#thedoom

I hate them/j

The Pale Horse (Monsanto) 2021 Oil on board, 37.3 x 48.2 cm Private Collection Photo: Hiroshi Noguchi Courtesy: Art Front Gallery The Pale Horse (Monsanto) 2021 木板に油彩、37.3 x 48.2 cm 個人蔵 撮影: 野口浩史 Courtesy: Art Front Gallery

          “you know- that wasn’t what i was expecting...” ophelia’s head tilted to the side for a moment, contemplating the scene before her. “and yet-” she grinned, lips curling in an almost cruel manner. “i’m not surprised.”

The Doom 2021 Solo Show: The Doom Installation View ART FRONT GALLERY, Tokyo, Japan Mixed Media Photo: Masanobu Nishino This work was created and presented as a counterpart to the work, “The Pale Horse”, which was shown in the solo exhibition at the 21st Century Museum of Contemporary Art, Kanazawa. In this work, a room with exactly the same interior as the hut in “The Pale Horse” has been created, but instead of a painting of the pale horse, a life-size three-dimensional figure of a pale horse has been installed and is stuck into the dining table as if it were a 3-D bug. The room narrows as one goes deeper into the room, and the floor and ceiling are also gently sloped. The exhibition room faces the street, and the street side is made of glass so that the interior can be seen from the street, but the narrower back of the room creates a visual illusion, making the horse appears larger than it actually is when viewed from the street. The viewers can also enter the room, but it is difficult to notice the gentle slope of the floor when viewed from the street, and they physically feel the slope only when they enter the room. This causes a discrepancy between visual and physical information, and the viewers feel uncomfortable and uneasy due to physical instability and the reversal phenomenon of becoming the ones viewed from the street, i.e., becoming a part of the installation, by entering the room. A series of oil paintings and small three-dimensional works dealing with “The Pale Horse” were also exhibited in a separate gallery room at the exhibition. The Doom 2021 個展「The Doom」 展示風景 ART FRONT GALLERY, 東京 ミクストメディア 撮影: 西野正将 金沢21世紀美術館での個展で発表した作品《The Pale Horse 蒼ざめた馬》と対になる形で制作・発表された作品。《The Pale Horse 蒼ざめた馬》の中の小屋と全く 同じ内装の部屋が作られているが、「The Pale Horse（蒼ざめた馬）」の絵画の代わりに、等身大の青白い馬の立体が設置され、3Dのバグかのようにダイニングテー ブルにめり込んでいる。部屋は奥に行くほど狭まり、また床と天井にも緩やかに傾斜がついている。展示室は路面に面しており、路面側はガラス張りになっているた め路面からも室内を見ることができるが、奥が狭まっていることで視覚的な錯覚が起きており、路面から見た時には馬が実際よりも大きく見えるようになっている。ま た、観客は部屋内に入ることもできるが、路面から見た時には緩やかな床の傾斜があることに気付くのは難しく、室内に入って初めて身体的に傾斜を感じることとな る。それにより視覚的な情報と身体的な情報とで齟齬が起き、身体的な不安定感と、室内に入ることで路面から「鑑賞される側」になるという逆転現象もあって、鑑賞 者は居心地の悪さと不安感を感じることとなる。 同個展の別室のギャラリーでは、「The Pale Horse（蒼ざめた馬）」を描いた油彩の連作や小立体作品なども展示された。

The Doom 2021 Solo Show: The Doom Installation View ART FRONT GALLERY, Tokyo, Japan Mixed Media Photo: Masanobu Nishino This work was created and presented as a counterpart to the work, “The Pale Horse”, which was shown in the solo exhibition at the 21st Century Museum of Contemporary Art, Kanazawa. In this work, a room with exactly the same interior as the hut in “The Pale Horse” has been created, but instead of a painting of the pale horse, a life-size three-dimensional figure of a pale horse has been installed and is stuck into the dining table as if it were a 3-D bug. The room narrows as one goes deeper into the room, and the floor and ceiling are also gently sloped. The exhibition room faces the street, and the street side is made of glass so that the interior can be seen from the street, but the narrower back of the room creates a visual illusion, making the horse appears larger than it actually is when viewed from the street. The viewers can also enter the room, but it is difficult to notice the gentle slope of the floor when viewed from the street, and they physically feel the slope only when they enter the room. This causes a discrepancy between visual and physical information, and the viewers feel uncomfortable and uneasy due to physical instability and the reversal phenomenon of becoming the ones viewed from the street, i.e., becoming a part of the installation, by entering the room. A series of oil paintings and small three-dimensional works dealing with “The Pale Horse” were also exhibited in a separate gallery room at the exhibition. The Doom 2021 個展「The Doom」 展示風景 ART FRONT GALLERY, 東京 ミクストメディア 撮影: 西野正将 金沢21世紀美術館での個展で発表した作品《The Pale Horse 蒼ざめた馬》と対になる形で制作・発表された作品。《The Pale Horse 蒼ざめた馬》の中の小屋と全く 同じ内装の部屋が作られているが、「The Pale Horse（蒼ざめた馬）」の絵画の代わりに、等身大の青白い馬の立体が設置され、3Dのバグかのようにダイニングテー ブルにめり込んでいる。部屋は奥に行くほど狭まり、また床と天井にも緩やかに傾斜がついている。展示室は路面に面しており、路面側はガラス張りになっているた め路面からも室内を見ることができるが、奥が狭まっていることで視覚的な錯覚が起きており、路面から見た時には馬が実際よりも大きく見えるようになっている。ま た、観客は部屋内に入ることもできるが、路面から見た時には緩やかな床の傾斜があることに気付くのは難しく、室内に入って初めて身体的に傾斜を感じることとな る。それにより視覚的な情報と身体的な情報とで齟齬が起き、身体的な不安定感と、室内に入ることで路面から「鑑賞される側」になるという逆転現象もあって、鑑賞 者は居心地の悪さと不安感を感じることとなる。 同個展の別室のギャラリーでは、「The Pale Horse（蒼ざめた馬）」を描いた油彩の連作や小立体作品なども展示された。

The Doom 2021 Solo Show: The Doom Installation View ART FRONT GALLERY, Tokyo, Japan Mixed Media Photo: Masanobu Nishino This work was created and presented as a counterpart to the work, “The Pale Horse”, which was shown in the solo exhibition at the 21st Century Museum of Contemporary Art, Kanazawa. In this work, a room with exactly the same interior as the hut in “The Pale Horse” has been created, but instead of a painting of the pale horse, a life-size three-dimensional figure of a pale horse has been installed and is stuck into the dining table as if it were a 3-D bug. The room narrows as one goes deeper into the room, and the floor and ceiling are also gently sloped. The exhibition room faces the street, and the street side is made of glass so that the interior can be seen from the street, but the narrower back of the room creates a visual illusion, making the horse appears larger than it actually is when viewed from the street. The viewers can also enter the room, but it is difficult to notice the gentle slope of the floor when viewed from the street, and they physically feel the slope only when they enter the room. This causes a discrepancy between visual and physical information, and the viewers feel uncomfortable and uneasy due to physical instability and the reversal phenomenon of becoming the ones viewed from the street, i.e., becoming a part of the installation, by entering the room. A series of oil paintings and small three-dimensional works dealing with “The Pale Horse” were also exhibited in a separate gallery room at the exhibition. The Doom 2021 個展「The Doom」 展示風景 ART FRONT GALLERY, 東京 ミクストメディア 撮影: 西野正将 金沢21世紀美術館での個展で発表した作品《The Pale Horse 蒼ざめた馬》と対になる形で制作・発表された作品。《The Pale Horse 蒼ざめた馬》の中の小屋と全く 同じ内装の部屋が作られているが、「The Pale Horse（蒼ざめた馬）」の絵画の代わりに、等身大の青白い馬の立体が設置され、3Dのバグかのようにダイニングテー ブルにめり込んでいる。部屋は奥に行くほど狭まり、また床と天井にも緩やかに傾斜がついている。展示室は路面に面しており、路面側はガラス張りになっているた め路面からも室内を見ることができるが、奥が狭まっていることで視覚的な錯覚が起きており、路面から見た時には馬が実際よりも大きく見えるようになっている。ま た、観客は部屋内に入ることもできるが、路面から見た時には緩やかな床の傾斜があることに気付くのは難しく、室内に入って初めて身体的に傾斜を感じることとな る。それにより視覚的な情報と身体的な情報とで齟齬が起き、身体的な不安定感と、室内に入ることで路面から「鑑賞される側」になるという逆転現象もあって、鑑賞 者は居心地の悪さと不安感を感じることとなる。 同個展の別室のギャラリーでは、「The Pale Horse（蒼ざめた馬）」を描いた油彩の連作や小立体作品なども展示された。

The Doom 2021 Solo Show: The Doom Installation View ART FRONT GALLERY, Tokyo, Japan Mixed Media Photo: Masanobu Nishino This work was created and presented as a counterpart to the work, “The Pale Horse”, which was shown in the solo exhibition at the 21st Century Museum of Contemporary Art, Kanazawa. In this work, a room with exactly the same interior as the hut in “The Pale Horse” has been created, but instead of a painting of the pale horse, a life-size three-dimensional figure of a pale horse has been installed and is stuck into the dining table as if it were a 3-D bug. The room narrows as one goes deeper into the room, and the floor and ceiling are also gently sloped. The exhibition room faces the street, and the street side is made of glass so that the interior can be seen from the street, but the narrower back of the room creates a visual illusion, making the horse appears larger than it actually is when viewed from the street. The viewers can also enter the room, but it is difficult to notice the gentle slope of the floor when viewed from the street, and they physically feel the slope only when they enter the room. This causes a discrepancy between visual and physical information, and the viewers feel uncomfortable and uneasy due to physical instability and the reversal phenomenon of becoming the ones viewed from the street, i.e., becoming a part of the installation, by entering the room. A series of oil paintings and small three-dimensional works dealing with “The Pale Horse” were also exhibited in a separate gallery room at the exhibition. The Doom 2021 個展「The Doom」 展示風景 ART FRONT GALLERY, 東京 ミクストメディア 撮影: 西野正将 金沢21世紀美術館での個展で発表した作品《The Pale Horse 蒼ざめた馬》と対になる形で制作・発表された作品。《The Pale Horse 蒼ざめた馬》の中の小屋と全く 同じ内装の部屋が作られているが、「The Pale Horse（蒼ざめた馬）」の絵画の代わりに、等身大の青白い馬の立体が設置され、3Dのバグかのようにダイニングテー ブルにめり込んでいる。部屋は奥に行くほど狭まり、また床と天井にも緩やかに傾斜がついている。展示室は路面に面しており、路面側はガラス張りになっているた め路面からも室内を見ることができるが、奥が狭まっていることで視覚的な錯覚が起きており、路面から見た時には馬が実際よりも大きく見えるようになっている。ま た、観客は部屋内に入ることもできるが、路面から見た時には緩やかな床の傾斜があることに気付くのは難しく、室内に入って初めて身体的に傾斜を感じることとな る。それにより視覚的な情報と身体的な情報とで齟齬が起き、身体的な不安定感と、室内に入ることで路面から「鑑賞される側」になるという逆転現象もあって、鑑賞 者は居心地の悪さと不安感を感じることとなる。 同個展の別室のギャラリーでは、「The Pale Horse（蒼ざめた馬）」を描いた油彩の連作や小立体作品なども展示された。

The Doom 2021 Solo Show: The Doom Installation View ART FRONT GALLERY, Tokyo, Japan Mixed Media Photo: Masanobu Nishino This work was created and presented as a counterpart to the work, “The Pale Horse”, which was shown in the solo exhibition at the 21st Century Museum of Contemporary Art, Kanazawa. In this work, a room with exactly the same interior as the hut in “The Pale Horse” has been created, but instead of a painting of the pale horse, a life-size three-dimensional figure of a pale horse has been installed and is stuck into the dining table as if it were a 3-D bug. The room narrows as one goes deeper into the room, and the floor and ceiling are also gently sloped. The exhibition room faces the street, and the street side is made of glass so that the interior can be seen from the street, but the narrower back of the room creates a visual illusion, making the horse appears larger than it actually is when viewed from the street. The viewers can also enter the room, but it is difficult to notice the gentle slope of the floor when viewed from the street, and they physically feel the slope only when they enter the room. This causes a discrepancy between visual and physical information, and the viewers feel uncomfortable and uneasy due to physical instability and the reversal phenomenon of becoming the ones viewed from the street, i.e., becoming a part of the installation, by entering the room. A series of oil paintings and small three-dimensional works dealing with “The Pale Horse” were also exhibited in a separate gallery room at the exhibition. The Doom 2021 個展「The Doom」 展示風景 ART FRONT GALLERY, 東京 ミクストメディア 撮影: 西野正将 金沢21世紀美術館での個展で発表した作品《The Pale Horse 蒼ざめた馬》と対になる形で制作・発表された作品。《The Pale Horse 蒼ざめた馬》の中の小屋と全く 同じ内装の部屋が作られているが、「The Pale Horse（蒼ざめた馬）」の絵画の代わりに、等身大の青白い馬の立体が設置され、3Dのバグかのようにダイニングテー ブルにめり込んでいる。部屋は奥に行くほど狭まり、また床と天井にも緩やかに傾斜がついている。展示室は路面に面しており、路面側はガラス張りになっているた め路面からも室内を見ることができるが、奥が狭まっていることで視覚的な錯覚が起きており、路面から見た時には馬が実際よりも大きく見えるようになっている。ま た、観客は部屋内に入ることもできるが、路面から見た時には緩やかな床の傾斜があることに気付くのは難しく、室内に入って初めて身体的に傾斜を感じることとな る。それにより視覚的な情報と身体的な情報とで齟齬が起き、身体的な不安定感と、室内に入ることで路面から「鑑賞される側」になるという逆転現象もあって、鑑賞 者は居心地の悪さと不安感を感じることとなる。 同個展の別室のギャラリーでは、「The Pale Horse（蒼ざめた馬）」を描いた油彩の連作や小立体作品なども展示された。