2018 has been a great year for TV, with music playing a huge part in whether a show really works or not. With that in mind, we asked several music supervisors to pick their favourite TV sync placements of the year so far. Here's what they came up with:
Garrett McElver, SuperMusicVision (The Tick, Seal Team)
Show: American Crime Story: The Assassination of Gianni Versace – Music Supervised by Amanda Krieg Thomas
Episode 4 – ‘House By The Lake’
Song: “Drive” – The Cars (on-camera performance by Aimee Mann)
“Drive” comes about midway through the season, and as a viewer we’re just so traumatized by everything that’s happened (and what we know will happen soon) that this music moment really cuts through. It’s a great showcase of the collaboration between the writers, director, executive producers, music supervisor, and Aimee Mann herself, as they’re all accomplishing a lot with a big featured song moment with an on-camera performance. We feel so helpless for the character David as he’s essentially been kidnapped by his murderous ex-lover Andrew. David’s whole life has crashed down around him, and we know there’s really no way out for him. As Andrew and David stop in a local bar during their escape out of town, we see the incredible Aimee Mann as the evening’s anonymous performer, and she begins to play a rendition of the song made famous by The Cars. David considers escaping through the bathroom window but ultimately does not, in fear of not making it very far and because Andrew’s manipulative reasoning for staying has gotten to him.
While Andrew sits at the table watching this performance by himself, we get to witness one of the very few honest human emotions from Andrew as he breaks into tears. So much of Andrew’s story showcases how manipulative and fake he is, but in this moment, something comes out. I love that this song can really resonate with both characters in this moment. Lyrically applying to David feeling lost and trapped in this situation with no literal or emotional escape. Who is going to be there for him? Who will drive him home? And also with Andrew, who we can tell thinks he’s in the right, feeling alone in his own regard. He feels he’s lost David. Andrew has put himself into this situation where murdering those in his way is the only conceivable choice left in his mind. Who’s gonna pay attention to his dreams? Who’s gonna drive him home? Seemingly no one, as he feels woefully under appreciated by the world around him. He cries at the bar, but we know these are not tears of a lesson learned, it’s fuel for his continued spree to come. Aimee Mann’s performance captures this sense of loss and dread so beautifully and hauntingly. It’s heartbreaking, it’s frustrating, it’s unfair. It’s a great scene.
