wanting more, more, and more. Killian must have felt the same because it took little to no convincing to get him to stay the night. Perhaps most remarkably, after extending the invitation, Emma had no desire to retract it or pretend it didn’t mean anything.
“Your daughter was far too drunk to have sex.” Emma turns her head so fast in Killian’s direction she hears something crack.
“That, for instance, is one of the things I don't want to know about,” her dad says.
Killian cheerfully waves at the camera, ignoring both her father’s indignation and her glare. “I’m Killian, by the way. Happy to meet your acquaintance, Mr. Nolan.”
Emma elbows Killian. The man is a total menace. “I’ll call you guys back when I’ve had coffee,”
“I want details,” her mom says.
“And I want no details.”
“Yeah, yeah, yeah.” Emma hangs up the phone and tosses it in the direction of the foot of the bed. She flips over onto her side and Killian mirrors her, reaching out to trace the freckles on the bridge of her nose. “So that was my dad.”
“He seems a charming fellow.”
“Don’t let the responsible tough guy act fool you,” she says, and snuggles closer to Killian. He responds just as she hoped, by wrapping his arms tight around her. “He once spent all his money on a cross country train ride and stole oyster crackers from the dining car for food. And during a California road trip, my mom almost froze to death sleeping in her wet bathing suit on the side of the road.”
Killian chuckles, the vibrations of his laugh making her feel even warmer. “You’re saying they can deal with a half naked man in their daughter’s hotel room?”
“Yeah, they can deal.” After a moment’s hesitation, Emma slips her hands up and under Killian’s shirt. It’s the one he wore to work, and she can still smell the faint aromas of beer and fried food that linger. She presses her palms against his back and bunches the shirt up, up, and then over his head.
“Emma?”
A girl could get used to the way his voice moves over the syllables of her name. “They might have a problem with a fully naked one, though.” She kisses his bare shoulder.
Killian’s hands move under her shirt to span her waist. Goosebumps breakout across her skin. By the slight twist of his lips, Killian notices. “So you’re saying—?”
“I’m saying you should quit gabbing and kiss me before they call again.”
“As you wish.”
And a week later, when she is back in Maine celebrating Christmas with her family and Killian is in Ireland with his, Emma convinces herself she imagined it. She must have. She must have imagined how safe she felt in the presence of another person. Imagined the comfort she felt as he joined her for a quick road trip to Dublin. Imagined that it could feel like your heart was split in two, half residing in the chest of a person you just met.
But the week of New Year’s Eve, when he arrives in Maine to celebrate with her, she’s startled to find it was all real.
The morning after Killian arrives, she sits with her mom in her parents’ breakfast nook, the two of them sipping coffee as Killian and her dad make waffles.
“Not such a dumb souvenir after all, huh?” her mom whispers.
Emma shakes her head, too happy to even react to her mom’s shameless gloating. “No. Not so dumb.”
@snowbellewells @thisonesatellite and @jrob64 asked about this one as well, so here goes.
This one is inspired by a romance novel I read in high school called Heat Lightning by Lynda Trent. In it, the man is beaten and left for dead and she finds him and nurses him back to health, but he has amnesia. So as they're falling in love, she is trying to hold back thinking that he could be married. This one is way down on the priority list, because I could honestly follow the plot of the book as far as the roles, or I could switch it up as evidenced with the list of fics. So nothing will be done on it until I make a firm decision on that.
HAPPY HAPPY HAPPY HAPPY HAPPY *takes deep breath* HAAAAAAAAAAAAAAAAAAPPY BIIIIIIIIIIIIIIIIIIIIIIIIRTHDAAAAAAAAAAAAAAAYYYYYYYYYYYYYYYYYY *takes another deep breath, 'cause that was LOUD* to my person, the keeper of the Brain, the encourager of my lunacy, the staunch defender of grammar everywhere, my light in all plot darkness, and the best friend anyone could ever hope to have. Love you always. 💕💕💕💕💕
You are the bestest best to ever best. Also I could hear you FROM ENGLAND. The cats have Thoughts.