#terror tuesday

To Not Be Alone in the Middle of Nowhere

The wanderer walks alone. His name is Noah.

He awakens in the morning, prepares his food, uses his materials to form paints, and redecorates his arms with symbols. Runes and marks of his homeland. Words with little meaning to anyone else.

He checks the dirt for footprints as he dismantles his tent. The pale earth is smooth and featureless, as always. He checks it again.

Noah packs away his tent, bundling his supplies together onto a sled. He wraps the straps for the sled around his middle, and he walks on, dragging it behind him. He marches on through the dirt.

For hours, he marches. Finally, he stops. He gathers his canteen from his things, satiates his thirst, and then he walks on. A few hours later he does the same for food, and then again to relieve himself. He walks on.

As the sun lowers, he finally stops. He looks about in all directions. He is alone. He is always alone. He sets up his camp and sits by the fire. Then, once the sun has set, he enters his tent and closes the entrance. He tries to sleep, but his ears strain to hear. He clutches the icon hung around his neck. But what can he hear? Intruders? Marauders?

Something worse?

But he hears nothing. For hours he lies there and hears nothing. Finally, he falls asleep, and still hears nothing.

The next morning he awakes. He rises, prepares his supplies, and redecorates his arms. He steps out from his tent.

Something is wrong. His fire has been dashed aside, perhaps by a strong wind. His spear, left outside the tent, has fallen over. His sled has been flipped onto its top.

Noah inspects the earth as he packs away his things. No footprints. No marks. Perfect flawless earth. He is alone. He is always alone.

Noah packs up his things and walks on. He watches the horizons on the desolate plains. Deserts, salt flats, whatever you want to call them, they look endless. But he is calmed by the endlessness of it. The sight of the horizon on all sides. Nowhere for anyone to hide.

As the day draws on, he stops to drink. He is alone. He stops to relieve himself. He is alone. He stops to eat.

There is a shadow. Something small on the eastern horizon. Perhaps he is not alone after all.

He continues to walk, watching the shadow, a lone shape low to the ground. As he finally stops to rest, it grows closer. He prepares an evening meal and gleaming eyes watch him from the dark.

They simply watch.

He finally goes to bed and hears something sniffing at his tent. Claws scratching at the flap. Something gnawing at the entrance. And then it stops.

He grips the icon around his neck, but hears nothing else.

Noah awakes the next day and prepares his paints. He repaints his arms, the motions second nature to him now. Every day since he left home.

He emerges from his tent and finds something odd. The earth is disturbed and his things have been rummaged through. He is not alone out here.

He packs away his things and sets off. He sees the shadow again, waiting on the horizon. It gets closer each time he stops, to drink, to relieve himself, and especially when he stops to eat.

That night, gleaming eyes watch him again. Something waiting in the dark. Noah looks out, trying not to look directly at it. He takes some of his food and lays it away from the camp. He eats some himself, watching from the corner of his eye.

Slowly, cautiously, a coyote emerges from the night. It sniffs the food then eats it. Then it runs off with its prize.

The next day this repeats. The camp is packed away and the coyote’s prints are in the dirt. It follows him throughout the day, closer and closer than before. He can feel it following and knows he is not alone.

He hopes that is what he can feel following.

That night, he lays out food again. He leaves a trail, leading up to where he sits. He sits and eats as quietly as he can. The coyote emerges from the night and licks at the ground, sniffing and snuffling closer. Finally, it stops beside him, sniffing for more food. Noah puts out a hand and pets its head. It snarls, and so he stops. But it does not flee. He leaves it an extra bit of food, and the coyote falls asleep by the fire.

Noah falls asleep in his tent, his ears straining yet again.

But he hears nothing.

The next morning he wakes. He repaints the symbols on his arms and leaves his tent.

His heart drops.

His spear is not where he left it, beside his tent. The coyote is dead, the spear jammed through its neck. Noah can see how this happened. The spear fell over, and panicked at the noise, the coyote ran and impaled itself.

That is except for the mark in the coyote’s fur. The one identical to the icon around Noah’s neck.

But the earth is undisturbed, and there was no sound the previous night.

Noah is alone. He is always alone.

Noah packs his things and moves on. He is nearing the end of the plains, the land ahead green with trees. It reminds him of home.

Even as he marches on, the day he left plays in his mind. He doesn’t want it to, and he has trained himself not to, but a little sweet nostalgia allures him to the memory, forgetting the bitterness of such thoughts on his tongue.

He was warned not to go in there. He was warned not to touch the stone. But a teenager will rebel against his elders, and the others dared him to. He remembers the thrill of climbing down into that cave, the chill of the water as he submerged, finding his prize, and their cries of triumph as he emerged clasping the smooth stone.

And then people were angry. His parents. The grand elder. He can recall his confusion at their rage. He couldn’t understand why they were so upset.

It was just a superstition, right?

There are no coyotes as he sits by the fire. Not now. Instead, he sits and watches the trees before him, their branches rustling in the wind. Beyond the forest is the orchard. And beyond the orchard is the mountain. And the mountain is the place where no one can follow him.

Where he can finally, truly, be by himself.

The next day he rises, repaints his marks, and sets off amongst the trees. He clings to the icon around his neck, watching the branches as if they’d reach out and grab it from him. As he walks he finds a stream, so refills his canteen. He finds berries, and so refills his rations. But this place is not quiet. There is noise everywhere, chirping, skittering, yipping. But he pulls his sled on, through trees and roots and mud.

That night he stops. There is only uneven ground, so it is difficult to set up his tent. He chooses to keep all his things inside the tent, to avoid mischievous monkeys or birds stealing anything. He sits tightly amongst his things, listening to the ceaseless noise outside.

Then it goes quiet. Just for a few minutes. Everything is silent.

And during that time Noah strains his ears again.

Until noise returns and he drifts to sleep.

The next day he rises and repaints his markings. They’re slightly scratched by branches, but it doesn’t take long to remedy. When he opens his tent, he finds a pile of bugs, all laid out like a sigil on the floor. A familiar marking, the same one which hangs around his neck.

But he can see how this happened. He’d been absentmindedly scrawling in the dirt with his spear, the same spear he’d used to retrieve the fruit. Spreading fruit juice like that, bugs were bound to follow.

He cannot tell why they died though. Perhaps the fruit was poisonous to them. Perhaps it’s poisonous to him but he doesn’t know it yet.

Either way, the earth around is undisturbed, as always.

He is alone out in these woods.

He is soon packed and on his way again. The weather is more temperate than it was on the plains. The trees and leaves trap heat, wrapping it in moisture, and making it heavy. But Noah walks on. Around trees, through bushes, across wide little streams.

He sees animals throughout the day. Spiders crawling up trunks. Snakes slithering over roots. Most ignore him if he ignores them. A few flies buzz around him, but they soon find other prey. A mosquito takes fascination with him for a while, but he swats it. Up in the trees above, a little shape swings. A monkey. It leaps from branch to branch, following his path.

That night, he settles and sets up his camp again. He glances up and sees the little monkey, still leaping about. Its bright eyes leer down. Noah eats some fruit as it draws closer. He sees it weighing its jump, ready to steal something. But he can’t sleep another night with his supplies crammed in his tent. The smell of the fruit is too strong, and positioning his spear is a challenge. And still the monkey creeps closer.

Noah takes a stick from the undergrowth and wraps a spare bit of cloth around it. He lights it from his campfire and swings it wildly up at the monkey.

The monkey screeches and yelps. It retreats, hurrying up a tree trunk. Noah waves his torch until the beast disappears. He hopes it won’t come back.

As he readies for bed, he takes some large leaves and covers the fruit. With one last thought, he takes his spear into the tent, propping it up awkwardly inside the entrance.

That night his ears strain against the noisy silence. So much noise it becomes the base for all other sound. Then he hears it. Scampering feet. Little eeks and ooks. The rustle of leaves.

Then the forest is silent again. Truly silent. All that remains is the monkey, rummaging amongst the fruit.

With a snap and a sharp shriek, even that falls silent.

The noise finally returns and Noah falls fitfully to sleep.

The next morning he reapplies his paints and opens his tent. The monkey is dead, its body left strewn across the far tree, battered and broken. Its blood spells a familiar symbol in its fur.

It must have just been a predator, Noah tells himself. Just a predator.

Noah marches on, sled behind him. The trees are already parting, leaving greater room to walk. By nightfall he will almost be at the orchard. Then the mountain.

Then he’ll be alone.

As he settles for nightfall, the trees are already quite wide apart. Wide enough that he can set up his tent without trouble. Wide enough that no animals come close.

As he sets up his tent, a chill joins the air. Something colder than cold.

The air is silent. Not even the noise of the jungle.

CRACK!

Noah looks up, but dives into his tent, hurriedly tying the entrance. Too late, in fact.

A branch the size of a log hits the tent’s roof.

The tent crumples, and the log lands atop Noah. His spear is in his hand, but the rest of him is pinned to the floor. He releases his spear and reaches up to the icon around his throat. Golden metal meets his fingers, and he relaxes. The chill to the air vanishes. The sounds of the woods return.

Using his spear, he levers the log off of him. He slips out, his side bleeding from where a branch cut him. It isn’t deep, so he patches it with mud and some torn cloth from his tent.

He moves the log and rebuilds his tent as best he can. He rechecks the various runes painted on its fabric. Luckily, they’re undamaged. He looks up to where the tree branch fell from.

Something is sat on the branch. A shadowy shape. First a monkey, then a coyote. Then it is a young man, before vanishing completely.

Noah heads into his tent and struggles to sleep.

The next day comes, and Noah almost forgets to repaint his arms. The cut in his side aches. It hurts, but there is nothing he can do.

He packs up his things and marches on.

Within hours, he has passed the edge of the jungle and steps out into lush green fields. The occasional tree is spread around, many littered with fruit. He tries to pluck some, but finds it too high, and his side is too sore to climb. He walks on.

That night he sets up camp in a field. No trees to fall on him, no animals to bother him. His side still aches, and he barely eats before surrendering and going to bed. He doesn’t hear anything that night, not that he is listening.

His hand doesn’t leave the icon around his neck all night.

The next day he awakes, but something is wrong. He is shivering, though the air is still warm. He sweats though he feels cold. The wound in his side burns and looks swollen. Even so, he rises, packs his things, and moves on.

The walk is more challenging today. His bones are tired and his thoughts drift in and out. They drift so far that the tang of nostalgia lures him in again.

The memories play out like a performance around him.

He is at home again, wandering back into the village. The elders are furious. His parents look scared. He is forced to carry the stone by himself, the elders refusing to touch it. There is shouting and ranting. Words like “Banishment” are used. Words like “Death”.

He knows that he has done wrong, but not why.

Finally, the words “The wanderer must walk alone” are uttered.

The chief’s guards arrive, and he is forced to leave.

All alone.

In the orchard, the night is rolling in. But Noah’s mind is too clouded. He walks on into the evening. He walks on into the night. He finally collapses, and in a moment of blurred clarity, he wraps the remains of his tent around himself like a blanket.

The inside is sweltering, his body boiling. His side still aches.

The night is silent.

The next morning he is awoken. Not by the dawn, but footsteps and people. They find him lying on the ground, wrapped in his tent. He is drenched in sweat and his side burns like fire. He looks at it, as do they, and they wince. It is yellowing, in parts even green.

One of them carries him on their shoulder. They are large people, all wearing rough and strong clothes. One of them carries a trident, but with four prongs.

Noah falls asleep as they carry him.

He awakens again in a bed. He is in his tent, but he can tell he did not set it up. The knots are wrong and the flaps are unsealed. But he cannot move. His side is on fire, his body drenched with sweat. He looks around and the runes on his skin are gone.

He looks down. His side is exposed, the mud cleaned off, now wrapped in clean bandages. He remembers being briefly awakened to take medicines.

He hopes they were medicines.

He tries to sit up, but cries out in pain and falls back. The sound attracts someone. A young woman enters his tent, sitting down beside him. She has hair like flax and freckles from cheek to cheek. She smiles with missing teeth, but in a way that is quite charming. She also speaks in a tongue Noah does not know. It is lilting and bright, but not one word is familiar.

She spies his lack of recognition. She tries to mime, pointing at his side, and then showing drinking something. She then mimes for him to stay still.

He nods and falls back to sleep.

Evening approaches, and he wakes to see the young woman. She is offering food, which he gladly accepts. Already he feels better and tries to stand, but she stops him. He is still weak. She produces a bit of paper and a quill. She writes something, but he does not know the letters. But she passes him the quill.

He writes something. He writes that he is thirsty, and would like some wine. He knows she will not understand.

That night, once she is gone, his ears strain at the dark. But this is not a quiet place. He hears horses, and people working late, and drinking in a nearby tavern.

And then, for a moment, it is silent. Silent aside from the sound of something being dragged.

Then all is normal again, and Noah falls unwillingly to sleep.

The next morning he awakens, but is still too weak to stand. He searches for his paints, but cannot find them. They must be on his sled.

Around mid-morning, the young woman arrives to give him food and water. And some wine. He looks at her curiously.

She mimes and writes a few words. One is “traveller” and the next “uncle”. The next is a list of places, one of which Noah recognises. He nods and writes “Hello”. She writes “Hello” in her tongue. They both smile.

The joy is cut short however. There are shouts, screams, yells of anguish. The young woman heads out and returns minutes later looking quite pale. She has brought a book with her. She reads it hurriedly, and Noah spies some of his language in the pages.

She scrawls down two words on the paper. “Missing” and “boy”.

Mere minutes later, the tent flap is thrown open, and a man in very stern clothes looks down at him. A finger is pointed in an accusatory way, loud words are said, and the young woman stands out of the way.

Noah however is too weak to stand. He tries to, but fails, and so the accusations are soon dropped. The man leaves, as does the young woman.

Later that evening, she returns. Noah has had all day to think. He desperately asks for the quill. He tries to warn her. He must have his things. He must have his paints. He grips and shows the icon around his neck as if she will understand.

She does her best to translate. She tells him to stay put. She thinks he is just afraid of the kidnapper, and he doesn’t want to be their next victim.

In a way, she isn’t wrong.

She is then called away by a dinner bell, or so Noah guesses.

And he is left alone.

That night his ears strain at the silence. The town is more sombre, no celebrating with such a tragedy in their midst. But amidst the mournful sobs, there is a moment of silence.

And in the silence, two noises. The sound of two things being dragged.

Noah does not sleep that night.

Noah stirs from his dreadful thoughts as the tent flap is opened and the stern man looks in. He says something, but it is not understood. Noah tries to answer anyway. The man shakes his head and leaves.

Around noon, the young woman appears, but she is dishevelled. Her hair is a mess and her eyes are bloodshot.

She writes on the paper three words. “My sisters. Missing.”

Noah stares at her for a long time. She forces the pen and paper into his hands. There is something new written on it.

“What took them?”

She looks at him, her eyes knowing more than her age would suggest. Insistent for answers.

He writes back. He asks that she help him leave. He begs for his paints and his things. He pleads that he be allowed to get away from here.

He does not answer her question.

She looks at his words, and she looks disgusted. She writes back. He is a coward, trying to escape. She helped him, and he will not help her.

He writes one last time to help him leave, and then all will be well. For her, all will be well. He then writes a single word.

Wanderer.

But it is unclear if she understands. He doesn’t know if the word can be translated or if she does just believe him a coward.

She leaves and does not return. Someone else brings his food that evening.

And he sits and eats alone, before tiredness finally takes him.

A noise in the night awakes Noah. A dragging noise. A lumbering noise. Something large, dragging its feet.

He has been in the same place too long.

He hears it moving, long toes dragging in the dirt. He sees a shadow against the moonlight, a form as tall as his tent. Long fingers hang past its knees. A maw of teeth shifts as it breathes.

And then another noise. A confused cry. A shout of anger and fear. The light of a burning torch.

A young girl screams.

The shadow vanishes and a man cries out in agony. A torch flies and ignites a nearby building. Like a shadow play, parts and fractions play out on the tent. A man impaled on long fingers. A jaw distending from a cavernous mouth. An eyeless head turning its gaze on him.

Suddenly, a hand pokes under the tent flap. A young woman’s hand. Noah struggles to his feet and grabs her fingers, but something else is pulling from the other side. She pleads and cries, but Noah is too weak. She slips from his hands, and her screams fall silent.

With all the strength he has, Noah holds the tent flaps shut.

Something stops outside the tent. His spear is on his sled. He can hear the thing breathing, rasping, hacking breaths. Something so old, so terrible. Noah watches as its long fingers press at the canvas, threatening to rip through. It strides around his tent, its long shadow cast over him by the flames.

Noah falls back and clutches the icon around his neck. He sits there until morning.

Then he is finally alone again.

Noah does not sleep. He rises and in desperation draws the symbols back on his arms with dirt and spit. He leaves his tent and he looks upon the village. He falls to his knees and vomits.

The town is in ruins. Almost a dozen buildings, all burnt or strewn with blood. Bodies lie in the streets, some whole, others ripped in half or more. One has his chest ripped open, chunks of gore dripping into the chasm.

And there, in the centre of town, impaled on Noah’s own spear, is the young woman. Her eyes are lifeless. Her hair is bloodstained. Her body is limp.

He is alone again.

Noah does not stay. He packs his things and marches on. He marches on faster than ever. He leaves his spear where it is, but gathers his sled and his supplies. The mountain is just beyond the village. He is almost there.

But his mind will not rest.

No more sweet nostalgia, a bitter taste floods his mind. He has tasted this pain before.

He recalls as he was driven from the village. Without food, without supplies, without explanation. On the call that “The Wanderer must travel alone”. The only one to stop him was his mother, who handed him an icon to wear about his neck.

She said it would keep him safe. He thinks it has.

He left the village, walking out into the woods. He stopped a mere hour away, weeping and mourning, not knowing what to do.

But then there had been a noise. Something in the trees. He had wanted a weapon, something to defend himself.

But it hadn’t been needed. His friends, those that had dared him to go in that cave, had followed him. They wished to go with him.

He had been so happy that night. And they celebrated. One had snuck a jug of wine. Another had brought a book of foreign places to go. Where they could all go. The book told stories of distant lands, and paradise havens, and a mystical mountain where no one could follow.

And his friends also told stories of The Wanderer. They recited all that the village had told them. Of a creature. Of a stone that had held such a thing in place.

But they had laughed. Laughed into the evening. Laughed until they slept under the stars.

The next morning, Noah had awoken to a cold wetness. He stirred, lying in a pool. A crimson pool. His friends were dead, gutted, their blood mixing around him.

He had screamed so loud. But that was when he had seen it.

Waiting just beyond. Waiting in the trees.

The Wanderer.

And he hasn’t stopped since.

The mountain is cold, and colder as he climbs. Snow crunches underfoot and frost bites at his skin. The sled catches in trenches of ice and patches of slush slip from under him like landslides.

But Noah presses on. He marches up the snowy slope, not able to see the top. For a day, he marches, and as the sun sets he presses on. But he hears nothing. No new noise, but no silence either. Just the flurry of snow.

For another day, he walks without stopping. Finally the peak comes into view. He crests the top and looks down, the world splaying out before him. He can see the village and the orchards beyond. He can see the jungle, and the mists amongst the trees. He can even see the plains, and how they bend over the horizon.

And somewhere beyond that must be home.

Noah sits upon the peak, cold seeping into his very bones. And for once, ever since this began, he feels truly alone.

With shaking hands, he reaches up and he removes the icon from around his neck. He places it in the snow before him and breathes in the cold air.

Suddenly, the air grows silent. Silent apart from the crunch of footsteps.

Noah doesn’t dare look round. He knows it will be there. He just hears those dragging steps as they move up the mountain behind him. Fear colder than the snow clutches his heart, but he doesn’t move. He can’t.

He feels long, sharp fingers wrap around his throat. He’s terrified, but it’s already too late.

And as the fingers wrench, and there’s a snap that could only be his neck, Noah can only think one thing.