The Pitt Parallels: Robby: "Physics."
THE PITT 1x06 vs 2x11
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The Pitt Parallels: Robby: "Physics."
THE PITT 1x06 vs 2x11

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i hate liking songs that I cant post the lyrics of without looking weird
I had to tear down wrappings and ransack a number of boxes and drawers, but at last I managed to turn out what I sought; the box label called them lambswool pants, and lambswool vests. Then socks, a thick comforter, and then I went to the clothing place and got trousers, a lounge jacket, an overcoat and a slouch hat—a clerical sort of hat with the brim turned down. I began to feel a human being again, and my next thought was food.
I know this is like, a fairly common expression, but still... there's something to be said for the way Griffin doesn't feel human again till he is dressed.
His initial feeling of being a seeing man in a world of the blind, during his his invisible flight from his rooms, lasted only a few minutes. And then first he was struggling in the crowd, before he fairly quickly became prey on the run. The rest of his experience before he took shelter in the mall is pretty nightmarish.
He spends such a good chunk of the book described only as a stranger, and in a way that clearly reflects the testimonies of those who resented and didn't respect him. But also, for all that he is paranoid about being seen (being unseen) by them, he doesn't want to be identified or to socialize at all, so he never gives them a name. Mr. Marvel, of course, never knows him by any name either - he's the first person who (doesn't) see him for what he is right from the start of their acquaintance, and to him Griffin is only ever "the Voice" or "the Invisible Man."
We don't learn his name at all until chapter 17, when he identifies himself to Kemp. And even then, even after a whole back-and-forth repeating his name, he's still called either "the Voice" or "the Invisible Man", once "the Unseen", throughout the rest of that chapter. In chapter 18, he's described by name just once, when his reply to a final question of what else Kemp can get him indicates a surprising vulnerability/desire for comfort: "“Only bid me good-night,” said Griffin." Again, in chapter 19, Griffin is back to initially being only "the Invisible Man" when he's having his fit of temper. He gets his name back when sits down to eat and when he and Kemp are conversing about science. But when he begins describing his money trouble and how he robbed his father, he becomes "the Invisible Man" again at the close of the chapter. In chapter 20, it's mostly Griffin's story, but there's a little switch at the start of the chapter. Kemp takes "the Invisible Man's arm" to bring him away from the window when he's worried he'll see police approaching, and then puts himself "between Griffin and the nearest window" - when he feels more sure he's managing the situation, Griffin gets his name back. Again, at the end of chapter 21, he's back to his title while we see Kemp glancing out the window nervously and clearly distracted... his thoughts more on the help he sent for than on the story being confided to him.
With Kemp, the only person who knows his name, there is a clear pattern to call him by some title when he is afraid of his violence. At least so far. His name is only ever used when he is being more 'civilized'. Not even just whenever he is being open and vulnerable, because he does that a surprising amount throughout his story, but as Kemp's mind wanders, Griffin goes back to being titled once more.
When he's naked and totally invisible, Griffin himself feels like something outside of humanity. And while briefly freeing, this soon became a horrible feeling, something othering and scary. It's why his first instinct is to get clothes, before he even thinks about food. It's why he tries so hard to escape in the clothes he's stolen, before he's finally forced to abandon them. Sure, there's the practical reasons of not wanting to get sick and cold, and so on, but that's not the main drive. Except then he has to give that up in order to get away safely. And even when he does acquire clothes and money and his research and gets away somewhere safer (where the story begins), it's never enough. He's always othered to various degrees, which in general just keep increasing over time. By the time he gets to Kemp, his first request is no longer for clothes - something which again could just be put down to practicalities (he hasn't eaten in much longer this time, he's more used to running about naked and the weather is better) but also showcases much more of a willingness to leave them behind at the first sign of danger, in order to free himself to fight or flee. More certainty that he will need to. And he's right about that - after all, wearing clothes may make Griffin feel more human, but it's not the determining factor for Kemp here.
I have suddenly found myself swamped with inspiration
I have written literal PAGES of Headcanons for the Aussie Cast and I want to post them but I’m not sure if I should
Maybe after Ladies in Waiting Week has finished I’ll post them. Tell me what you guys think
Okay, okay! How gimme the top 5 Brave Lucas moments and also Brave Eliott moments too if you want
Eliott
Following Lucas on IG (with his own IG being a museum of posts directed at Lucas and his most private thoughts)
Approaching Lucas after not showing up on Wednesday
“Not necessarily a girl”
Bringing Lucas to his safe place
Drawings during hell week
Lucas
The entire remember me sequence
“How would you draw me?”
Approaching Eliott at the vending machine (he just stood there and stared at him until he got noticed but still)
The text to his mom
“No one will touch that mural”

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Date a demisexual person who has joint problems
My OTPs so gay a yaoi specific blog follows me