#tcf jack

Happy Easter Everyone and still a Happy day to everyone who don't celebrate it🎉🎉🎉🎉🎉🥳🥳

My Guy goes and says shit like that only to adopt said person into his family a few chapters later.

"Themes" is such a weird topic for me, not gonna lie... I always feel like it's something you're just supposed to know and feel instinctually – like rhythm in dancing. Which, btw, I'm not really good at. So it's difficult to talk about without that background anxiety that I'll totally flop and miss the point, despite my best intentions.

Still, I decided to give it my best shot anyway, and try to decide what "themes" there are in "Trash/Lout of the Count's Family", and why I like them, because that part is subjective and thankfully, I can decide without freaking out over the "correct" answer.

First, let me make one thing clear: I don't believe TCF was written to convey a single theme or idea. It's an adventure story, and it's supposed to be pure fun. Which it is!! But nevertheless, there is a lot of effort and thought behind it, and I believe that thoughtfulness from the author manifests itself clearly in the overall work, so it's definitely worth talking about.

Now, with that lengthy explanation of what I'm going for out of the way: what are the themes in TCF that I noticed (and like)?

Found Family

Beloved Hypocritical Hero

Overcoming Prejudice

Victory in Working Together

What makes Humanity, what makes a Monster

Healing and Moving Forward

Misunderstandings

Found Family is the most obvious theme, overall, so I don't think it requires much explanation. Cale doesn't "find" his new family on purpose as much and trips all over them, on total accident – then proceeds to adopt them all, despite his inner monologue telling the readers over and over that he intends no such thing. It's pure comedy, but it's also incredibly wholesome and heartwarming. Cale has the biggest, softest heart of them all, and he's the only one who doesn't see it. I wanna squish his cheeks and coo over how cute he is most of the time.

Beloved Hypocritical Hero is the second theme, which isn't apparent at the start. Cale's biased inner monologue does his best to convince us that he's totally selfish, and doesn't intend to be a paragon protagonists who selflessly helps others in the slightest! ...However, over the course of the story it becomes clear that Cale is one, big, fat, liar. He is exactly the sort of hero he constantly denies he is. His whole spitting-blood-from-power-overuse act practically became a meme at this point. Still, despite how frustrating Cale's blatant hypocrisy is, we can't help but love him all the more for it. I'd like to say that he gets better overtime, but.... yeah, personally, I don't see much progress on that front. He did promise Raon he won't get hurt one time, and he managed to keep that promise, but then he (spoiler alert) went ahead and stabbed himself right after, so. Yeah. Cale is a hero and a hypocrite and we all love him. That's definitely a major theme in the story.

Overcoming Prejudice is the best way I found to describe the whole plot of "anti-darkness attribute" propaganda in TCF. What I love about it is that the author found a much more interesting way to convey the theme than just make it about "fantasy racism". It isn't just about the Dark Elves, it's about Necromancers too, and all people using dead mana. The best part is that dead mana is, in fact, used by the very higher-ups who spread the prejudice in the first place, proving without a doubt that it's all 100% hypocrisy and there is nothing wrong with dead mana in the first place. It's all propaganda, and it serves a purpose. The true beauty of this plot unfolds when the Sun Twins show up, and Cale brings in Mary to help Hannah with her dead mana poisoning. Jack goes through an entire arc of realizing what "true light" is, and that despite the "voice of the Sun God" constantly ringing in his ears to eradicate all darkness, he comes to his own conclusion that it isn't what the power is, it's about what ones does with the power. It's just, beautiful. I feel like that part of the story doesn't get enough credit. Mary is one of my favorite characters, and Jack and Hannah combo is amazing as well. Definitely one of my favorite plotlines in TCF.

Victory in Working Together is another obvious theme throughout the story. It isn't just reserved for the good guys, either: the bad guys have a ton of alliances, too. The difference is that the good side is based on genuine intent, without stabbing each other in the backs, while the bad guys only pretend as long as they need to, then throw away their "allies" to the wolves when it's convenient. It's portrayed less as a "message" and more of a purely pragmatic fact: to get anywhere, you need to have support. Cale knows this from the start, which is why he manages to make so many allies in such a short time. This theme is simply about being able to overcome the biggest of obstacles, as long as you honestly work together with others and put all your effort into it. It is the simplicity of it makes it so effective, in my opinion.

What makes Humanity, what makes a Monster is an interesting one for sure. In a world full of so many interesting races, the final boss is – always – human. Be it Venion Stan, Redika, Prince Adin, Queen Elisneh, the White Star, or even the Sealed God – all of the main villains are either purely human or started off that way. I think it's very much deliberate, in order to show how what makes these people evil isn't some in-born characteristic; but only their choices. Not to say that non-human characters aren't ever bad, of course not – there is a bunch of evil non-human characters all over the story. But evil, true evil, is always a choice. And thus, non-human characters who choose good are more "human" than the "monsters wearing human skins". I won't call it an allegory, because it isn't even as indirect as that: it's a fundamental truth of life that the only real monsters are people who are rotten on the inside. And since the author put so much effort to make all the fantasy races in TCF feel very much human-like, it only makes sense that their choices is the thing that makes them evil, not their race. Even actual Monsters aren't all pure evil in TCF! I truly appreciate it. It's such a simple concept, but it works extremely well.

Healing and Moving Forward is one of the themes which honestly melts my heart. It doesn't simply apply to Cale; it applies to everyone in the cast. Everyone in Cale's group comes in damaged, scarred, hurt or threatened in some way, and comes out better in the end. From the children, to the adults, the entire group heals through their "Found Family" and their quest to defeat the evil forces threatening their world, in order to achieve a peaceful, happy future. Every time we see the evidence of it – like Cale admitting his life is precious, Eruhaben agreeing to extend his life, Choi Han attribute changing, and so on – it feels like an amazing triumph, and yet completely natural and earned. One could simply call it "good character development" and move on, but I see a commond trend and it deserves to make itself a theme of its own. It's not just about everybody finding their place in the family: it's about them growing as family. And doing so, despite their traumatic pasts. And since I once called Cale a "poster child of trauma", it's no wonder he's the one who has the most of "healing" and "moving forward" to do of them all. I hope it continues all throughout book 2!

And of course, I saved Misunderstandings for last. I think the name speaks for itself. TCF is practically a comedy built upon misunderstandings; except misunderstandings of the BEST kind. The misunderstandings where people look upon Cale – tired, in-denial, clueless Cale – and see whatever they need to see the most in the moment: a saviour, an inspiration, a leader, a friend, a parent, and so on. Many misunderstandings result in people seeing Cale in too-good-to-be-true light, which is always funny (Clopeh instantly comes to mind). The thing is: Cale deserves most of it, even if he doesn't believe so. Because it's not about what Cale actually is that matters in those situations: it's about what others need. Cale inspires just by being, well, himself. And that inspiration is what changes people. It's Cale doing his best and affecting others, that makes all the huge waves of change. In my opinion, there is no better misunderstanding than one which results in inspiration: because even if "truth" was revealed later on, the effects of it were 100% real, and something to be grateful for. Imagine if you had a terrible day, and you suddenly saw someone smile at you, and you felt better. Even if the person wasn't actually looking at you in that moment – that doesn't matter!! What matters to you is that your day DID get better, and that person was to thank for! That's the beauty of TCF's misunderstandings. Cale will never truly comprehend the gratefulness of others, without understanding how he can affect them without even trying. ...Then again, his obliviousness and hypocrisy is one of the many reasons why we love him 😊

I miss Bud and Glenn

I miss Hanna and Jack

I miss Cage and Taylor

I’m writing a fanfic about what happened before chapter 677. Basically Jack meeting Angelina in his dreams and AAHSFJAVSBS

She literally loves him so much. He’s her baby, her little saint, and Hannah is her precious holy maiden, her poor scarred and tormented child.

Basically Angelina explaining to Jack how she hated what her church had become and how she ignorantly tried to fix it by sending saints and holy maidens but it just ruined their lives.

This post is sitting in my drafts until I finish and post it on Ao3. THE VOICES WONT STOP. JACK NEEDS A LOVING MOTHER RIGHT THE FUCK NOW.

GUYS IT HAPPENED IM FINISHED ASGDSGAA

Go read I guess? Or not, this was 100% self indulgence lmao