ะะทััะฐั ะะฝะณะบะพั-ะะฐั. ะคะพัะพะณัะฐั Tran Minh Dung. ะัะตัะฝะฐะผ (Ho Chi Minh). Exploring Angkor Wat. Photographer Tran Minh Dung. Vietnam (Ho Chi Minh).
ะะดะธะฝ ะธะท ัะฐะผัั ะผะฐัััะฐะฑะฝัั ัะตะปะธะณะธะพะทะฝัั ะฟะฐะผััะฝะธะบะพะฒ ะผะธัะฐ ะฝะฐั ะพะดะธััั ะฒ ะปะตัะฐั ะะฐะผะฑะพะดะถะธ, ะฒ ะฟะพะนะผะต ัะตะบะธ ะะตะบะพะฝะณ. ะญัะพ ั ัะฐะผะพะฒัะน ะบะพะผะฟะปะตะบั ะะฝะณะบะพั-ะะฐั, ะทะฐะฝะธะผะฐััะธะน ะพะบะพะปะพ 210 ะณะตะบัะฐัะพะฒ.ะะฝ ะฑัะป ะฟะพัััะพะตะฝะฝ ะบะพัะพะปัะผ ะกััััะฒะฐัะผะฐะฝะพะผ II ะฒ ะฟะตัะฒะพะน ะฟะพะปะพะฒะธะฝะต XII ะฒะตะบะฐ.
ย ะกััััะฒะฐัะผะฐะฝ II ััะตะฑะพะฒะฐะป ะพั ัััะพะธัะตะปะตะน ะทะฐะบะพะฝัะธัั ัะฐะฑะพัั ะผะฐะบัะธะผะฐะปัะฝะพ ะฑััััะพ, ัะฐะบ ะบะฐะบ ะฟะปะฐะฝะธัะพะฒะฐะป ัะดะตะปะฐัั ะตะณะพ ัะฒะพะตะน ัััะฟะฐะปัะฝะธัะตะน ะฟะพัะปะต ัะผะตััะธ. ะะฐะดะฐัะฐ ะพัะปะพะถะฝัะปะฐัั ัะตะผ, ััะพ ะฑะปะธะถะฐะนัะธะต ะทะฐะปะตะถะธ ะฟะตััะฐะฝะธะบะฐ ะฝะฐั ะพะดะธะปะธัั ะฒ 40 ะบะธะปะพะผะตััะฐั ะพั ะผะตััะฐ ัััะพะธัะตะปัััะฒะฐ. ะะปั ััะฐะฝัะฟะพััะธัะพะฒะบะธ ะบะฐะผะฝั ะฝะฐ ัััะพะนะบั ะบั ะผะตัั ะฟัะพััะปะธ ัะฟะตัะธะฐะปัะฝัั ัะธััะตะผั ะบะฐะฝะฐะปะพะฒ, ะฟะพ ะบะพัะพัะพะน ะธ ัะฟะปะฐะฒะปัะปะธ ะฟะตััะฐะฝะธะบ ะฝะฐ ะฑะฐะผะฑัะบะพะฒัั ะฟะปะพัะฐั . ะะพ ััะธะผ ัะพะปั ะฒะพะดั ะฒ ะฒะพะทะฒะตะดะตะฝะธะธ ะะฝะณะบะพั-ะะฐั ะฝะต ะพะณัะฐะฝะธัะธะฒะฐะตััั, ะพะฝะฐ, ะฒ ะฟััะผะพะผ ัะผััะปะต ัะปะพะฒะฐ, ะฟะพะดะดะตัะถะธะฒะฐะตั ะทะดะฐะฝะธะต. ะะปั ัััะพะธัะตะปัััะฒะฐ ะะฝะณะบะพั-ะะฐั ะฑัะปะพ ะธัะฟะพะปัะทะพะฒะฐะฝะพ ะพะบะพะปะพ 5 ะผะธะปะปะธะพะฝะพะฒ ะบะฐะผะตะฝะฝัั ะฑะปะพะบะพะฒ ะพะฑัะธะผ ะฒะตัะพะผ ะฑะพะปะตะต 500 ััััั ัะพะฝะฝ. ะัะธัะตะผ ะฒ ะพัะฝะพะฒะฐะฝะธะธ ััะพะน ะผะฐััะธะฒะฝะพะน ะบะฐะผะตะฝะฝะพะน ะบะพะฝััััะบัะธะธ ะฝะตั ััะฝะดะฐะผะตะฝัะฐ ะฒ ะฟัะธะฒััะฝะพะผ ะฟะพะฝะธะผะฐะฝะธะธ ััะพะณะพ ัะปะพะฒะฐ. ะฅัะฐะผ ัะฐัะฟะพะปะฐะณะฐะตััั ะฝะฐ ััะตั ัะปะพะนะฝะพะน ะฟะปะฐััะพัะผะต. ะกะฝะฐัะฐะปะฐ ะธะดะตั ัะปะพะน ะฟะตัะบะฐ, ะทะฐัะตะผ ัะปะพะน ะบะฐะผะฝั ะธ ัะฝะพะฒะฐ ัะปะพะน ะฟะตัะบะฐ. ะะพ ะบะฐะบ ะถะต ะะฝะณะบะพั-ะะฐั ัะดะตัะถะธะฒะฐะตััั ะฝะฐ ะฟะตัะบะต? ะะตะปะพ ะฒ ัะพะผ, ััะพ ะฝะฐะฟะพะปะฝะตะฝะฝัะน ะฒะพะดะพะน ัะธัะพะบะธะน ัะพะฒ ะฒะพะบััะณ ะทะดะฐะฝะธั ะฒัะฟะพะปะฝัะตั ะฝะต ัะพะปัะบะพ ะทะฐัะธัะฝัั ะธ ะดะตะบะพัะฐัะธะฒะฝัั ััะฝะบัะธะธ. ะะฝ ัะฒะปัะตััั ะฒัะฟะพะผะพะณะฐัะตะปัะฝะพะน ะธะฝะถะตะฝะตัะฝะพะน ัะธััะตะผะพะน ั ัะฐะผะฐ. ะะฑัะตะผ ะฒะพะดั ะฒ ะฝะตะผ - ะฑะพะปะตะต 2 ะผะธะปะปะธะพะฝะพะฒ ะปะธััะพะฒ. ะ ััะพั ััะพะฒะตะฝั ะฟะพะดะดะตัะถะธะฒะฐะตััั ะฟะพััะพัะฝะฝัะผ. ะะพะดะฐ ะฟัะพะฝะธะบะฐะตัะฟะพะด ะพัะฝะพะฒะฐะฝะธะต ะธ ะฟะพะด ะตะต ะฒะพะทะดะตะนััะฒะธะตะผ ะฟะตัะพะบ ััะฐะฝะพะฒะธััั ัะฒะตัะดะพะน ะผะฐััะพะน ะธ ะฝะต ัะฐัะฟะพะปะทะฐะตััั.
ะะปะฐะฒะฝะฐั ะดะพััะพะฟัะธะผะตัะฐัะตะปัะฝะพััั ะะฝะณะบะพั-ะะฐั - ััะพ ะฑะฐัะฝะธ ะฒ ัะตะฝััะฐะปัะฝะพะน ะตะณะพ ัะฐััะธ, ะฒัััะพะน 65 ะผะตััะพะฒ. ะงะตัััะต ะฑะฐัะฝะธ ัะฐัะฟะพะปะฐะณะฐัััั ะฟะพ ัะณะปะฐะผ ะฟััะผะพัะณะพะปัะฝะพะน ะฟะปะฐััะพัะผั, ะฐ ะฟััะฐั - ะฒ ัะตะฝััะต. ะญัะฐ ัะตะฝััะฐะปัะฝะฐั ะฑะฐัะฝั ัะธะผะฒะพะปะธะทะธััะตั ัะฒััะตะฝะฝัั ะณะพัั ะะตัั - ะพะฑะธัะตะปั ะฑะพะณะพะฒ. ะะฐะถะดัะน ะณะพะด ะฒะพ ะฒัะตะผั ะฒะตัะตะฝะฝะตะณะพ ัะฐะฒะฝะพะดะตะฝััะฒะธั ัะพะปะฝัะต ะฒะพัั ะพะดะธั ะฟััะผะพ ะฝะฐะด ััะพะน ัะตะฝััะฐะปัะฝะพะน ะฑะฐัะฝะตะน. ะกะพะปะฝะตัะฝัะน ัะฒะตั ะฟัะพั ะพะดะธั ัะบะฒะพะทั ะพัะฒะตัััะธะต ะฒ ะทะฐะผะบะพะฒะพะผ ะบะฐะผะฝะต, ะดะฐะปะตะต ัะตัะตะท ะพัะฒะตัััะธะต ะฒ ะฟะพะปั ัะบะฒะพะทั ัะฐั ัั ะณะปัะฑะธะฝะพะน 27 ะผะตััะพะฒ ะฒ ะฟะพัะฐะนะฝัั ะฟะพะดะทะตะผะฝัั ะบะพะผะฝะฐัั. ะ ะฝะตะน ะกััััะฒะฐัะผะฐะฝ II ะฟะปะฐะฝะธัะพะฒะฐะป ัะฐะทะผะตััะธัั ัะฒะพั ะณัะพะฑะฝะธัั. ะฃ ะธััะพัะธะบะพะฒ ะฝะตั ะตะดะธะฝะพะณะพ ะผะฝะตะฝะธั - ัะดะฐะปะพัั ะตะผั ััะพ ะธะปะธ ะฝะตั.
ะ ัััะพะธัะตะปัััะฒะต ะะฝะณะบะพั-ะะฐั ะฑัะปะพ ะทะฐะดะตะนััะฒะพะฒะฐะฝะพ ะพะบะพะปะพ 300 ััััั ัะตะปะพะฒะตะบ. ะะพ ัะบะพัะพััั ัััะพะธัะตะปัััะฒะฐ ะพะฑัััะฝัะตััั ะฝะต ัะพะปัะบะพ ััะธะผ. ะะตะปะพ ะตัะต ะธ ะฒ ะธัะฟะพะปัะทะพะฒะฐะฝะฝัั ะผะฐัะตัะธะฐะปะฐั . ะะตััะฐะฝะธะบ ะฟัะธะผะตะฝัะปะธ ะปะธัั ะดะปั ะพะฑะปะธัะพะฒะบะธ ะทะดะฐะฝะธั, ะฐ ะฒะฝัััะตะฝะฝะธะต ััะตะฝั ัะดะตะปะฐะฝั ะธะท ะฟะพัะธััะพะณะพ ะบะฐะผะฝั - ะปะฐัะตัะธัะฐ, ะบะพัะพัะพะณะพ ะพัะตะฝั ะผะฝะพะณะพ ะฒ ะพะบัะตััะฝะพัััั . ะะพ ะฟัะพัะฝะพััะธ ะพะฝ ะฝะต ััััะฟะฐะตั ะฟะตััะฐะฝะธะบั, ั ะพัั ะธ ะฝะต ัะฐะบะพะน ัััะตัะธัะฝัะน. ะะพ ะณะปะฐะฒะฝะพะต ะตะณะพ ะฟัะตะธะผััะตััะฒะพ - ะบะฐะผะตะฝั ะพัะตะฝั ะปะตะณะบะพ ะพะฑัะฐะฑะฐััะฒะฐะตััั. ะญัะพ ะฟะพะทะฒะพะปะธะปะพ ะฒะพะทะฒะตััะธ ะะฝะณะบะพั-ะะฐั ะฟัะธะผะตัะฝะพ ะทะฐ 35 ะปะตั, ะฟัะธัะตะผ ะฑะพะปัััั ัะฐััั ะฒัะตะผะตะฝะธ ะทะฐะฝะธะผะฐะปะพ ะดะตะบะพัะธัะพะฒะฐะฝะธะต ัะฐัะฐะดะฐ ะธ ะฒะฝัััะตะฝะฝะธั ััะตะฝ.
ะกะตะนัะฐั ะะฝะณะบะพั ะะฐั ะพะดะธะฝ ะธะท ะผะธัะพะฒัั ะฐัั ะตะพะปะพะณะธัะตัะบะธั ัะตะดะตะฒัะพะฒ, ะฒะบะปััะตะฝะฝัะน ะฒ ัะฟะธัะพะบ ะัะตะผะธัะฝะพะณะพ ะฝะฐัะปะตะดะธั ะฎะะะกะะ, ะฐ ัะฐะบะถะต ัะฒะปัะตััั ัะธะผะฒะพะปะพะผ ะฝะฐัะธะพะฝะฐะปัะฝะพะน ะณะพัะดะพััะธ ะบั ะผะตัะพะฒ ะธ ะธะทะพะฑัะฐะถะตะฝ ะฝะฐ ัะปะฐะณะต ะะฐะผะฑะพะดะถะธ ั 1863 ะณะพะดะฐ.
One of the largest religious monuments in the world is located in the forests of Cambodia, in the floodplain of the Mekong River. This is the Angkor Wat temple complex, occupying about 210 hectares. It was built by King Suryavarman II in the first half of the 12th century.
Suryavarman II demanded that the builders complete the work as quickly as possible, as he planned to make it his burial place after his death. The task was complicated by the fact that the nearest sandstone deposits were located 40 kilometers from the construction site. To transport the stone to the construction site, the Khmers dug a special system of canals, along which the sandstone was floated on bamboo rafts. But the role of water in the construction of Angkor Wat is not limited to this, it literally supports the building. About 5 million stone blocks with a total weight of more than 500 thousand tons were used for the construction of Angkor Wat. Moreover, at the base of this massive stone structure there is no foundation in the usual sense of the word. The temple is located on a three-layer platform. First there is a layer of sand, then a layer of stone and then a layer of sand again. But how does Angkor Wat stay on the sand? The fact is that the wide moat filled with water around the building performs not only a protective and decorative function. It is an auxiliary engineering system of the temple. The volume of water in it is more than 2 million liters. And this level is maintained constant. Water penetrates under the base and under its influence the sand becomes a solid mass and does not creep. The main attraction of Angkor Wat is the towers in its central part, 65 meters high. Four towers are located at the corners of a rectangular platform, and the fifth is in the center. This central tower symbolizes the sacred Mount Meru - the abode of the gods. Every year during the spring equinox, the sun rises directly over this central tower. Sunlight passes through a hole in the keystone, then through a hole in the floor through a shaft 27 meters deep into a secret underground room. Suryavarman II planned to place his tomb there. Historians disagree on whether he succeeded or not.
About 300,000 people were involved in the construction of Angkor Wat. But the speed of construction is explained not only by this. It is also due to the materials used. Sandstone was used only for the cladding of the building, and the interior walls are made of porous stone - laterite, which is very abundant in the surrounding area. In terms of strength, it is not inferior to sandstone, although not as aesthetically pleasing. But its main advantage is that the stone is very easy to process. This made it possible to build Angkor Wat in about 35 years, and most of the time was spent decorating the facade and interior walls.
Angkor Wat is now one of the world's archaeological masterpieces, included in the UNESCO World Heritage List, and is also a symbol of national pride of the Khmers and has been depicted on the flag of Cambodia since 1863.
ะััะพัะฝะธะบ://35photo.pro/kyoflash, //www.architime.ru/specarch /suryavarman/angkor_wat.htm#1.jpg, /paikea.ru/angkor-wat/.



















