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Phenomenal, extraordinary, humble but above all talented.
'No words!
Original theater was gutted and made to look like a nightclub in the round!Performances were phenomenal! Wish that I could afford to see it again but…Eddie Redmayne was so kind and gracious. 🥰'
Source Deborah J Marcus Greenspan on FB
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With a remit covering vocal techniques, teaching dialects and interpreting text, Kate Godfrey coaches the Royal Shakespeare Company’s actors to make the most challenging lines comprehensible on stage. She tells Tim Bano why striving for clarity rather than sounding posh is the key to making yourself understood
It’s that last element of the three strands of voice work – parsing the text in the way that makes it sound rhythmical and comprehensible to an audience – that Godfrey says can be the most difficult. “You have to be very sensitive, finding a balance between advising the actor on delivery and stopping short of telling them how to say their lines. I often think, is it just how I would do it or is that really what’s being said?”
Godfrey mentions some lines of Beatrice’s she was working on with an actor recently for a production of Much Ado About Nothing, pointing out the wordplay of the words ‘cinque’ and ‘sink’. “I said: ‘I think you’re doing this already but just enjoy the fact that the word is being used in two different ways.’ And she said: ‘Oh, I hadn’t noticed that.’ Actors get very involved in characterisation, but actually it’s also about ideas. Particularly in Shakespeare.”
Amélie is such an underrated musical but even more underrated are the songs Thin Air and Tour de France they’re sO GOOD SO GOOD
Team 4 performance
Let's explore some of the classic small town theaters found on Route 66. Marquee for the old Mar Theater in Wilmington, Illinois, with what I assume were popular movies back in 2008. Link to this image: http://fineartamerica.com/featured/route-66-mar-theater-marquee-frank-romeo.html "The Fine Art photography of Frank Romeo." http://frank-romeo.pixels.com/
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de Travaland, el musical de Hernán Vidal
Normalerweise inszeniert Alexander Riemenschneider in Hamburg, Berlin oder Bremen. Derzeit bringt er im rumänischen Sibiu Ödön von Horváths "Hin und Her" auf die Bühne. Mit einem deutschsprachigen, aber nicht muttersprachlichen Ensemble. Eine völlig neue Erfahrung.
Wien. Theater. Secessions-Ausstellung
