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I had never heard of this interpretation of the Baskerville Hound.
Now it is a moovie that can be defined grotesque rather than comic, but as often happens, through the comic one can convey otherwise uncomfortable truths. It's a demented parody, honestly not very well done, but like others I think it is not to be overlooked.
It is the work of Paul Morrisey, Andy Warol's partner in crime, director of raw and avant-garde films, in which the homosexual theme is always roughly present.
This is an unsuccessful opear but interesting thing, it seems to use tropes known to us.
Sherlock Holmes is Peter Cook while Dudley Moore plays Watson ... and others. A close-knit artistic couple in many shows.
spoiler under the cut
First of all, the moovie opens with three nuns in Baker Strett. All three have heads, but it's interesting nonetheless. An unlikely Watson entertains them by ironing an underpants and ejaculating water from a huge syringe as he talks about Holmes.
Meanwhile in his room a Sherlock Holmes with only a silk damask robe, garters and yes, a corset, pretending to play the violin, tastes a cup of cofee and ... spits it out. Interesting right?
Watson irones, sets the table, and even wears an apron at some point. The perfect incarnation of a wife. Perfect scenes the domestic bliss.
Holmes still in the opening credits is absorbed in reading a book called Guilt without Sex.
When we meet Sir Henry immediately we realize that he is parodistically marked as gay, after all he immediately admits that he loves pink, and he agrees with Watson to use a carnation of that color to be able to recognize themself the following day at the station. Considering that if they say it face to face it is definitely redundant. The carnation may not be green, but by choosing pink they use another stereotype ... wait, who else has used pink?
We know immediately of the Hound that he is huge, that he leaves gigantic footprints (canon) and we are repeatedly told that he has enormous genitals. Sir Henry, clearly homosexual, as a child dreamed of being raped by the dog (sorry the picture is not my fault) ... in a rude way the metaphor of the dog as homosexuality seems to be used.
At Baskerville Sir Henry and Watson, dressed like Holmes, are housed in the same room, a dump with a flooded floor (we have already seen this too). Before bed, Watson fixes a couple of picture of Holmes and Sir Henry appreciates the romance of it.
Sir Henry also offers to be woken up, in case Watson needs ... anything. He have just to make a whistle (and so the trope of whistling and homosexuals is also covered). Apparently it won't have to take that long, because Watson's bed go break. So we just have to think that there is only one bed left (is that what happened to John and Sherlock?)
Left alone, Holmes turns to a special center to console the gentlemen. He could choose the service of some masseuses, or for 5 shillings the help of Caesar. He offers 10.So he earns the gift of a stimulating gherkin, wondering where he should put it. Then he ends up in the company of three old ladies, this is the apparently comic twist, but after all they have very little of the feminine, they also include thick hair on the back, ah, they are three like the nuns at the beginning, handsome and made up. I'm pretty sure here is a meaning.
In Baskerville, meanwhile, the question of the light signals between Barrymore and the fugitive is interpreted by placing the flashlight at genital height and making the two approach each others in a paroxysmal exhibitionist dance. This part, too, with the sexual turn of the light signals is familiar to us.
In London, because he stayed in London, Holmes goes to his mother. The woman is played by Dudley Moore and she is having a séance. A nice Watson / Doyle / parent character Holmes overlay.
Her mother lives with Iris who helps her cheat the séances and it is suggested that the two have a sadomasochistic relationship. The woman, who has violets pinned to her chest, regrets the times she wore Sherlock as a girl (hi Sherlock is a girl name and Uncle Rudy).
Watson in Baskerville dabbles with cipher codes and then meets Frankland who asks him if he has ever killed an elephant (alas, not yet).
He then meets Staplelton and his sister who tries to have sexual intercourse with him. Needless to say, the scene is the clear parody of a horror movie. A Holmes in apparent disguise reunites with Watson at a party where everyone is once again wearing pink carnations.
The bottom line is that everyone wants to kill Sir Henry. Towards the end, believing him dead they all sit together at the table toasting, but when he's show up himself alive, with Watson, and he joins the table whit them, they are literally disgusted. Stepleton's sister interpreting the scene of the Exorcist vomiting on Sir Henry and Watson continuing to say "filthy scum" ... in Italian translated as "fagot".
Eventually the hound attacks Sir Henry, but there is instant recognition between them and it ends up in ... cuddles.
It practically turns out that Charles Baskerville wasn't scared of the Hound but he loved him so much that he made him his heir.
The film ends with the prediction of Holmes' mother coming true. That is, there will be an explosion of a dormant volcano. And apparently this volcano is right below Baskerville!
Remember when we were like tea is gay and then they wrote the line “is ‘cup of tea’ code?” and they made culverton pose in front of a giant gay cereal teacup with a saucer haha good times
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it's as interesting as when Moriarty talks to Sherlock about the "final problem", while saying "What’s the final problem? I did tell you. But did you listen?" he is literally sipping a cup of tea ... not very subtle really (or maybe yes because it took me years to notice it LOL)