A Single Frayed Rope
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Chapter 3
A/N: sorry for such a long gap between uploads, i’ve made this chapter extra long as an apology! with the pandemic and having to figure out a stable financial situation, its been super rough for me, but coming back to write this fic made me feel good for the first time in a long time :) I hope you enjoy!! xx
Chapter 4 - Horseshoe Overlook II
First order of business is to wash.
You've never been so soiled in your entire life, and you're pretty sure your stench could be picked up at least a mile off if the burn in your own nose whenever you take a breath is anything to go by. There are a million things you want to focus on besides bathing -- like finally getting some decent fucking hours of rest, but you work to pace yourself and not give in to the scattered anarchy your brain keeps descending into whenever you let it go blank for too long. Breaking off small pieces of a larger horror is the only way you're keeping yourself sane at the moment. The previous hold you had on your impulses is frayed down to nothing now that the ropes are gone and you have the freedom to do things as simple as itch your nose. It makes you twitchy, off-kilter in a way that sometimes yanks you out of your own mind. It's like pushing with all your might against a wall of stone that suddenly turns to air. It's a reaction you weren't expecting, and its exhausting.
One of the girls -- or women you should say, volunteers to take you down to a river near by to wash. Freckles. Pinned curls. Kind. Mary-Beth, your memory supplies as she leads you to a secluded spot away from what she warned was a more heavily traversed part of the bank.
You say nothing on the hike down the hill the gang has mounted itself atop of, though Mary-Beth doesn't attempt much conservation. Arthur, who at first had out right refused to let Mary-Beth go anywhere unescorted with a 'wild crazy woman', eventually relented after receiving a firm but undecipherable look from Hosea. It was an effort on your part to care even a little, all you wanted was to fucking clean yourself, rebuffing the disrespect of a man who had no high-horse to give any sort of morality speeches from was the least of your concerns.
"Watch your step here, the ground's a little loose," Mary-Beth warns as she lifts the front of her dress up a respectable amount in order to see where to place her feet.
Again you say nothing, only follow her example and lift the filthy hem of your own skirt and try to walk in her footprints across the patch of mud. You hug your change of clothes tighter to your side (those of which were donated by Mary-Beth this time) with your other hand as you both slowly make your way out of the slippery vat, and onto a shore of grey pebbles. Thick green growth encases you two in a private alcove where the river branches off in a tame half-circle detour before rejoining its main body down stream. The sound of the bubbling water, birds chirping in the canopy above you, and the sun splintering through gossamer emerald leaves would have made you smile in any other circumstance. Nature this untouched is rare and beautiful yet you can't find it in yourself to care, there is no room in you to feel joy right now. It's all instinct and survival, you feel so...rabid. Maybe feral is a better word for it. You simply don't feel all that in control of yourself, like if something unexpected were to happen, you'd react like a wild animal -- fight or flight and nothing inbetween.
In all honesty you feel a bit crazy. There is this buzz in your brain that peaks when you're nervous but never quite dies back down when you're not, it only returns to this constant unnerving hum that's begun to reveal itself as an opposing force to your effort towards a clear present mind.
"Um, Miss?"
It underlies everything you do, like you're getting constant shots of adrenaline every minute. This excess energy burns like poison in your veins and you know it'll sicken you eventually, but even if you wanted it to stop, you wouldn't know how to turn it off.
"Miss? Are, are you okay?"
It's a sign you're spiraling but hell if you have any mental space to pick at that particular ball of yarn on top of everything else. And holy fucking hell I time traveled --
"Y/n?" Mary-Beth's voice echoes a little over the noise of your turmoil, and you find yourself unsure if you turned to face her too fast or too slow as your vision swims.
Time violently warps then and you're grasp on sanity in turn takes a sharp slip -- the world is suddenly tipping itself upside down and you're falling, falling, falling...
You try to remember how to breathe because suddenly you can't.
"Wait," The word wheezes itself from your lungs as your mouth opens and closes in attempt to slog air down your throat, "Wait,"
Mary-Beth pales and you know you're scaring her, and if you could you would try to reassure her that you're fine but you honestly can't remember how to speak --
"Wait!"
-- so you continue to stand there and shake, repeating a sound that tastes like a word but you're not sure --
"Wait! Wait!"
Mary-Beth stands there another beat before making a run for it. She sprints by you the way you both came, and the second you're alone you collapse to the ground, knees digging into the pebble shore through the soiled fabric of your dress, fresh change of clothes forgotten as both of your hands start to claw at your throat, trying to breath -- why can't I breathe ?!
"Wait!"
As you gasp and hyperventilate, struggling to remember where you are and how you got here, it dawns on you that what you feel crawling under your skin and suffocating your throat is panic. You're...you're panicking. You thought you were taking this nightmare one horrible bite at a time why -- where did this tsunami wave of panic come from? You were doing so well holding it back, holding on, why --
Firm hands are suddenly gripping your shoulders and it takes you too long to realize that there is a small group of people standing around you, above you, closing you in, trapping you -- you're trapped who are they what do they want ?!
Your vision blacks out though you can still feel things, still hear things though it comes to you in disconnected pieces, out of order.
"WAIT!" You cry into the black, voice hoarse and broken as you try to breathe around the sound that won't stop coming from your mouth, your face feels wet, "WAIT!"
--
Kieran was shaken when Mary-Beth -- a complete worried mess -- discreetly came up to him at camp, whispering about Y/n being unwell by the river. And now as he slips through a patch of mud before forcefully parting thick shrubs into a small alcove, he sees her kneeling on the ground, hands at her own neck, struggling to breathe. Kieran's heart plummets down to drop out of the bottom of his feet.
"Y/n?!" He goes to his knees in front of her and grabs her shoulders, resisting the urge to shake her. Mary-Beth keeps her distance, covering her quivering mouth at the scene.
"WAIT!" Y/n yells, though it comes out as more of a hoarse whisper then a scream.
"Y/n! It's me! It's -- it's Kieran! You remember me?"
"What do you all want?! Who are you?! Why are there so many of you?!"
Kieran and Mary-Beth exchange a look, its only the two of them in the clearing. No one followed them down.
"Th-there's no one else but Mary-Beth an' me, see look! Just me right here in front of you -- there you go, see its just me, you see me? Then look, behind me, right there, see Mary-Beth?" Kieran coaxes gently, watching the logic he's laying out for her slowly collect the mania that scattered the sense in her eyes.
--
Realization dawns on you at the same time your sight returns. You let Kieran carefully take a hold of your wrists and pull them away from the red abused skin of your neck. You let him ground you, you let yourself acknowledge sensation one piece at a time: the pain in your knees from the pebbles digging in, the ache in your head, the raw skin of your back, the dryness of your throat, the burn in your tearducts -- and suddenly, before you can bottleneck it into a trickle, the whole world comes rushing in on you at once.
The smell of moist dirt, the sound of running water, the warmth of the sun, the caress of the wind against your wet cheeks, the privacy provided by all the surrounding vegetation. But even with all this reality, the figures remain. You're scared to look up, scared to stare at anything but their feet. Kieran's voice is getting more desperate though, you have to look up -- have to let him see you're recovering. With a shaky in take of breath you raise your gaze so it lands squarely on Kieran. In your peripherals these...figures, don't do anything but stand there. In fact they don't speak, don't move, don't even look like they're breathing. As Kieran fusses over you, his voice slightly muted as the ringing in your ears refuses to recede completely, you chance a glance over his left shoulder. As soon as you shift your eyes over to the figures they disappear, or more like blur, like its a trick of the light. You can still see them in your peripherals, just not the ones you're trying to look at directly. You slide your eyes back to Kieran, and notice that the figures you just tried to look at reappear.
Your breath struggles to find a comfortable rhythm as this new horror piles onto your fresh panic. Have you lost your mind? Is this part of time traveling? God, like time traveling wasn't enough to stop your heart, now you see ghosts? Â
"Breathe, you're breathing that's good -- in through the nose out through the mouth, that's it," Kieran instructs, attempting to not to let you look away from him again, his hands gentle where they cup the outsides of your arms helping to dictate the pace in which your shoulders rise and fall.
You let out a shuttering breath and watch Kieran's own chest fill and empty, trying your best to match his movements. Eventually you do manage to wrangle your palpitating heart back down to a normal rhythm, and with this steadier beat comes your sense. The figures remain, though once you close your eyes to take one last large inhale to truly settle yourself, they're gone when your lashes lift again. Your hands are clutching the outsides of Kieran's forearms and you release them instantly, as if burned. A flush of embarrassment rises up to lick at the skin of your neck, it heats up your collar as you try to give Kieran a reassuring smile that ends up being more of a grimace than anything else. Kieran's face, previously pinched tight with worry, relaxes though so you figure you calmed him enough. The guilt hits you like a sledgehammer when you catch sight of Mary-Beth over Kieran's shoulder standing a few steps away, looking for all the world like she'd seen a ghost.
You wonder if that's what you looked like when you first saw the figures. You hope it was less alarming, though you figure having a full blown panic attack negated any possibility of that. Â
"Y/n?" Kieran says softly, hands no longer touching you but still hovering just in case. The guilt guts you again.
"I'm fine," You murmur through a tight throat. At the doubtful look Kieran gives you, you add, "Now, I'm fine now."
You shift your gaze back to Mary-Beth and feel your cheeks heat at the realization that at your most vulnerable you were watched, made a spectacle.
"I'm sorry if I scared you, I-I didn't mean to, I, I haven't ever -- that's never happened to me before," Comes your wobbly explanation, all heart and no thought.
Mary-Beth hesitates a beat, taking a visible gulp to steady herself, before making her way closer only to kneel down beside Kieran in front of you. You flinch at the proximity, shame weighing your head down so much it lowers.
"I was only worried is all, didn't know what to do to help," She starts, voice shaky but kind, always kind, "I'm glad I went to get Kieran."
"Thank you, it -- I'm grateful for your, um, discretion."
"Sure thing, Miss," Mary-Beth nods, a soft smile lifting one corner of her mouth.
"Y/n, you can call me Y/n."
"Okay," She says with a breathy laugh, still a little shaken but being incredibly generous about it as she attempts to hide it.
There's a pause where you knot your fingers together, gathering the courage to face Kieran.
"Thank you Kieran, I --,"
"No thanks necessary," Your face jerks up at him at his words, his face goes soft at your surprise, "My Ma used to...worry, like that, after my Pa died."
"O-Oh." You mumble, utterly overwhelmed but you're not sure by what.
Silence throbs between you three for another moment before a twig cracking in the distance snaps all three of you out of your shared stillness.
'I-I best get cleaned up or the whole gang will think I murdered Mary-Beth," A nervous laugh catches in your throat, the muscle and delicate skin over it sore and red from all the scratching you did to it.
"Right," Kieran says, remaining kneeling with you as Mary-Beth rises to a stand.
You stare at Kieran for a moment, waiting for him to process what you said.
"Right!" Kieran's voice cracks as it finally sinks in and in a mad scramble that makes Mary-Beth giggle, he makes his way back through the brush leading back to camp.
He slips in the bit of mud on his way out of the alcove and this time, you join Mary-Beth in a timid laugh at Kieran's expense.
--
After washing yourself with a bar of crudely made soap Mary-Beth provided you, you slip into your shift and frock trying not to shiver. It takes you so long to figure out how to tie yourself in, guessing what layer goes under what, that Mary-Beth -- who had washed and dressed too -- approaches you to help.
"Still feeling...worried?" Mary-Beth uses the same term Kieran did when describing your panic attack as she steps up behind you to tie the strings of your skirt properly. You're grateful she attributes your lack of knowledge on how to properly dress in these period clothes to you still being a bit unsettled.
I mean you still feel quite shaken, but you have your nerves under control -- steady.
"I'm much better now, thank you," You assure as she gently turns you around to then adjust the frilly collar of the blouse that's been lent to you, "Thank you Mary-Beth, for everything."
She slows her ministrations for a moment and lets her gaze drops to yours, the weariness that sat in her eyes earlier fully evaporates, like mist under the high noon sun.
"You're a good woman, I think, at least no worse than the sort I'm familiar with. We shall be friends, Y/n."
"Okay," You allow, unsure what else you could say to that, though the sentiment does lighten the weight in your chest a little.
You guess she's okay to trust at least on some level, she was the one who regularly fed Kieran and you when you were still considered prisoners. Never tossed curses or insults at you either.
"Come," She urges as you both collect your soiled garments off the ground, "Let me introduce you to the other ladies, I promise they're much kinder than you might be expecting. Even the men, though a bit rough I admit, are mindful of us at the very least and quite sweet at their best."
You doubt you'll ever see them that way, in fact you'd bet your life on it, but you keep that to yourself as Mary-Beth leads you both out of the alcove and back up to camp. Â
--
The other women aren't too bad.
Tilly is young and sparky, Karen is loud and lonely, Abigail is protective and torn, Susan is stubborn and proud, Molly is insecure and loyal, and Sadie is broken and hard. You match your personal interactions with them, with the impressions you had of them while tied up, reminding yourself to never forget everything they did or said to you while you were the enemy. They take to you easily enough you suppose, though Sadie keeps to herself and Susan -- or you should say Grimshaw, believes herself a level above them all. Not unlike Molly who hadn't even spared you a glance from the perch she'd claimed in Dutch's tent planted in the center of camp. Mary-Beth seems closest with Tilly, Karen, and Abigail, absolutely determined to pull you into their tight knit group and brush off any doubts they had about you being an O'Driscoll whore. You allowed her to do this but only to an extent and only out of respect for Mary-Beth, you didn't trust them -- barely trusted them to be civil like they are being now. In the end it was Kieran who you felt safest with, felt like you could really breathe around. The only ally you had in this place -- an equal.
You seek him out once the sun starts to set after kindly refusing Mary-Beth who offered a place for you to rest with the other women. Kieran is with the horses, though he's got his eyes on the tree line opposite of where he stands. With a twang of worry at how focused he is, you follow his line of sight but only see tree trunks and shadows cast by the setting sun.
"Kieran?" You call tentatively as you walk up to him. He jumps, completely startled, and whips around to face you.
"Oh! Y/n I, I didn't hear you,"
Your eyebrows knit at his expression, "Is something wrong?"
"No! No, I was just, uh, waiting for something."
"Waiting? Waiting for what?"
"Well, my - my horse, Branwen, she's -- well she's quite a loyal girl. Found me at Colter she did and followed us down from the mountains, saw her when we was walkin' behind the wagon. She hasn't had the nerve to approach the camp, what with all the noise and the unfamiliar herd of horses millin' about."
"I didn't know horses were that loyal," You say in quiet astonishment, you always thought that kind of stuff only happened in those cheesy horse flicks.
"Oh yes! If you treat them right and earn their trust and respect, they'll do almost anything for ya."
Your eyebrows jump lazily at this, "Go figure."
"What?" Kieran asks, confused at the term.
"Uh nevermind, so, have you a found a place to sleep?"
"Sleep?" His throat sounds dry all of a sudden.
You stay silent, waiting patiently for a response, wondering why he's become so skittish. He licks his lips, maybe a nervous habit, and can't seem to look you in eye.
"Well, yes I have, but surely Mary-Beth has found you somewhere suitable."
"I don't trust any of them to not kill me in my sleep."
Kieran backs up a step as if you'd struck him, "Mary-Beth wouldn't --,"
A harsh huff blows from your lips.
"No she wouldn't. I, I don't feel like I could sleep among so many...strangers." Comes your quiet admission.
Kieran observes your face for a moment, really takes in your expression.
"I know how you feel," He pauses, fiddling with his sleeve cuff, "How about you sleep while I watch?"
Your head snaps up and you eye him with potent suspicion, but before you can comment or become truly alarmed Kieran trips over himself to clarify.
"N-Not watch you! Not like that! Christ alive no, m-more like watch your back -- stand guard, that way you can sleep without havin' to worry."
Something very close to amused fondness rolls through your chest and clears out any doubts on Kieran's intentions. A giggle escapes your lips at how flustered he is at the notion of what you'd initially thought he meant.
"How about we take turns, I sleep for half the night, and then you for the rest? That way we both get sleep without having to freak out."
Kieran looks like he's about to argue, but he watches you place your hands on your hips very very deliberately, and relents with a sigh.
"Oh alright, but I have first watch!"
You break out a triumphant smile, a real one, and give his left shoulder a friendly punch.
"Deal!" You confirm.
Kieran rubs at the place where you punched him, a bit confused at the gesture but still finds himself laughing with you.
It turns out Kieran picked a sleeping spot near the outskirts of camp behind one of the wagons far from where anyone would disturb you. Some sort of campfire set up for whoever was on guard duty sits a couple paces away. The fact that there was a twenty-four hour patrol routine frayed on your nerves more than you wanted it to. It reminded you that these people were hunted, that if something were to happen you'd be caught up in it as well, even be killed because of it. The idea of dying for these people made you sick, but you never let yourself think about it too long or your anxiety rose to dangerous levels.
As you settle down on the bed of hay that serves as your bed, Kieran plops down cross legged behind you.
He gives a weary sounding sigh, "You know folk'll talk, with us sharing the same sleeping space an all. You sure you want to deal with that?"
You twist around, finding yourself staring at Kieran's hunched back as he picks at the grass near his ankles.
"I don't care what these people think of me. They can say whatever the fuck they want," Kieran jumps a bit when you curse, "I trust you, I only care what they say if you care Kieran."
A pregnant pause grows between you two then, something cold twinges in your chest. Â
"Do you? Care?"
"I care only for what might be said about you, I know you say it don't matter, but we're already hated. The women at least seem to like you, you -- you could be one of them, be part of the gang I mean."
You sit up and put a hand on Kieran's shoulder, gently urging him to turn to face you.
"Kieran you have been my only ally since all this started, I could care less about being part of this," You wave your hand vaguely to the camp.
"Well you should care, what other option do we have? We know too much about them, we can't ever leave. You understand that don't you?"
Your face begins to drain of blood. For some reason you hadn't thought of it like that. These people weren't just hunted, but they hunted as well. You knew their faces, could identify them if asked to. You knew their names, their habits, their whereabouts. They'd never let you leave this gang, not alive.
"Oh my god," You say in quiet horror.
Kieran notices this but remains silent, sharing your sentiments. The need to travel back to your time becomes even more of a priority than before if that's even possible. You needed to find a way to escape, and hopefully you could help Kieran get free too.
"We'll find a way Kieran, I promise I'll get us out."
Kieran firmly shakes his head, turning back to face forward and away from the determination in your eyes.
"There's no where for me to go even if we did manage to escape without bullets in our backs. I have no money, no trade, no skills."
"You've said you're good with horses!" You try but Kieran only shakes his head again.
"You have to have some sort of reference or be known to be respectable to work at a stable, even one in a town and especially on one of them fancy ranches. Plus I'd wager that by the time we would have the means to escape, our faces'll be plastered up on wanted posters along with the rest of the gang's."
You try not to blanch further at this, not having considered that either.
"We have to try and work our way into this gang Y/n, its either that or die. I know this kinda life, done it before, I know our options and I'm tellin'em to ya now."
Kieran shifts to look at you over his shoulder, his gaze insisting things you don't want to hear.
"It's the only way."
There's a sting in your eye that you swiftly ignore by blinking hard against the feeling. Your breath shutters out through your nose, and without another word you lie back down. Kieran watches you do this, his mouth parting as if to speak but he shuts it and turns back around. Silence reigns once more, a gap stretching between you that's worrisome. Keeping the nerves out of your tone, you promptly break the quiet.
"What did you do when they took you to the O'Driscoll hideout to convince them to let you be part of the gang? What did you say to try and convince them of my innocence? You seemed so sure you could untie me when you came back." You ask in a murmur, having been wondering about this since Kieran came rushing back to you tied to the tree, whispering about being free now. Â
Kieran shifts a bit and huffs, "Well I first swore I'd never seen you until you were being tied next to me behind that wagon in Colter, but they didn't believe me. So I then said that Colm didn't usually stick with one whor -- uh, lady of loose morals, that he liked, er, variety. They again said they didn't believe me, so I told them the truth. Any woman Colm spends a night with usually doesn't come out of it unmarred."
"Unmarred?" Something in your gut sinks in horror.
"They always leave pretty roughed up. He's not, he's not gentle with 'em. And I said that if you was his, if he had...acquainted himself with you and often enough for you to know some of his personal secrets, you'd have been in a much worse state than they originally found ya in."
"You mean besides being naked and freezing to death?" You scoff, disgusted with this Colm person and starting to understand why everyone in camp seemed to hate Kieran and you so much thinking you associated with that kind of man. Â
Kieran clears his throat, "Besides that."
There's a pause, then, "Forgive my lack of delicacy, but you were found n-naked? Why? If you don't mind my askin' of course!"
You manage to choke out, "It's a long story."
"How did, how did they take you back to camp?"
"I don't know, all I know is that Arthur is the one who saved me. Though I wish he'd left me to die instead of bringing me here."
"Mr. Morgan saved you?" Kieran asked in disbelief.
"Yeah," You confirm rather sourly, "The one who doesn't seem to have a merciful bone in his body."
"Well I'm not dead because I shot an O'Driscoll and saved his life at Six Point."
You take a moment to consider this information.
"Owing a life debt is not the same as mercy." Comes your stubborn rebuff, refusing to give Arthur even an inch of sympathy in your mind.
The both of you quiet again, and this time the silence isn't heavy with unspoken words. Just before you're about to fall asleep, you find the extra fabric of Kieran's coat with your fingers, and twist the rough material into your closed hand. Your dreams consist of a warm chest pressed to your front and the worn fur lining of a coat wrapped around your back, a pocket of safety tucked between an arched neck and a stiff flipped up collar...
--
You wake to the noise of the camp, birds twittering high in the trees, and Kieran's jacket laying over your body that's curled tightly in on itself during the night.
With a sore grunt you sit up, body still aching from all the abuse its been through. Kieran hadn't woken you, he'd let you sleep through the whole night. You feel a flare of guilt and frustration rise in you, followed quickly though by begrudging fondness. You should have known he'd do something like that, the softie. Getting to your feet, you wipe the stray pieces of hay stuck to your skirts off and groan internally at how uncomfortable it is to sleep in these old fashion clothes (thank god they hadn't stuck you in a corset). Though its leagues better than nodding off tied to a tree. Once you make your way into camp proper, Mary-Beth bumbles up to you all smiles and simmering questions about how you slept last night while leading you to a wooden pail that she informs holds the water the women use for their personal hygiene.
"Heaven forbid we're made to share with the men!" She exclaims good-naturedly as you approach the mini bathing station set on a stool by the women's tents.
You watch Karen finish splashing water in her face before scrubbing and rinsing her teeth. She spits the water out onto the grass beside her and not back into the pail (which you are grateful to see), then scoots over with a mumbled good morning directed at you when Mary-Beth ushers you forward to do the same. You hope that you can get your hands on some soap that is possibly softer against your skin than what you used yesterday by the river. If you don't wash your face twice a day you know you'll break out, and though acne should be the least of your concerns right now, the familiar motion of splashing water on your face pushes the domestic thought to the forefront of your mind. As you dab your face dry with a clean cloth that Mary-Beth hands you, distractedly you wonder if the water you are using was cleaned or prepped in any way. Surely washing your face with river water wouldn't do your skin or your tastebuds any favors. Fighting a grimace, you scrub and then rinse your teeth but find that while the water doesn't taste like algae as you feared it might, it doesn't taste like the bottled water you have in your fridge at home either. Â
Once you're done, you thank Mary-Beth for her guidance and are about to turn to go find Kieran, when Karen appears at your right and hooks her arm through yours, pulling you over to their tent where a small crude vanity is set up.
"Do you wear makeup Y/n?" Karen asks, "Only Mary-Beth, Tilly and I use this station, though Grimshaw likes to sometimes steal the face powder and pretend she's not wearing any, the old hag."
You don't know what to say, a bit shell-shocked at the familiarity they're employing, as you catch a glimpse of Molly across camp, just a step outside of Dutch's tent, carefully applying red lipstick. She brings the pretty little decorated hand held mirror she's using closer to her lips to inspect her work, turning her face slowly from side to side, utilizing the early morning sun's soft glow.
"Uh, sometimes," You start but quickly backtrack when you realize you know nothing about the makeup from whatever time period this is, "But not enough to really know how to do it myself, my --,"
"Yourself?" Karen interrupts, Mary-Beth and her both stilling in their fussing to face you, "You mean you had someone to do it for you? What, you some kind of heiress or somethin'?"
The questions make you nervous, but you school your features so as to not let that show.
"No, nothing like that. My older sister did it for me, she always liked to dress me up in things." You lie.
"Oh a sister? That must be nice, what's she like?" Mary-Beth asks, not unkindly.
Fuck.
"Like all older sisters I guess, she's nice until I borrow her stuff without asking." It's vague but believable, you hope it convinces them.
Karen lets out a snort and Mary-Beth shakes her head with a smile.
"Sounds about right," Karen says as she directs you to sit.
"I-I really don't think make-up is necessary," You warn as Karen begins to rummage through the little that's laid out in front of you.
"Lord's sake! We need to get into town, we've got barely nothin' left that didn't freeze to sludge up in Colter!" Karen grumps, completely ignoring you and continuing to search finger through the tiny bottles and tin trays.
Mary-Beth laments Karen's statement with a sigh, neatly pinning a curl up into the mass she'd collected into a bouquet near the crown of her head, using a corner of the mirror you've been sat in front of as a guide.
"Uncle was sayin' yesterday that he'd been meaning to go into town today, maybe we can catch a ride with him." Mary-Beth suggests.
Karen rolls her eyes, "Let's hope that out of us women, one of us can drive. I wouldn't trust that ol' geezer to steer a spoon into a bowl."
You're about to once again attempt to excuse yourself and look for Kieran, when Tilly walks up to the girls and you with a distinct scowl on her face. She plops down under the awning of the tent, pulls out some sort of sewing project and sets to work without a word.
"What's wrong Tilly?" Karen inquires almost as soon as Tilly had sat down, ignoring her show of clearly wanting to be left alone.
"Grimshaw." Is Tilly's only response though this seems to be explanation enough for both Karen and Mary-Beth, they both groan in sympathy.
"If you don't want to wear any make-up, let me at least do something with your hair," Mary-Beth pleads, turning back to you, as Karen elbows you off the stool when you duck away from her hand holding some sort of powder puff.
"Um,"
"Just a brush through then? Your hair is, well it's just a bit tangled." She furthers as Karen leans in close to the mirror and starts putting on what seems to be this era's version of eyeliner.
"A bit? It looks like rats have taken up occupation in there." Karen scoffs as she holds her eyelid taught with one finger and uses her other hand to drag a fine brush along her lash line.
"Karen!" Mary-Beth admonishes as Tilly giggles down into her sewing across the tent.
You only sigh, still uncomfortable with them pretending like they didn't all hate your guts a couple days ago. Except for Mary-Beth. You sigh.
"Okay." Your surrender is met with a wide grin from Mary-Beth.
"Mary-Beth loves to do hair," Karen explains unnecessarily as she moves onto her other eye.
You're then sat on a different stool facing out towards camp, and Mary-Beth begins the long grueling process of brushing out your hair that hasn't seen shampoo in over a week and a half.
--
It's around mid-morning when Mary-Beth finally finishes with your hair. You're a bit surprised she stuck with it, you thought after about twenty minutes with only a small portion of your hair untangled to show for it she'd give up. But she was oddly determined. Karen and Tilly had gone to ransack Pearson's wagon in search of breakfast and brought back a few loaves of bread with a can of peaches. They laid the pre-cut slices of fruit heaviest with juice over the loaves of soft bread they'd thumbed open. It was delicious. After a week of only eating crumbs it was comparable to heaven. Once you finish, you ask if there is any left that you could take to Kieran.
"The O'Driscoll?" Karen scoffs, licking her fingertips clean of peach juice.
All previous good will she'd been building with you disappears. They had all watched as Kieran and you suffered and did nothing. A fuzzy memory of Karen tossing a still lit cigarette bud in Kieran's face resurfaces and it sours your frown into a hateful scowl. These women are not your friends, a part of you feels ashamed you let them trick you into thinking that, even for a moment.
"He is not an O'Driscoll."
Karen, Mary-Beth, and Tilly freeze at your tone, Karen seeming at a loss for words at the look you're giving her. All previous levity dives into insufferable tension.
"Sorry," Karen apologizes in a voice very unlike the brash snark she'd been using all morning. Â
You don't say another word, you only collect the last loaf of bread, the near empty can of peaches, and storm off in search of Kieran.
You find him coming out of the treeline near where the gang's horses graze, with a new horse in tow. Kieran has a smile on his face. As you make your way over to him, avoiding contact with anyone else, you realize you've never actually seen Kieran smile before. This time Kieran sees you coming and the grin on his face grows, it warms your heart, reminding you who your true friend is.
"Is that Branwen?" You ask through a smile of your own, walking around the herd to one of the hitching posts near the hay wagon Kieran is making his way over to. Â
"It is!" Kieran replies as he gently guides his horse to stop before the post, giving her dirty mane a loving pat, "Been coaxin' her to me all morning."
"She's pretty," You offer as you come to stand next to him, being careful not to move too fast, unsure how to handle yourself so close to a horse.
"Oh she looks like a two cent nag with all the filth she's got collected in her coat."
"Well I can tell from the," You gesture with the peach can towards the mare, "Colorings, that she'll be super cute when she's all clean."
Kieran blinks furiously at the terms 'super' and 'cute', but you rush into another sentence in the hopes of distracting him from your odd terminology.
"I brought you breakfast," You present the bread and the peach can to him.
He looks down at your offerings and only stares, "That's kind of ya, but where did you get it? Did Pearson give it to you?"
You shake your head, "The women shared it with me."
Kieran stares at you for a moment, then blinks up at your hair, seeming to just know realize it isn't in knots anymore.
"Oh," He says dumbly, "Oh."
"So, breakfast?" You say again, trying not to laugh.
"I should really care for Branwen first," Kieran begins to say but trails off at the look on your face.
"Thanks for waking me up last night to switch guard shifts," You muse, rolling the peach can between your fingers. Kieran's eyes drop to watch the motion and he gulps, "Really appreciate waking up feeling like a worthless friend."
You know you're going hard on the guilt trip, but you can't help it. He's easy to tease but you are truly peeved he didn't wake you.
"We had an agreement Kieran," One more moment and --
"Okay I'm sorry!"
There it is.
"I knew you wanted me to wake you up to switch, but I couldn't help it! You looked so tired, I just couldn't do it." He whines.
You pretend to ponder on this, shifting your weight to sit in one hip.
"I'll only forgive you if you eat first, then you can care for Branwen."
Kieran looks so genuinely torn by this you almost relent, but he caves before he makes you feel guilty and grabs the food from you. You stay, wanting to make sure he eats it all.
"Wait!" You cry as he stuffs the entire loaf into his mouth.
He startles and stares wide eyed at your outstretched hands.
"You're supposed to put the peaches on top," You pout, "That way the juice sinks into the bread and it isn't too dry."
Kieran only shrugs at this, chews the bread for another moment before swallowing (though you feel like he should have chewed a mouthful that big a bit longer; seriously that must have hurt going down), before sticking his fingers into the can to scrape out the last few slices of peach. You roll your eyes at this.
I guess men will be men no matter the time period.
"Okay I'm done, can I wash Branwen now?" Kieran asks your permission, though you suspect this is done more out of fond spite than anything else.
You find yourself rolling your eyes yet again as you snatch the can from him, and answer him anyways, "Yes."
Kieran gives you a quick thanks before rushing back over to Branwen, cooing at her sweetly, before starting to remove the weather worn saddle from her back. You place the can by your feet, ready to sit down in the grass and watch Kieran for the rest of the afternoon, even offer to help though you don't the first thing about cleaning a horse, when someone clears their throat behind you. You swivel your head over your shoulder and find that its Mary-Beth. She looks sheepish at best, guilty at worst. The softness in you hardens.
"Um me and the girls were wonderin' if you wanted to ride into town with us," She waves a hand towards the main entrance of camp and you see a wagon hitched and ready to go. Karen and Tilly are sitting in the back looking at you across camp, while the elderly man they called Uncle and Arth --
"I'm fine." You decline automatically when you spot Arthur sitting on the driver's bench next to Uncle, fiddling with the reigns.
Mary-Beth pauses, her expression tensing like she had expected that response. You hear all the noise behind you quiet, you know Kieran has turned around to listen.
"And usually that'd be fine an' all but, we need to get you clothes of your own, seeing as you can't keep borrowin' ours." You must make some sort of face because she steps forward, voice thin with nerves, "We don't mind! It's just we don't have many outfits to spare, it'd be more laundry, more work. Plus we wanna put what money we have left together to get you something to wear of your own."
"I don't need your charity," You snarl before you can stop yourself. If they think a new dress is going to make up for almost two weeks of torture --
"That's not what this is! It's..." She sighs in frustration, though you have a feeling she's not frustrated with you.
"They're tryin'," Kieran murmurs behind you suddenly. Mary-Beth looks up at this and for a startling moment you think she might cry.
"Yes, we're tryin'," She says on an exhale, giving Kieran such a profound look of gratitude it makes you consider her offer, "An' we don't know your sizes, or we'd save ya the trouble of the trip. Though, we thought you might like an afternoon out of camp."
Before you can put the pieces together yourself, Kieran crouches down to get eye level with you and bumps your shoulder with his.
"This is good Y/n, it's a sign of trust. They're lettin' you outta camp." He tells you softly, meaning the words for your ears only. The look he had in his eyes last night reappears now, it makes you want to hit something.
Your gaze gravitates back to Arthur sitting in the driver's seat, smoking with his hat tilted low over his eyes and looking for all the world like a hero straight out of one of those old western movies. He resolutely doesn't look your way even though the entire rest of the wagon, including Uncle, are staring unabashedly at Mary-Beth and you.
"It's not a sign of trust," You whisper, turning your head towards Kieran so only he can hear you, "It's a test."
Without another word you rise to your feet, trying not to wince at the ache still present in your back.
"If I go then Kieran gets to come too." You state firmly -- nonnegotiable.
"Of course!" Mary-Beth agrees quickly.
Kieran makes his way back to Branwen though, who had been standing so patiently behind you this whole time, and begins to lead her towards the water pails kept by the herd.
"I'm staying," He says, and at your look of minor betrayal he adds, "Gotta clean up my girl, plus I'd have nothin' to do in town."
You know he's only saying that to avoid conflict, because no matter what Mary-Beth agrees to, you have a feeling Arthur wouldn't approve of both O'Driscolls coming along. Your bitterness grows distinctly more potent. Your heart clenches painfully in your chest when Kieran gives you an encouraging smile, nodding his head towards Mary-Beth urging you to go.
"I'll be fine, now go!" He says when you refuse to move still, unsure if you can.
This was in part about sticking with your ally yes, but also you didn't feel safe going with them if Kieran wasn't by your side. Who's to say Arthur wouldn't suddenly decide to beat you even though he'd chosen not to before? You didn't know him, didn't know them. You only trusted them to do what they'd always done, and that was be cruel and unfeeling towards you. Mary-Beth less so than the others but still. Arthur terrified you the most out of all of them. He had such anger in him, the kind that made a man destructive to himself and others. Whatever other complexities he might have, he is undoubtedly dangerous and that's the last thing you wanted to defend against right now.
"She'll go," Kieran says for you when you remain quiet.
Your eyes close as you struggle to contain the knot of emotion roiling in your gut.
"Okay," Mary-Beth murmurs, unsure.
"When I get back," You say, voice low, as you turn to face Kieran, "I'll want to see Branwen in all her glory."
Kieran gives you a ghost of the smile he'd had earlier, and nods in acquiesce.
Without another word you pivot on your heel and walk towards the wagon, brushing past Mary-Beth. You hear her scurry to catch up with you after a few beats, though you make sure to keep your eyes down at the ground as you approach the wagon, unable -- or more like unwilling, to let anyone see the riot of emotion wrecking havoc in your eyes. Once you reach the lip of the wagon Mary-Beth waits for you to climb up, before hauling herself up too. You sit on the right bench across from Karen and Tilly, Mary-Beth sliding in next to you.
"I can't believe we're going to see civilization," Tilly suddenly starts as Arthur snaps the reigns and the wagon jerks forward, "It feels like weeks since we did."
"Yeah, Valentine, the very embodiment of civilization," Uncle interjects with a wet sounding cackle, "You ladies are gonna love it!"
"Okay then," Arthur starts as he pulls the wagon out of the cluster of woods that hide the camp, "Let's go!"
Everything in you turns to stone at the sound of his voice, so many conflicting experiences with him -- with that voice, jamming themselves to the front of your brain all at once. You're so tense Mary-Beth tenses beside you too. Before awkward silence can settle over the group, Uncle twists to face the women in his seat.
"Ladies! Sing us a song!"
It seems to be the right thing to say because after a short chorus of giggles, Karen cues the girls in with a nasally but not unpleasant song about a girl in Berryville. They sing loudly, carelessly, and happily, relishing each other's company, the sun, the fresh air, and the views. Refusing to enjoy anything, you keep your gaze down on your hands that pick at the material of your skirt. Maybe this whole thing is a blessing in disguise. There are bound to be newspapers in a town right? They had books in camp so you know printing presses existed. You could possibly figure out where the hell you were and what time period you were in. It had occurred to you that asking Kieran for the date not just by day, but by year would come across as odd, even if he would tell you without many questions. The last thing you wanted to do was compromise the trust Kieran had in you, your only ally. You still have your eyes glued to your lap when you hear a panicked,
"Woah! Woah there!" A stagecoach comes barreling past the front of the wagon, Arthur having to pull the reigns up short to avoid a collision, kicking up huge clouds of dust that descend down around you. Â
"Look at that coach! He's...he's all over the place," You hear Uncle mumble under his breath.
The women are still singing, though slightly distracted now as you all crane your necks to see what the commotion is about. Arthur encourages the wagon's horses left onto the main road where, just ahead, the horses of the runaway coach come to a reeling stop and with an audible snap, break free of the reigns.
--
"Oh goddammit! Oh shit, the horses!" Comes the cursing from the coach driver.
Arthur slows the horses to a walk as they come upon the stopped coach, one of the shires -- a big white stallion -- takes off in a fury towards a thin copse of trees on the other side of the road. Before he can grapple with shoving down the instinct to help the man, Tilly pipes up from the back.
"Is one of you gonna get that feller's horse?"
"Oh I got lumbago! It's very serious," Uncle immediately deflects without hesitation, like he had the excuse ready.
Arthur refrains from saying anything especially cruel to the old man in response, knowing he'd only make himself look like a fool. A part of him wants to push the wagon into a full gallop, leave this small choice behind him in the dust. He feels her eyes staring holes into his back though, and it makes him uncomfortable. Out of spite he wants to ignore the man, just to prove to her -- to himself that he can...that he's still cruel and angry enough to ignore a person in need. Arthur growls internally at himself. He has no idea what he's on about. With a sharp inhale and a quick clench and release of his jaw, he wordlessly hops out of the wagon, tossing the reigns at Uncle and getting the petty satisfaction of watching him fumble to catch them. Arthur lets himself do this despite feeling like he's chipping away at something important, something he needs to protect himself. Because if he's not angry he's empty...but she's staring --
"I'll see what's going on." He says through a tight jaw, promptly interrupting his own train of thought, "Lumbago, really," He mutters petulantly to himself as he makes his way over to the driver.
The stagecoach driver, catching sight of Arthur coming round to his side of the coach to help, hops down from the driver's bench and lands on shaky legs.
"You alright there friend?" Arthur inquires as the driver steadies himself against the side of the coach looking like a colt just learning to walk.
"Oh hey! You couldn't help me get my other horse back from over there, could you?" The driver says in leu of a response.
Arthur ignores the lack of manners, taking in how frazzled the fool truly is. Must be new. Â
"Sure, no problem." Arthur says, briefly thinking of stealing the horse but waving the thought away as quickly as it appeared -- old habits.
"Thanks mister, its the white one over there." The driver instructs with a sigh of relief.
Arthur isn't sure how to feel about how simple -- how easy being kind is, it feels so foreign yet familiar, so natural and good that for a moment Arthur's heart stops. He actively ignores his thoughts and her watchful eyes from the wagon, following him as he makes his way across the road and into the smattering of trees where the white shire has taken refuge. Arthur coaxes the stallion to him easily enough, the beast coming up to him only after Arthur made him move his feet a little to earn his trust, show him he was the leader. He grabs hold of the dragging reigns and checks to make sure the horse didn't hurt his mouth by stepping on the reigns when fleeing or when he ripped clean away from the coach. The horse's soft mouth seems a little tender but no serious damage has been done, lucky beast. Arthur clicks at stallion to follow and leads them both back to the stagecoach driver currently wrangling the other shire back into the coach restraints.
"Here, here you go." Arthur announces himself and the returned horse.
The driver whips his attention over to him, stopping his fussing over the horse's tack, and exhales heavily in relief and gratitude.
"You're a gentlemen, sir, a gentlemen!" He exclaims as he takes the reigns from Arthur.
Arthur's chest aches at the praise, like acid in his stomach -- unworthy.
"No, not really...I was just," Arthur glances over his shoulder at the wagon, "Tryin' to impress the women."
He hears the girls giggling at this, though he knows which one of them remains silent.
The driver gives a hearty chuckle, "Well, anyway, thank you!"
Arthur nods at the man, biting back the warning about the shire's sensitive mouth and to go easy on the reigns next time, and heads swiftly back towards the wagon.
"C'mon!" Uncle urges as Arthur hauls himself up into the driver's seat.
"To Valentine!" Karen cries as Arthur snaps the reigns and the wagon lurches forward.
Arthur's grateful no one is bringing up --
"You're turnin' into a regular ol' fairy godmother there, Arthur!"
The urge to push Uncle out of the wagon takes a fierce hold of him. He only tightens his grip on the reigns instead.
"What's that supposed to mean?" Arthur grits out, delivering Uncle the most unfriendly glare in his arsenal.
"It means you've gotta heart!" Mary-Beth interjects from the back, "A small one perhaps, hidden deep inside, but a real one!"
Her words are a surprisingly odd comfort, but they mostly confirm his fear. Its simpler if he's just fury and hate. The idea that beneath all that is something truer than what he is now, that's something he absolutely does not want to deal with right now. Or ever. Â
"And you haven't! You repulsive old lizard!" Mary-Beth crows at Uncle, the girls all murmuring their adamant agreement.
"Lizards have hearts!" Uncle argues weakly, though Mary-Beth doesn't dignify that with a response. Â
"Well Arthur," It's Tilly this time that speaks up, "I'm proud of you."
God were all of them gonna praise him like he just saved a newborn child from certain death? He doesn't think he can take much more of this. Arthur attempts to remind them all who he really is.
"To be honest, if you lot hadn't been here, I probably woulda robbed 'im." He says, hoping to regain some semblance of the intimidating image he'd carefully curated over the years. A bit concerned it could be knocked so easily, and over an act as simple as helping a stranger. Â
Uncle wheezes out a dark chuckle at that, Karen joining him, but Mary-Beth speaks up again strangely determined to drive her point home.
"Well, you didn't!"
Arthur wonders belatedly if this is Mary-Beth's way of trying to endear him to the her, who has remained silent this whole exchange and ever since she got in the damn wagon. Something twists suddenly in his gut but Arthur smothers it on reflex, dawning his armor of anger. Good, he thinks, let her fear me, and laughs along with Uncle and Karen as they cross the railroad that circles through the town and lumber past what looks to be the station and post office.
"Smell those sheep!" Tilly says as they pass by a couple sizable livestock pens at the same time Arthur hears Mary-Beth promptly snap out her fan, and begin beating it quickly against the smell of shit.
Karen gives a hearty scoff, "Or is that Uncle?"
"Oh very funny," Uncle grouses in a slump beside him.
Arthur can't help the grin that spreads across his face.
"This looks like a decent little town." Mary-Beth insists even as she continues to vigorously work her fan.
"Other people," Tilly groans, "Finally!"
"Look at all that snow on the mountains! Sure don't want to be back up there," Mary-Beth points out, everyone in the wagon turning to glance at the icy peaks in the distance and all sharing a collective shiver. Â
"You think we should have asked Molly to come with us?" Tilly wonders after another moment of taking in the bustling town.
Arthur is quickly assaulted with the image of Molly walking past the livestock pens getting mud and shit and who knows what else on her shoes, most certainly ruining the hem of her dress, and almost lets out a bark of laughter. Molly O'Shea would rather die than be subjected to an afternoon in a town like this. Karen, as Arthur knew she would, jumps at the opportunity to tear into the Irish woman.
"Oh no, Miss O'Shea is far too high and mighty now for the likes of us, or to do any real work. She's a society lady now!" Her tone bleeds heavily with sarcasm and bitterness, Arthur wonders if Dutch is aware of how much animosity lies between some of the women of the gang. Sure they all bit chunks out of each other once in awhile, but this divide between Molly and the other ladies was far wider than Arthur felt was smart to ignore.
"Okay, take a look around ladies," Karen buffers on, not lingering on the negativity she created for too long, "Let's see what we got here."
They're all silent as they keep an eye out for possible opportunities. Arthur carefully navigates the wagon down the main road of Valentine, weathered wooden buildings sinking in mud line the path, paint chipping, signs swinging in the slight breeze, and folk coming and going. He catalogues a sheriff station, a general store, a hotel, a saloon, a gunsmith, and even a doctor's office. Not bad for a livestock town. The sounds of horses whinnying in a decent sized stable at the end of the street catches Arthur's particular attention. He perks up when he spots a good place to park the wagon near a building under construction adjacent to the stables. Maneuvering slowly to their destination, he stops the wagon with a gentle 'woah' to the horses once he's brought the bulk of the wagon out of the way of traffic. Â Â
"Alright! Here we are, just like I said," Uncle boasts as everyone stands to unload, "The cultural center of civilization, man at its finest!"
Arthur only rolls his eyes at Uncle's attempt at humor and effortlessly hops down from the driver bench.
"Uncle, what're we doin'?" Arthur asks before the old fool spews anymore nonsense.
"Well, we're gonna do what any other self-respecting maniac does," Arthur signals a stable hand over to feed and water their horses as Uncle talks, pushing a few dollars into the boy's dirty hands, "Put the women to work."
Karen snorts, "With pleasure, we'll start at the saloon."
As Arthur comes around to the back of the wagon, he notices Tilly struggling to find her footing on the lip of the wagon under the layers of her dress. He quickly offers her a hand which she immediately takes.
"Thank you Arthur," She murmurs in gratitude as, with the help of his hand to steady her, she easily braves the large gap between the wagon and the mud below.
He nods at her once she's landed safely on the ground, but grunts as she thanks him again. She shouldn't waste her kindness on him. Arthur tries his best not to look at her as the women all gather together after unloading off of the wagon. He finds himself quite annoyed that the urge to is so insistent.
"Alright," He begins once Uncle finally makes his way over to stand beside Arthur who in planted firmly in front of the ladies, "Remember to stay outta trouble and don't get yourselves noticed."
Mary-Beth hooks arms with her as he talks, though he only makes eye contact with Tilly and Karen, avoiding her side of the group entirely. Karen rolls her eyes at him and when he's done, playfully pushing past him before motioning for the other women to follow.
"We know Arthur, you don't have to be such an over protective nag about it."
A noise of unfiltered indignation rips itself out of Arthur's mouth at her words, something embarrassing between a scoff and a squawk.
--
"See Arthur's not so bad," Mary-Beth murmurs in your ear as she leads you after Karen and Tilly who are striding confidently towards a building with literal swinging doors, "A right mother hen when given half the chance!"
You try not to let her words irritate you. She means well, you can acknowledge that, but her continuous attempts to humanize Arthur are more annoying than helpful. It feels like you are being forced to forgive a man that has purposefully tried to terrify you and while never having beat you, was okay with watching others do it. No amount of helping strangers or chivalry will convince you he wouldn't kill you dead without hesitation if he felt it was necessary.
You only hum at her claim, still largely uncomfortable with the physical familiarity the women keep attempting to engage you in. It takes all your strength to stop yourself from yanking your arm out from the loop of her's. Mary-Beth must sense your unease though, and wordlessly releases your arm. You're grateful she doesn't comment on it.
"C'mon ladies!" Karen exclaims, still leading you all up the street, "Imagine we're in Paris!"
"I imagine Paris and Valentine are easily confused," Tilly remarks rather sharply, her mouth twisting a little as mud squelches under their feet with each step.
You raise an eyebrow at the comment, sympathizing with her remark as you narrowly avoid stepping in a vat of what you assume is horse shit. It certainly smells foul enough, plus the flies are a dead give away. Eventually you all stop before the rickety steps of a saloon that looks like its come straight out of a movie or a high budget reenactment set. The swinging doors, the drunk piano playing wafting out from inside even though you dare say its only noon, completes the the full effect. You stand there a moment and just stare at it, stare at the people walking in and out, at their clothes, at the way they walk, at the way they talk, just everything. The town really cements the fact that you are no longer in the year 2020. An odd mixture of adrenaline and anxiety shoots through your veins then, and its difficult to process it all. Â
"Newspaper," You hear yourself mutter as you continue to stare wide eyed at the saloon.
Mary-Beth hears you and turns to shoot you a questioning look.
Realizing you had just said that out loud, you blink back an embarrassed flush and clear your throat.
"I'd like to check out the newspaper that kid was selling, the one we passed on the way into town. I don't need to buy one, I just want to look."
"What are you checking for?" Mary-Beth asks, suddenly becoming very guarded, the most you've ever seen her in fact.
You panic a little, "Just the date and where exactly we are. I'm not from around here, not really familiar with this part of the country." Â
Her eyes sharpen and proceed to methodically take apart your expression, examining every twitch and blink like it held a secret. You figure she's weighing whether or not this will be a threat to them -- to the gang. It further emphasizes the void between you. They would always be a them. It would never be a we.
"Alright, I'll come with you. Then we can go get you some new clothes." Mary-Beth eventually agrees, turning to wave at the other girls -- signaling your departure, before Tilly and Karen enter the saloon.
You both trudge along in silence, your anger flaring up at this blatant display of distrust despite all of her efforts so far to prove to you she's 'trying'. Once again you attempt to not to let all the emotion get to you. Trust goes both ways, and no way were you going to take the first step. If they wanted to earn your respect, it would have to be their necks they stick out first, not the other way around. You finally make your way to the boy holding up one of the newspapers he's selling, shouting today's headline. At your approach his eyes light up at the prospect of a customer,
"What will it be ladies? Two copies or one to share?"
You feel a little guilty at getting his hopes up, but you dust off one of your best customer service smiles and watch as he takes it in, a bit shocked at the easy generosity of it. Poor boy's probably used to getting snuffed all day, you can relate, having worked your fair share of minimum wage jobs.
"I'd like to check something actually, just a quick peak at the date if you wouldn't mind?" Comes your question dressed heavily in your matching costumer service voice -- tone smooth and low and friendly.
The boy blinks at you a moment -- stunned, then his cheeks promptly color a splotchy red. Thoroughly flustered he glances at Mary-Beth, but his blush only deepens as she hits him with a lovely smile of her own.
"W-Well I --," The boy begins to stutter.
"I don't even have to hold it," You interrupt before he can refuse, taking advantage of him being caught off guard, "But if I could just take a quick gander at the top right corner there..." You trail off as you do exactly what you're currently suggesting, and lean in slightly to squint at the date.
May 17, 1899, it reads.
1899?! You kick your customer service skills into overdrive, years of using it the only reason why your face doesn't crack into full panic as you force yourself to read a little more. Â
The State of New Hanover, The Heart of the Heartlands
This is before they officialized the fifty states, the American civil war happened about three decades ago. Oh god.
"H-Hey are you gonna buy or not?" The boy attempts to assert himself, swinging the newspaper behind him, looking adorable with his face the color of a tomato.
"Unfortunately not, but your kindness is very much appreciated." You sooth, voice like honey, as you give him one last smile -- making it as stunning as possible, before turning away and heading back down the street. Â
You make it a few strides out of the boy's ear shot before Mary-Beth elbows you gently in the side. Glancing up, you find her giving you a conspiratorial smirk.
"You never told us you could work a man," She remarks, raising one of her eyebrows in arch amusement.
You can't stop yourself from scoffing, "Man? He was barely thirteen."
"Well either way, I can tell you have a lot of experience handling people."
A shrug serves as your answer, you guess working a minimum wage job does leave you with a certain skill set. Though why Mary-Beth is hinting that it can be utilized in more unconventional ways is beyond you. Eventually you both make it to the general store. You stumble in your stride when you spot Arthur and Uncle sitting on a bench out in front of the store, sharing a large glass bottle of strong looking liquor you assume is whiskey. That's what all the cowboys in the movies drink right? It seems fate loves a good cliché.
For the first time since being tied to the tree, Arthur and you lock eyes. The two of you freeze, Arthur mid drink and you mid step. The whole world seems to grind to a halt as your gazes wrestle, the feeling in your stomach akin to the breath before the first drop of a roller coaster. The moment ends abruptly, before either of you are ready, and at the same time you step in a huge pile of shit, Arthur spills nearly the whole bottle of whiskey down the front of his shirt.
"Fuck!" You squeal in disgust.
"Goddammit!" Arthur curses loudly as he shoots to his feet so the alcohol doesn't splash onto his crotch.
Mary-Beth puts a scandalized hand over her heart at the fowl language, and Uncle coughs his way into a fit of laughter. In a squeamish panic you try in vain to wipe the shit off your shoe, though you only manage to make it worse as the mud proves to be even messier and smears the shit higher up the leather of your shoe. You can hear Arthur continuing to grouch and curse as he shoves the bottle at a wheezing Uncle and leans forward, plucking the fabric of his button-up off his chest in an attempt to stop it from sticking. Almost like an afterthought, Arthur begins flapping the shirt gently as if that'll help it dry faster.
"Better get you some new shoes as well," Mary-Beth suggests through a tight throat, trying her best not to laugh at your expense.
You level her with a very unimpressed glare (which does end up making her giggle) and squash your way to the stairs leading to the store. Once on solid ground you amble your way up onto the deck, trying your hardest not to stare at the sliver of exposed torso Arthur is revealing as he continues to hold his shirt off his stomach, the cotton completely soaked in alcohol.
Taught skin, a trail of hair, a muscled iliac furrow...
"Actually, Y/n?" Mary-Beth calls from behind you, you swivel around and realize belatedly that she hadn't followed you up, "I'm going to check on Karen an' Tilly in the saloon, why don't you an' Arthur go purchase some clothes together? Then we can all meet back up later!"
It shocks you that you feel slightly betrayed by her at the suggestion. You chance a glance at Arthur from the corner of your eye and find him staring at Mary-Beth much like a deer stares at headlights. Great. You valiantly reign in a groan and without another word, turn back around to push your way into the shop. Arthur is least likely to do anything harmful to you in front of a witness like a shopkeeper anyway, the sooner you get this over with the better.
--
Arthur spends another moment squinting suspiciously at Mary-Beth, who only smiles innocently at him before all but skipping off towards the saloon. Uncle has now devolved into slapping his knee in between taking swigs of what's left of the whiskey. Arthur wonders why the Almighty sees fit to test him so vehemently. After a moment of reflection he figures its the least he deserves considering the extent of his sins. Grumbling to himself, he tries not to stomp after her into the general store, mentally calculating how much money he has left on him as he shoulders open the stiff door. Upon entering the shop, the owner looks up and gives Arthur a polite if slightly confused wave -- probably recognizing him from when Arthur came in the shop earlier with Uncle. The shopkeeper promptly goes back to describing, with what sounds like great enthusiasm, various different outfits for...Y/n...to consider.
His heart reels at simply saying her name in the privacy of his own mind.
She's holding herself stiffly, probably as uncomfortable as Arthur is and for as many different reasons as Arthur is too. With the way her head is bent and her eyes track the movement of the shopkeeper's finger as he drags it across page after page, he can tell that despite her studious expression and how easily she nods along with what's being advertised to her, she's overwhelmed. Arthur isn't sure how he figures that exactly, but he does. Fighting with himself for a moment, he debates on whether or not he should insert himself into their conversation. He doesn't want her to misinterpret him and think he cares or anything, but she is taking forever and the slide of his wet shirt against his chest is growing more unbearable by the second.
"Just pick what you like best and get on with it," He grumbles at her, not too unpleasantly as to alarm the shop owner, but firm enough to encourage her to hurry the hell up.
Arthur had taken a few steps forward before speaking, it placed him very close to her side. Closer than he'd meant. He expects fear or hatred to color her expression as she turns to look up at him, but instead her face displays a confusing mix of gratitude, deep mistrust, and most hilariously the embodiment of the word: HELP. It honestly gives Arthur a headache to look at, not envious of the turmoil she's clearly experiencing right now in the slightest. He blinks at her for a moment before shifting his gaze down at the catalogue and flipping back a few pages.
"Do you prefer skirts, dresses, or pants?" Arthur bites out, not quite believing he's doing this, and stares pointedly at anything but her.
"Pants!" She answers in a rush, like she'd just been told she'd inherited a few grand from a dead relative. Â
"Okay," Arthur drawls as he quickly finds the female pants section, the options limited to two different cuts, both of which look exactly the same to Arthur but he was never one for fashion (or so Dutch tells him).
"Pick," He instructs, sliding the catalogue back under her nose at the same time she leans in to take a look.
Arthur's temper rankles at how nice the warmth radiating off of her feels against the chilled skin of his chest, even through his soaked shirt. She takes a moment to consider the two different pants, and after what sounds like a defeated huff sheepishly points to the second one. The shop keeper nods and scribbles something down on a notebook he'd grabbed from a drawer behind the counter. Wordlessly Arthur then flips to the significantly more diverse selection of shirts and blouses, blushing furiously as he passes the women's undergarments.
Why in all hell had Mary-Beth not done this with her? She's a woman, surely that would make this more comfortable for Y/n?
But the woman in question seems unconcerned as she scans the options Arthur has displayed for her, nibbling half-heartedly on the fingernail of her right thumb as she appraises the many different tops. Arthur grits his teeth against the softness rising him. They need to hurry this up or he fears he'll...he'll...well he doesn't know, but he knows whatever it is, it's a final kind of feeling and god Arthur fears it. With the hand not pressed to her lips, she points to a plain looking button up, the cheapest one.
"Another." Arthur blurts.
He doesn't realize how that sounds until she shoots him a very indignant look.
"Pick one more for colder weather." He clarifies, mystified he had managed to say that without missing a beat and without stuttering.
Her temper relaxes back down to its usual simmer and she returns her gaze to the catalogue. After a few moments of silence she taps Arthur's hand that's spread wide over the upper edge of the book, calloused fingers holding the catalogue open flat on the counter for her. He snatches his hand back so fast it startles the shopkeeper. The owner gives the two of them an odd look but remains quiet, still wanting their money. She turns the page and points to the second least expensive shirt. It's of a similar cut to the first she'd chosen but the material is wool instead of cotton.
This process repeats for the coats, socks, shoes, gloves, and most embarrassingly -- undergarments. All the articles of clothing she chooses are the cheapest available. Something prickles in Arthur's chest when he realizes she's trying to be considerate. When the shopkeeper asks about her sizes though, she seems at a complete loss for what to say. It's like she's never shopped for clothes before. Though deeply curious, Arthur refrains from asking her anything, feeling like all the energy he had this morning has been thoroughly drained from him even though its only an hour past noon. He's exhausted and he doesn't quite know why.
The owner gives her a measuring look, eyeing her body proportions as best as he can from his spot behind the counter. The shopkeeper is not a proper tailor, so the wrinkle in the man's forehead isn't anything but confusion, and thus Arthur finds himself getting more and more agitated the longer the man stares at her. A breath before Arthur says something stupid, the owner turns and goes to retrieve the garments in the sizes he believes will fit her best. It only takes a couple moments, but its a couple moments too long to be left relatively alone with her. The tension between them is so palpable he could cut it with his hunting knife. The feeling worsens in intensity with each beat of his heart, nearly rising to insurmountable levels before it swiftly plateaus at the arrival of the shopkeeper, who returns with multiple garments draped over his forearm.
"Here Miss, go and try these on to make sure they fit." He instructs politely, nodding to a door down the hall just around the side of the counter.
With a quiet thanks, she collects the clothes and makes a beeline for the dressing room. Arthur doesn't realize his eyes follow her retreat, sticking to the dressing room door even after she disappears behind it, until the shopkeeper clears his throat. Arthur only scowls at him in response and orders a replacement shirt for the one he'd been wearing.
Thank god I didn't ruin my blue one, Arthur thinks as he pays for his new two toned muted grey and red button-up, and all the items Y/n had gotten.
Hosea and Dutch like to tease Arthur about his favorite blue and white striped button-up he's been hauling around for years now. It has holes, the seams are loose, the colors have faded, and it has permanent stains on it, but something about it feels...comfortable. More comfortable than anything else he's ever worn.
(Arthur refuses to acknowledge the fact that it's the first garment of clothing he bought for himself with money he'd earned all on his own, hence why it means so much to him.)
Arthur tries not to pace as he waits for Y/n to finish trying on all her various new clothes. He knows she has a lot to get through but --
"Oh," Arthur finds himself saying, easily gaining the shopkeeper's attention, "Her shoes?"
The shopkeeper raises a finger as his memory sparks and quickly goes to retrieve the humble looking pair she'd picked out earlier. When he brings them out, informing Arthur he'd given his best guess on the size, Arthur nods his thanks and takes the pair from him. Before he can second guess himself, he makes his way over to the dressing room door. Weary of the owner's eyes on his back, Arthur raps his knuckles in two deliberate consecutive knocks against the aging wood of the door. A series of sounds that suggest Y/n had been thoroughly startled puts a grin on Arthur's face without his permission.
"Your shoes," He starts, "I'm leaving them outside the door."
Arthur then demands himself to tell her to hurry up, but no words form, in fact his lips once again act against his will and gently press shut.
"Oh, okay," She replies tensely.
He hovers by the door another moment before the intimacy of talking to someone -- a woman no less -- like this really registers with him, then he thinks of how this probably seems to the shopkeeper and deep color promptly rises along his cheekbones. Arthur takes a shaky step back, then another, until he's in the front of the store pretending to browse the meager collection of pocket watches.
--
You wait until you hear Arthur's footsteps fully recede from the door before continuing to fumble with your undergarments. You have never so desperately wished for a simple modern bra in your life. The shopkeeper had suggested a corset of some sort, but with the clothes that you had picked -- pants, and a 'decidedly unfeminine looking' set of button ups according to the owner -- wearing a corset under all that seemed more of a hinderance than anything else. You'd ended up choosing a version of whatever shift thing you are currently wearing, as it provided enough support for the girls but didn't constrict you entirely like you figure a corset might. Most of the time spent in the dressing room has been you struggling to shuck off your current clothes without resorting to simply tearing them all off. Though you have been spending an equally egregious amount of time trying to correctly adjust all the little strings and ties and clips of your new shift. The slim bloomers you are wearing were made to be worn with the pants you'd ordered, and they were simple enough to slip on, though the extra fabric you'd have to get used to. You wonder idly if this is what it feels like to wear boxers as you finally finish securing your shift and pull the pants up the length of your legs. They fit surprisingly well, a little tight around the ass but in all honesty, at this point you don't care. You just want this torture over with.
The rest of your clothes you try on with more ease, everything fitting okay except for the coat that was about ten times too big but you find you kind of like it that way. Making sure to carefully remove your shit covered shoes without dirtying your hands, you gingerly place them by the door before replacing your used socks with your new ones. You gather your previous clothes up, hoping the shopkeeper has a bag of some kind you can use, and open the door. Infinitely grateful that no one else has walked into the shop, you quickly slip on the shoes Arthur has set neatly in front of the door like he'd said, and immediately find that they're too small. Ignoring your slight flush from all the changing and nerves from trying on so many foreign clothes, you approach the shopkeeper and politely request the next shoe size up. He nods and bumbles to the back again. When he brings you the next pair, you apologize for being such a hassle and quickly exchange shoes. You drop the new pair to the floor and lower to kneel as you stuff your feet in, praying these fit.
"Can we get something to wrap all this up?" Arthur's voice rumbles through you, like the bass notes of a song played at one of the clubs you used to frequent a lot your first year of college.
You clench hard against the urge to jump at how close he is, not having heard him come over as you'd been focused on figuring out how your new boots laced up. They reminded you a little of modern day men's work boots, comfortable and well suited for all the wilderness trudging you figure you'll be doing. The shop owner hands Arthur a few sheets of brown parcel paper, which Arthur immediately tosses down at you. You catch the squares of paper before it hits your face, ignoring his rudeness and weighing how helpful he's been to you in the shop against the desire to say something satisfyingly nasty.
Noticing your restraint Arthur wordlessly brushes past you, broad shoulders barely seeming to fit through the doorway of the dressing room, before closing the door firmly shut behind him. While he changes out of his wet shirt, you struggle to wrap up all your new clothes neatly, feeling bizarrely like you're wrapping a Christmas present when the shopkeeper hands you a rudimentary string to tie everything together. After you finally manage to wrangle all the clothes (save for your oversized coat and all that you're wearing out of the store) into a compact enough bundle, you take the second sheet of paper and repeat the process with your soiled clothes and ruined shoes. You feel bad about the shoes since you'd borrowed them, maybe you could scrub out the shit? Though you don't know how plausible that will be without the aid of stain remover and fabric softener.
You've just finished organizing all your belongings when Arthur emerges from the dressing room in his new shirt. The colors suit him, the fabric hugging him in all the right places too. With his dark hat, tan over coat, and heavy footfalls due to his boots, he almost --
Deeply alarmed at the direction that particular train of thought was going, you angrily remind yourself he's a bloodthirsty killer who would not hesitate to end your life if he thought it was necessary. Despite all that though, he did just pay for your clothing and help you navigate the shopping process with little to no complaints. Torn between saying nothing and thanking him, the habit to be courteous, ingrained in you by your mother, wins out.
"Arthur," It's the first time you've said his name, at least in direct address to him.
His name tastes dangerous on your tongue, a thrill not unlike taking a shot of something strong knowing you're already well over your alcohol limit. You'd stopped once you'd stepped out of the shop behind Arthur and he pauses with his back to you, going completely rigid, having just been about to wake up Uncle who lists precariously in a drunk stupor on the bench where you'd both left him.
"Thank you." That's the second time you've thanked this man, not fond of the fact that its slowly becoming a regular occurrence.
Arthur turns around after a moment and his eyes, shaded under the brim of his hat but very much visible now where they'd only been dark with violence before, are the first things your gaze is drawn to. They're really quite a stunning color, blue shot with green, like an ocean tide caught in a shallow tide pool. The brimming emotion in him blunders against the stiff wall of that anger you'd first caught a true glimpse of when you were tied to the tree, it holds an avalanche of sensation back. You marvel briefly at how it's held so much back for so long.
"You owe me thirty-two dollars and thirteen cents." He says in leu of accepting your gratitude with any sort of grace. Â
You only glare, already having expected that he'd ask you to pay him back, though you figure it's the very least he could do after watching you suffer for nearly two weeks straight despite being completely innocent with no proof otherwise save their paranoid suspicions. Not to mention being wrongly accused of being an O'Driscoll and almost getting shot in the face by his gang leader for the apparent crime of being in the wrong place at the wrong time! Unlike Arthur, you let your emotions flow freely, righteous fury undisguised and plain to see rotting away the last traces of the odd domesticity you'd formed with him in the shop.
"You, are one of the most fucked up assholes I have ever met." You say in a tone of voice you had only ever used with your abusive ex.
Instead of being taken aback at your words, you watch something in him rise to meet your anger -- a broken kind of relief overtaking his features, like he's finally back in his comfort zone. Something he's familiar with, something he's good at. It simultaneously sickens you and breaks your heart. Everything only ever defined in extremes when it comes to him. Before you two can really tear into each other though, the call of your names by a familiar voice pauses the cataclysmic collision that is moments away from occurring.
"Arthur! Y/n!" Mary-Beth pants as she jogs up to meet you both on the shaded deck, "Oh, Uncle! I didn't see him from over there," She huffs out in a laugh as she closes the distance between the three of you.
It doesn't take long for Mary-Beth to pick up on the truly foul mood Arthur and you share. Her face falls.
"Did, did the shopping not go well? I see you've..." She trails off as she takes in your new clothes.
You suspect in an attempt to lighten the mood, she puts her hands on her hips in mock disappointment and shoots Arthur a significant look.
"What in the blazes have you dressed her in Mr. Morgan? She looks like a ranch hand!"
Arthur seems to struggle to swallow the worst of his temper, apparently not wanting to take it out on Mary-Beth.
Oh so Mary-Beth deserves to be spared but not you?
Your bitterness towards him promptly deepens and suddenly you're exhausted. You miss Kieran -- no, actually you miss your home. You miss your own time. You miss your friends and family. Â
"Don't look at me, she picked it all out herself!" Arthur deflects, holding his hands up in surrender.
Mary-Beth purses her lips at this claim but does eventually shift her gaze over to you. She immediately notices that your energy has plummeted, but you can't summon the will to care.
"But if you like it Y/n, then that's all that matters!" Mary-Beth rushes to assure, worried her comment about your fashion sense but more so your previous conversation with Arthur is working against her efforts to find some middle ground with you, to start building some semblance of trust.
You let her search your eyes and put together the realization that she failed. In fact you imagine instead of taking one step forward, you've taken three leaps back. But why bother with them anyway? There's no need to deal with these people any more than strictly necessary. You will find a way to return to your own time, and you're determined to figure it out by any means necessary.
--
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