I am writing you from a cabin
somewhere east of somewhere.
I would call but the phone lines have been frozen
I have a kettle steaming high-pitched
and what my mother assures me
is an unconventional amount of anger and anxiety.
I don’t know what to do with my hands so
I am writing to you from the folds of this wedding gown,
I’m not sure if I love you
or if at this point you’re just something to break the silence,
something to make my heart pound when it forgets I’m alive.
I am writing you from a cabin shoved deep into a drift of cocaine.
This isn’t actually cocaine,
but just the thought of you is like a chronic intake of crack.
Is a brain full of gutter glitter enough to call it love?
bright and blinding like the paradise white?
My heart, it is a butterfly trapped in a child’s box,
a moth kept in cupped hands.
Call pest control, call a doctor,
there are insects under the surface
and the lump in my throat is starting to itch
and I don’t know what to do with my hands
and the trees are covered in eyes.
I am scratching you too deep into my skin.
Can you see me, or am I hallucinating?
I am writing you from the pines and needles,
the crawling in my skin from under the trees we used as firewood.
and you are reflected everywhere.
I am writing you from the cabin in which we had dinner together.
I am writing you from the cabin
in which we came home exhausted
and shed our layers of jackets and coats
and tried to pretend we couldn’t call this undressing.
Pretended the tension of the mudroom wasn’t tangible.
You taught me your hot chocolate technique
and the thought of you dissolves in everything
like the powder in the milk and
I am writing you from this cabin
in which we were together, once,
in the simplest sense of the term.
Can love seep out of a house, even if the memories stay?
And these memories, do you hold them too?
but I don’t think I need to hear your voice
to know you’re in my veins.